Ocean (Stephan Micus Album)
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Ocean (Stephan Micus Album)
''Ocean'' is a solo album by German composer and multi-instrumentalist Stephan Micus recorded in 1986 and released on the ECM Records, ECM label.ECM discography
accessed September 26, 2011


Reception

The Allmusic review by Jim Brenholts awarded the album 4 stars stating "''Ocean'' is a set of acoustic ambient performances from Stephan Micus. He uses exotic instruments and techniques that give this disc electronic timbre... The natural sonorities of these devices create vast atmospheres with organic timbres. The soundscapes penetrate and enhance brainwave activity. This great CD will appeal to fans of Robert Rich (musician), Robert Rich, Klaus Wiese, and Riley Lee".Brenholts, J

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Stephan Micus
Stephan Micus (; born 19 January 1953) is a German musician and composer, whose musical style is heavily influenced by his study of traditional instruments and musical techniques from Japan, India, South America, and other countries. With the exception of his album ''The Music of Stones'' (1989), he plays all the instruments on his recordings, combining styles from different countries and using the instruments in unprecedented ways in each of his pieces. He often uses layers of a single instrument to create unusual combinations of sounds. He is one of the few ECM Records artists whose records are not produced by Manfred Eicher. He has mixed instruments from around the world, or used whatever was at hand: stones, ordinary flowerpots tuned with water, and his voice—singing improvised syllables over ten years before others made this approach fashionable. Micus has played bagpipes, Japanese bamboo flute, rabab, steel drums, and zither. Discography * 1976 - ''Archaic Concerts'' (C ...
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Voice
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.) Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pitch and ton ...
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Stephan Micus Albums
Stephan may refer to: * Stephan, South Dakota, United States * Stephan (given name), a masculine given name * Stephan (surname), a Breton-language surname See also * Sankt-Stephan * Stefan (other) * Stephan-Oterma * Stephani * Stephen (other) * von Stephan Ernst Heinrich Wilhelm von Stephan (born Heinrich Stephan, January 7, 1831 – April 8, 1897) was a general post director for the German Empire who reorganized the German postal service. He was integral in the founding of the Universal Postal Un ...
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ECM Records Albums
ECM may refer to: Economics and commerce * Engineering change management * Equity capital markets * Error correction model, an econometric model * European Common Market Mathematics * Elliptic curve method * European Congress of Mathematics Science and medicine * Ectomycorrhiza * Electron cloud model * Engineered Cellular Magmatics * Erythema chronicum migrans * Extracellular matrix Sport * European Championships Management Technology * Electrochemical machining * Electronic contract manufacturing * Electronic countermeasure * Electronically commutated motor * Energy conservation measure * Engine control module * Enterprise content management * Error correction mode Other uses * Editio Critica Maior, a critical edition of the Greek New Testament * ECM Records, a record label * ECM Real Estate Investments, a defunct real estate developer based in Luxembourg * Edinburgh City Mission, a Christian organization in Scotland * Elektrani na Severna Makedonija (), a pow ...
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Hammered Dulcimer
The hammered dulcimer (also called the hammer dulcimer) is a percussion-stringed instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a wooden support with legs. The player holds a small spoon-shaped mallet hammer in each hand to strike the strings. The Graeco-Roman ''dulcimer'' ("sweet song") derives from the Latin ''dulcis'' (sweet) and the Greek ''melos'' (song). The dulcimer, in which the strings are beaten with small hammers, originated from the psaltery, in which the strings are plucked. Hammered dulcimers and other similar instruments are traditionally played in Iraq, India, Iran, Southwest Asia, China, Korea, and parts of Southeast Asia, Central Europe (Hungary, Slovenia, Romania, Slovakia, Poland, Czech Republic, Switzerland (particularly Appenzell), Austria and Ba ...
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Zither
Zithers (; , from the Greek word ''cithara'') are a class of stringed instruments. Historically, the name has been applied to any instrument of the psaltery family, or to an instrument consisting of many strings stretched across a thin, flat body. This article describes the latter variety. Zithers are typically played by strumming or plucking the strings with the fingers or a plectrum. In the Hornbostel–Sachs classification system, the term refers to a larger family of similarly shaped instruments that also includes the hammered dulcimer family and piano and a few rare bowed instruments like the bowed psaltery, bowed dulcimer, and streichmelodion. Like an acoustic guitar or lute, a zither's body serves as a resonating chamber (sound box), but, unlike guitars and lutes, a zither lacks a distinctly separate neck assembly. The number of strings varies, from one to more than fifty. In modern common usage the term "zither" refers to three specific instruments: the concert zithe ...
