Odetta Sings The Blues
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Odetta Sings The Blues
''Odetta Sings the Blues'' is an album by American folk singer Odetta, released in 1968. It is a reissue of the 1962 Riverside release ''Odetta and the Blues''. Track listing Side one #"Hard, Oh Lord" (4:05) #"Believe I'll Go" (3:03) #"Oh, Papa" (3:16) #"How Long Blues" (2:06) #"Hogan's Alley" (2:09) #"Leavin' This Mornin'" (2:46) Side two #"Oh My Babe" (4:19) #"Yonder Come the Blues" (2:48) #"Make Me a Pallet on Your Floor" (3:47) #"Weeping Willow Blues" (2:35) #"Go Down Sunshine" (2:17) #" Nobody Knows You When You're Down and Out" (2:19) Personnel * Odetta – vocals, guitar * Buck Clayton - trumpet *Vic Dickenson - trombone *Herb Hall - clarinet * Dick Wellstood - piano * Ahmed Abdul-Malik - bass * "Shep" Shephard - drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Buck Clayton
Wilbur Dorsey "Buck" Clayton (November 12, 1911 – December 8, 1991) was an American jazz trumpeter who was a member of Count Basie's orchestra. His principal influence was Louis Armstrong, first hearing the record "Confessin' That I Love You" as he passed by a shop window. Early years Clayton learned to play the piano from the age of six. His father was an amateur musician associated with the family's local church, who was responsible for teaching his son the scales on a trumpet, which he did not take up until his teens. From the age of 17, Clayton was taught the trumpet by Bob Russell, a member of George E. Lee's band. In his early twenties he was based in California, and was briefly a member of Duke Ellington's Orchestra and worked with other leaders. Clayton was also taught at this time by trumpeter Mutt Carey, who later emerged as a prominent west-coast revivalist in the 1940s. He also met Louis Armstrong while Armstrong was performing at Sebastian's Cotton Club, who taugh ...
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Odetta Albums
Odetta Holmes (December 31, 1930 – December 2, 2008), known as Odetta, was an American singer, actress, guitarist, lyricist, and a civil rights activist, often referred to as "The Voice of the Civil Rights Movement". Her musical repertoire consisted largely of American folk music, blues, jazz, and spirituals. An important figure in the American folk music revival of the 1950s and 1960s, she influenced many of the key figures of the folk-revival of that time, including Bob Dylan, Joan Baez, Mavis Staples, and Janis Joplin. In 2011 ''Time'' magazine included her recording of "Take This Hammer" on its list of the 100 Greatest Popular Songs, stating that "Rosa Parks was her No. 1 fan, and Martin Luther King Jr. called her the queen of American folk music." Biography Early life and career Odetta was born Odetta Holmes in Birmingham, Alabama, United States. Her father, Reuben Holmes, had died when she was young, and in 1937 she and her mother, Flora Sanders, moved to Los Angele ...
