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Octandre
''Octandre'' is a chamber piece by Edgard Varèse, written in 1923 and published by J. Curwen & Sons in London in 1924 (new edition, New York: G. Ricordi, 1956; new edition, revised and edited by Chou Wen-chung, New York: Ricordi, 1980). It is dedicated to pianist E. Robert Schmitz. ''Octandre'' consists of three movements: It is scored for 1 piccolo/ flute, 1 oboe, 1 B clarinet/ E clarinet, 1 horn, 1 bassoon, 1 trumpet (in C), 1 trombone, 1 double bass. Paul Griffiths, "Varèse, Edgard dgar(Victor Achille Charles)", ''The New Grove Dictionary of Music and Musicians'', 2nd edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan, 2001). References Further reading * Anderson, John Davis. 1984. "The Influence of Scientific Concepts on the Music and Thought of Edgard Varèse". D.A. diss. Greeley: University of Northern Colorado. * Babbitt, Milton. 1966. "Edgard Varèse: A Few Observations of His Music". '' Perspectives of New Music'' 4, no. 2 (Spring–Sum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgard Varèse
Edgard Victor Achille Charles Varèse (; also spelled Edgar; December 22, 1883 – November 6, 1965) was a French-born composer who spent the greater part of his career in the United States. Varèse's music emphasizes timbre and rhythm; he coined the term " organized sound" in reference to his own musical aesthetic. Varèse's conception of music reflected his vision of "sound as living matter" and of "musical space as open rather than bounded". He conceived the elements of his music in terms of " sound-masses", likening their organization to the natural phenomenon of crystallization. Varèse thought that "to stubbornly conditioned ears, anything new in music has always been called noise", and he posed the question, "what is music but organized noises?" Although his complete surviving works only last about three hours, he has been recognised as an influence by several major composers of the late 20th century. Varèse saw potential in using electronic media for sound production, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions For Octet
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hungarian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernist Compositions
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Edgard Varèse
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Wilkinson
Marc Wilkinson (27 July 1929 – 8 January 2022) was an Australian-British composer and conductor best known for his film scores, including ''The Blood on Satan's Claw'', and incidental music for the theatre, most notably for Peter Shaffer's ''The Royal Hunt of the Sun''. His compositional approach has combined traditional techniques with elements of the avant-garde. After residing for most of his life in the United Kingdom, he retired from composition and lived in France. Life and career Born in Paris, France, Wilkinson studied composition at Columbia and Princeton Universities; he also took some private lessons with Varèse in New York. He published a number of analytical articles on works by Varèse and Boulez. In England, he became one of the first independent composers to make use of the BBC Radiophonic Workshop after it opened in 1958. For a time Wilkinson was resident composer and musical director of the Royal Shakespeare Company, then musical director of the Royal Nat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Quarterly
''The Musical Quarterly'' is the oldest academic journal on music in America. Originally established in 1915 by Oscar Sonneck, the journal was edited by Sonneck until his death in 1928. Sonneck was succeeded by a number of editors, including Carl Engel (1930–1944), Gustave Reese (1944-45), Paul Henry Lang, who edited the journal for over 25 years, from 1945 to 1973, Joan Peyser (1977–84), Eric Salzman who served as editor from 1984 to 1991 and several others. Since 1993 ''The Musical Quarterly'' has been edited by Leon Botstein, president of Bard College and principal conductor of the American Symphony Orchestra. Originally published by G. Schirmer, Inc., it is published by Oxford University Press. References External links * Articles published before 1923at the Internet Archive The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized materials, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Ramsier
Paul Ramsier (September 23, 1927 – January 31, 2021) was a classical composer most noted for his contributions to the bass literature. Ramsier, born in Louisville, Kentucky, showed promise as a pianist at the age of five, and began composing at nine. At sixteen, he entered the University of Louisville School of Music. His graduate studies included piano with Beveridge Webster at the Juilliard School and composition with Ernst von Dohnányi at Florida State University. In his early career in New York City, he was a staff pianist with the New York City Ballet where he was influenced by Balanchine and Stravinsky. During that period he studied composition with Alexei Haieff. Ramsier's output includes orchestral, opera, choral, instrumental and chamber works, but his best known contribution to contemporary music is his body of work for the double bass, which has established him as a major figure in the development of the instrument. His renowned double bass compositions inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefan Wolpe
Stefan Wolpe (25 August 1902, Berlin – 4 April 1972, New York City) was a German-Jewish-American composer. He was associated with interdisciplinary modernism, with affiliations ranging from the Bauhaus, Berlin agitprop theater and the kibbutz movement to the Eighth Street Artists' Club, Black Mountain College, and the Darmstadt Summer Courses for New Music. He lived and worked in Berlin (1902–1933) until the Nazi seizure of power forced him to move first to Vienna (1933–34) and Jerusalem (1934–38) before settling in New York City (1938–72). In works such as ''Battle Piece'' (1942/1947) and "In a State of Flight" in ''Enactments for Three Pianos'' (1953), he responded self-consciously to the circumstances of his uprooted life, a theme he also explored extensively in voluminous diaries, correspondence, and lectures. His densely eclectic music absorbed ideas and idioms from diverse artistic milieus, including post-tonality, bebop, and Arab classical musics. Life Wolpe was b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Theory Spectrum
''Music Theory Spectrum'' () is a peer-reviewed, academic journal specializing in music theory and analysis. It is the official journal of the Society for Music Theory, and is published by Oxford University Press. The journal was first published in 1979 as the official organ of the Society for Music Theory, which had been founded in 1977 and had its first conference in 1978.. Unlike many other journals (music or otherwise), ''Music Theory Spectrum'' was initially published in an oblong (landscape) page format, to better accommodate such musical graphics as Schenkerian graphs. Published twice annually, ''Music Theory Spectrum'' includes research articles and book reviews. Online access to back issues of the journal up 2017 is provided through JSTOR. In a 1999 study, it was the seventh most frequently cited journal in music theses overall, and the third most frequently cited journal in music theory theses. In Spring 2014, Oxford University Press began publishing ''Music Theory Sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonus (journal)
''Sonus: Journal of Investigation Into Global Musical Possibilities'' is a peer-reviewed academic journal that covers musicology, music education, composition, theory, journalism, ethnomusicology, and other areas of the music and performing arts. It was co-founded in the fall of 1980 by American composer and music theorist Pozzi (Olga) Escot, who, since then, has been its editor-in-chief. References {{Reflist, , refs= {{cite book , title=The Norton/Grove Dictionary of Women Composers , url=https://books.google.com/books?id=IvoQQU1QL_QC&pg=PA161 , authors=Julie Anne Sadie & Rhian Samuel , publisher=W.W. Norton , page=161 , year=1994 , isbn=0393034879 , oclc=33066655 {{cite journal , doi=10.2307/3679881, jstor=3679881, title=SONUS: A Semi-Annual Music Journal, journal=Computer Music Journal, volume=5, issue=2, pages=66, year=1981, last1=Blevins, first1=R. "Music Periodicals", by Charles E. Lindahl, ''Notes Note, notes, or NOTE may refer to: Music and entertainment * Musical not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," ''Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the ''Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring 1963 issue may reflect a scarcity of material up to their standard". However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint hatcame to dominate" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
