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Oboe Concerto No. 1 (Handel)
The Oboe Concerto No. 1 in B flat major ( HWV 301) was composed by George Frideric Handel for oboe, orchestra and basso continuo. It was first published in the fourth volume of ''Select Harmony'' by Walsh in 1740. Other catalogues of Handel's music have referred to the work as HG xxi, 85; and HHA iv/12,17. The concerto is thought to be an early work of Handel's, however the attribution to Handel has been questioned on stylistic grounds ''The Musical Times'', David Humphreys: 'HWV301', vol.151 no.1913 (Winter 2010), pp.2–3. A typical performance of the work takes almost eight minutes. Movements The work consists of four movements Movement may refer to: Common uses * Movement (clockwork), the internal mechanism of a timepiece * Motion, commonly referred to as movement Arts, entertainment, and media Literature * "Movement" (short story), a short story by Nancy Fu ...: See also * Handel's concertos References Concertos by George Frideric Handel Handel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Walsh (printer)
John Walsh was the name of a father and son, two printers and publishers of music, active in London from the late 17th Century, and through the first half of the 18th Century. They published much important Baroque music, including works by William Babell and Handel. John Walsh the elder John Walsh (1665 or 1666 – 13 March 1736) was an English music publisher possibly of Irish descent, established off the Strand, London, by c. 1690. He was appointed musical instrument-maker-in-ordinary to the king in 1692. Walsh began publishing music in 1695, with ''"The Self Instructor for the Violin, or the art of playing that instrument improved and made easie by plain Rules and Directions"''. At this time, music publishing had just gone through a major change, with the rise of copper engraving, instead of moveable type. Engraved music was easier to read, and permitted the beaming of quavers. It had been used extensively by John Playford who began publishing in 1647. By the time of John W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Händel-Gesellschaft
Between 1858 and 1902, the Händel-Gesellschaft ("German Handel Society") produced a collected 105-volume edition of the List of compositions by George Frideric Handel, works of George Frideric Handel. Even though the collection was initiated by the society, many of the volumes were published by Friedrich Chrysander working alone (Chrysander was the major contributor for almost all of the volumes). The wording on the title page of the volumes is "''Georg Friedrich Händel's Werke. Ausgabe der Deutschen Händelgesellschaft''" which translates as "Georg Friedrich Handel's works. Edition of the German Handel Society". Chrysander's work has been criticised, however the scale of his achievement is also praised. The collection's abbreviation of "HG" can be used to identify individual works by Handel; for example Handel's ''Messiah (Handel), Messiah'' can be referred to as "HG xlv" (with the Roman numerals "xlv" indicating that the work is in volume 45). For practical use, the HG system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hallische Händel-Ausgabe
The ''Hallische Händel-Ausgabe'' ("Halle Handel Edition") is a multi-volume collection of the works of George Frideric Handel. It was first published in the 1950s: initially as an adjunct to the HG edition, but by 1958 as a collected edition in its own right. The collection's abbreviation of "HHA" can be used to identify individual works by Handel, for example Handel's ''Messiah'' can be referred to as "HHA i/17" (with the Roman numeral "i" designating "series 1"). For practical use, the HHA numbering of Handel's works has been superseded by the HWV numbering system. Published by the George Frideric Handel Society, a major new edition comprising approximately 128 volumes is being released. It is expected to be completed by 2023 in the following configuration: See also *Händel-Gesellschaft (HG) *Händel-Werke-Verzeichnis The Händel-Werke-Verzeichnis (abbreviated as HWV) is the Catalogue of Handel's Works. It was published in three volumes (in German) by Bernd Baselt be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded ''The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minuet
A minuet (; also spelled menuet) is a social dance of French origin for two people, usually in time. The English word was adapted from the Italian ''minuetto'' and the French ''menuet''. The term also describes the musical form that accompanies the dance, which subsequently developed more fully, often with a longer musical form called the minuet and trio, and was much used as a movement in the early classical symphony. Dance The name may refer to the short steps, ''pas menus'', taken in the dance, or else be derived from the ''branle à mener'' or ''amener'', popular group dances in early 17th-century France. The minuet was traditionally said to have descended from the ''bransle de Poitou'', though there is no evidence making a clear connection between these two dances. The earliest treatise to mention the possible connection of the name to the expression ''pas menus'' is Gottfried Taubert's ''Rechtschaffener Tantzmeister'', published in Leipzig in 1717, but this source ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By George Frideric Handel
George Frideric Handel (23 February 1685 – 14 April 1759) composed works including 42 operas; 25 oratorios; more than 120 cantatas, trios and duets; numerous arias; odes and serenatas; solo and trio sonatas; 18 concerti grossi; and 12 organ concertos. Collected editions of Handel's works include the Händel-Gesellschaft (HG) and the Hallische Händel-Ausgabe (HHA), but the more recent Händel-Werke-Verzeichnis (HWV) publication is now commonly used to number his works. For example, Handel's ''Messiah'' can be referred to as: HG xlv, HHA i/17, or HWV 56. Some of Handel's music is also numbered based on initial publications, for example a 1741 publication by Walsh labelled twelve of Handel's concerti grossi as '' Opus 6''. Operas Incidental music Oratorios Odes and masques Cantatas Italian duets Italian trios Hymns Italian arias English songs German church cantatas Italian sacred cantatas Latin church music Anthems Canticles Concertos Conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concertos By George Frideric Handel
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oboe Concertos
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers: Baroque *Tomaso Albinoni *Johann Sebastian Bach (reconstruction from harpsichord concerto) *Johann Friedrich Fasch * Christoph Förster *Carl Heinrich Graun *Christoph Graupner *George Frideric Handel *Johann Adolph Hasse *Alessandro Marcello *Johann Joachim Quantz *Alessandro Scarlatti *Giovanni Battista Sammartini *Giuseppe Sammartini *Georg Philipp Telemann *Antonio Vivaldi Classical *Carl Philipp Emanuel Bach *Johann Christian Bach *Ludwig van Beethoven * Carlo Besozzi *Domenico Cimarosa *Carl Ditters von Dittersdorf *Josef Fiala *Joseph Haydn (doubtful) *William Herschel *Franz Anton Hoffmeister *Ignaz Holzbauer *Jan Antonín Koželuh *Franz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1740 Compositions
Year 174 ( CLXXIV) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Gallus and Flaccus (or, less frequently, year 927 '' Ab urbe condita''). The denomination 174 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Empress Faustina the Younger accompanies her husband, Marcus Aurelius, on various military campaigns and enjoys the love of the Roman soldiers. Aurelius gives her the title of ''Mater Castrorum'' ("Mother of the Camp"). * Marcus Aurelius officially confers the title ''Fulminata'' ("Thundering") to the Legio XII Fulminata. Asia * Reign in India of Yajnashri Satakarni, Satavahana king of the Andhra. He extends his empire from the center to the north of India. By topic Art and Science * ''Meditations'' by Marcus Aurelius ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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