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1968 Albums
The year was highlighted by protests and other unrests that occurred worldwide. Events January–February * January 5 – " Prague Spring": Alexander Dubček is chosen as leader of the Communist Party of Czechoslovakia. * January 10 – John Gorton is sworn in as 19th Prime Minister of Australia, taking over from John McEwen after being elected leader of the Liberal Party the previous day, following the disappearance of Harold Holt. Gorton becomes the only Senator to become Prime Minister, though he immediately transfers to the House of Representatives through the 1968 Higgins by-election in Holt's vacant seat. * January 15 – The 1968 Belice earthquake in Sicily kills 380 and injures around 1,000. * January 21 ** Vietnam War: Battle of Khe Sanh – One of the most publicized and controversial battles of the war begins, ending on April 8. ** 1968 Thule Air Base B-52 crash: A U.S. B-52 Stratofortress crashes in Greenland, discharging 4 nuclear bombs. * ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Shep Shephard
Berisford Shepherd, professionally known as Shep Shepherd (January 19, 1917 – November 25, 2018), was an American multi-instrumental jazz musician, composer and singer. Beginnings Shepherd's father Charlie Shepherd was an engineer from the West Indies working to build the Panama Canal when Shepherd was conceived. His father sent his mother by ship to New Orleans, intending she continue Philadelphia to live with relatives there. Shepherd was born in Honduras during the journey, and then raised in first a Jewish neighborhood and later a black neighborhood in Philadelphia. He had an early fascination with marching bands, drumming on tables and chairs until his mother bought him a toy drum to save wear and tear on the furniture. He attended the Jules E. Mastbaum Area Conservatory and Vocational School where he trained as a percussionist on timpani, vibraphone, xylophone, snare and bass drums. Students were required to have a secondary instrument, Shepherd's was trombone. He ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Ahmed Abdul-Malik
Ahmed Abdul-Malik (born Jonathan Tim, Jr.; January 30, 1927 – October 2, 1993) was an American jazz double bassist and oud player. Abdul-Malik is remembered for integrating Middle Eastern and North African music styles in his jazz music.Kelsey, Chri"Ahmed Abdul-Malik: Biography" AllMusic. Retrieved October 2, 2017. He was a bass player for Art Blakey, Earl Hines, Randy Weston, and Thelonious Monk, among others. Early life Abdul-Malik claimed that his father was from Sudan and moved to the United States. Research by historian Robin Kelley, however, indicates that Abdul-Malik was born to Caribbean immigrants and changed his birth name: Ahmed Abdul-Malik was born Jonathan Tim Jr., (sometimes spelled "Timm") on January 30, 1927, to Matilda and Jonathan Tim Sr. – both of whom had immigrated from St. Vincent in the British West Indies three years earlier. They also had a daughter, Caroline, born a little more than a year after Jonathan Jr. Jonathan Tim Sr.'s death certificate not ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Dick Wellstood
Richard MacQueen Wellstood (November 25, 1927 – July 24, 1987) was an American jazz pianist. Career He was born in Greenwich, Connecticut, United States. Wellstood's mother was a graduate of the Juilliard School who played church organ. Wellstood took piano lessons as a boy, though he was self-taught as a performer of stride and boogie-woogie. Beginning in 1946, he played boogie-woogie, swing, stride piano, and dixieland with bands led by Bob Wilber. A year later he began two years of accompanying Sidney Bechet. In 1952, he toured Europe with Jimmy Archey, then worked with Roy Eldridge. Through the 1950s, he worked with a band led by Conrad Janis. He also worked with Red Allen, Buster Bailey, Wild Bill Davison, Vic Dickenson, Coleman Hawkins, and Ben Webster. He went to school and received a law degree, though thirty years would pass before he spent a brief time practicing law. In the 1960s, he worked with Bob Dylan and Odetta. With Carl Warwick, he performed on military base ...
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Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ...
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Herb Hall
Herbert L. Hall (March 28, 1907 – March 5, 1996) was an American jazz clarinetist and alto saxophonist. Early life Hall was born in Reserve, Louisiana, the brother of Edmond Hall and the son of clarinetist Edward Hall. Career Hall began on banjo with the Niles Jazz Band (1923–1925), then settled on reeds. In 1926, he played with Kid Augustin Victor in Baton Rouge, and moved to New Orleans the following year. He played briefly with Sidney Desvigne, then played for over a decade with Don Albert (1929–1940), moving to San Antonio with him and remaining there until 1945. After this he moved to Philadelphia, where he played with Herman Autrey; a few years later he was in New York, working with Doc Cheatham (1955) and toured Europe with Sammy Price (1955–56). He often played in New York jazz clubs, particularly Jimmy Ryan's and Eddie Condon's, in the late 1950s and 1960s. In 1968-69, he toured with Wild Bill Davison's Jazz Giants, and then a stint with an offshoot band ...
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