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Shakuhachi
A is a Japanese and ancient Chinese longitudinal, end-blown flute that is made of bamboo. The bamboo end-blown flute now known as the was developed in Japan in the 16th century and is called the .Kotobank, Fuke shakuhachi.
The Asahi Shimbun
Kotobank, Shakuhachi.
The Asahi Shimbun
A bamboo flute known as the , which is quite different from the current style of , was introduced to Japan from China in the 7th century and died out in the 10th century.
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Shō (instrument)
The is a Japanese free reed aerophone, free reed musical instrument that was introduced from China during the Nara period (AD 710 to 794). It is descended from the Chinese ''Sheng (instrument), sheng'', of the Tang Dynasty era, although the ''shō'' tends to be smaller in size than its contemporary sheng relatives. It consists of 17 slender bamboo pipes, each of which is fitted in its base with a metal free reed. Two of the pipes are silent, although research suggests that they were used in some music during the Heian period. It is speculated that even though the pipes are silent, they were kept as part of the instrument to keep the symmetrical shape. The instrument's sound is said to imitate the call of a Phoenix (mythology), phoenix, and it is for this reason that the two silent pipes of the ''shō'' are kept—as an aesthetic element, making two symmetrical "wings". Similar to the Chinese Sheng (instrument), sheng, the pipes are tuned carefully with a drop of a dense resin ...
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Riley Lee
Riley Kelly Lee (born 1951) is an American-born Australian-based shakuhachi player and teacher. In 1980 he became the first non-Japanese person to attain the rank of Dai Shihan (grand master) in the shakuhachi tradition. He is a recipient of two of the most revered lineages of shakuhachi playing, descending from the original Zen Buddhist "priests of nothingness" of the Edo period (1600-1868 CE). His first teachers were Hoshida Ichizan II and Chikuho Sakai II. A later teacher was Katsuya Yokoyama. Personal life Riley Lee was born in Plainview, Texas, of a Chinese father and Caucasian mother. He moved to Shawnee, Oklahoma, in 1957 aged six. He played bass in the rock band The Workouts when he was 13. The family moved to Hawaii in 1966, where as a high school student, Lee first heard the shakuhachi on an LP record that his elder brother brought home. About the same time, his father gave him a dongxiao, a Chinese bamboo flute whose ancestry is shared with the shakuhachi, and taugh ...
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Klaus Wiese
Klaus Wiese (January 18, 1942 – January 27, 2009 in Ulm) was a veteran e-musician, minimalist, and multi-instrumentalist. A master of the Tibetan singing bowl, he created an extensive series of album releases using them. Wiese also used the human voice, the zither, Persian stringed instruments, chimes, and other exotic instruments in his music. Wiese is considered by some as one of the great ambient or space music artists alongside Robert Rich, Steve Roach, Michael Stearns, Constance Demby, and Jonn Serrie. His musical style is much more appropriately compared to the organic soundscapes of drone and dark ambient music, such as Oöphoi, Alio Die, Mathias Grassow, and Tau Ceti. He was briefly a member of the krautrock band Popol Vuh in the early 1970s where he played tamboura on the albums Hosianna Mantra and Seligpreisung. Eventually Wiese would move away from krautrock to his own version of long tone ambient music by the 1980s. In the 1990s he founded the Nono Orchestra t ...
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Robert Rich (musician)
Robert Rich (born 23 August 1963) is an ambient musician and composer based in California, United States. With a discography spanning over 30 years, he has been called a figure whose sound has greatly influenced today's ambient music, New-age music, and even intelligent dance music, IDM. Biography Early life At an early age, Rich thought he disliked music. Around age 12, he began growing succulent plants as a hobby. He would leave a radio tuned to classical music for his plants. This experience influenced his interest in avant-garde and Minimalist music, minimal composition. In the 5th grade, he began studying viola and voice. He never completed his formal training because he became uncomfortable with reading musical notation. He began looking for ways to generate sounds similar to those he heard in his mind. He started improvising on his parents' piano to hear the sound of the sustained strings droning in tonal combinations, in the style of Charlemagne Palestine. He began build ...
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