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Oberheim DX
The DMX is a programmable digital drum machine manufactured by Oberheim. It was introduced in 1980 at a list price of and remained in the company's product line until the mid-1980s. The Oberheim DMX was the second digital drum machine ever to be sold as a commercial product, following the Linn LM-1 Drum Computer in 1980. Its popularity among musicians of the era contributed to the sound and evolution of 1980s new wave, synthpop and hip hop music. Background Immediately following the success of the Linn LM-1, other manufacturers began to develop and release drum machines intended to compete with the LM-1's ease of programmability and realistic sound quality. The DMX featured sampled sounds of real drums, as well as individual tuning controls for each drum voice and a swing function. In addition, it boasted several humanizing elements such as rolls, flams, and timing variations that were meant to mimic those of real drummers. The DMX features 24 individual drum sounds derived ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim DMX
The DMX is a programmable digital drum machine manufactured by Oberheim. It was introduced in 1980 at a list price of and remained in the company's product line until the mid-1980s. The Oberheim DMX was the second digital drum machine ever to be sold as a commercial product, following the Linn LM-1 Drum Computer in 1980. Its popularity among musicians of the era contributed to the sound and evolution of 1980s new wave, synthpop and hip hop music. Background Immediately following the success of the Linn LM-1, other manufacturers began to develop and release drum machines intended to compete with the LM-1's ease of programmability and realistic sound quality. The DMX featured sampled sounds of real drums, as well as individual tuning controls for each drum voice and a swing function. In addition, it boasted several humanizing elements such as rolls, flams, and timing variations that were meant to mimic those of real drummers. The DMX features 24 individual drum sounds derived ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequential Circuits
Sequential is an American synthesizer company founded in 1974 as Sequential Circuits by Dave Smith. In 1978, Sequential released the Prophet-5, the first programmable polyphonic synthesizer; it became a market leader and industry standard, used by artists including Michael Jackson, Madonna, and John Carpenter. In the 1980s, Sequential was pivotal in the development of MIDI, a technical standard for synchronizing electronic instruments. In 1987, Sequential went out of business and was purchased by Yamaha. Smith continued to develop instruments through a new company, Dave Smith Instruments. In 2015, Yamaha returned the Sequential Circuits trademark to Dave Smith Instruments, which rebranded as Sequential in 2018. In 2021, Sequential was acquired by the British audio technology company Focusrite. History 1974–1980: Founding, first products and Prophet-5 The engineer Dave Smith founded Sequential Circuits in San Francisco in 1974. The first Sequential Circuits product wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alphanumeric Display
A fourteen-segment display (FSD) (sometimes referred to as a starburst display or Union Jack display) is a type of display based on 14 segments that can be turned on or off to produce letters and numerals. It is an expansion of the more common seven-segment display, having an additional four diagonal and two vertical segments with the middle horizontal segment broken in half. A seven-segment display suffices for numerals and certain letters, but unambiguously rendering the ISO basic Latin alphabet requires more detail. A slight variation is the sixteen-segment display which allows additional legibility in displaying letters or other symbols. A decimal point or comma may be present as an additional segment, or pair of segments; the comma (used for triple-digit groupings or as a decimal separator in many regions) is commonly formed by combining the decimal point with a closely 'attached' leftwards-descending arc-shaped segment. Electronic alphanumeric displays may use LEDs, L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
7-segment Display
A seven-segment display is a form of electronic display device for displaying decimal numeral system, numerals that is an alternative to the more complex dot matrix displays. Seven-segment displays are widely used in digital clocks, electronic meters, basic calculators, and other electronic devices that display numerical information. History Seven-segment representation of figures can be found in patents as early as 1903 (in ), when Carl Kinsley invented a method of telegraphically transmitting letters and numbers and having them printed on tape in a segmented format. In 1908, F. W. Wood invented an 8-segment display, which displayed the number 4 using a diagonal bar (). In 1910, a seven-segment display illuminated by incandescent bulbs was used on a power-plant boiler room signal panel. They were also used to show the dialed telephone number to operators during the transition from manual to automatic telephone dialing. They did not achieve widespread use until the advent of Lig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim Stretch DX
Oberheim is an American synthesizer manufacturer founded in 1969 by Tom Oberheim. History and products Tom Oberheim founded the company in 1969, originally as a designer and contract manufacturer of electronic effects devices for Maestro (most notably the Maestro PS-1A Phase Shifter),, and briefly a retail dealer for ARP Instruments, eventually designing the company's first Oberheim-branded product, the Oberheim DS-2, one of the first digital music sequencers. In 1975 Oberheim introduced the Synthesizer Expander Module (SEM) to complement the DS-2 sequencer and enable a user to play one synthesizer while the DS-2 played a sequence on another. The SEM featured a two-pole filter that could operate as a low-pass, high-pass, band-pass, or band-reject filter, giving it a different sound than the Moog and ARP filters popular at the time. The company later combined multiple SEM modules with a digitally-scanned keyboard and a 2-channel voltage-controlled sequencer to create a series o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim DX
The DMX is a programmable digital drum machine manufactured by Oberheim. It was introduced in 1980 at a list price of and remained in the company's product line until the mid-1980s. The Oberheim DMX was the second digital drum machine ever to be sold as a commercial product, following the Linn LM-1 Drum Computer in 1980. Its popularity among musicians of the era contributed to the sound and evolution of 1980s new wave, synthpop and hip hop music. Background Immediately following the success of the Linn LM-1, other manufacturers began to develop and release drum machines intended to compete with the LM-1's ease of programmability and realistic sound quality. The DMX featured sampled sounds of real drums, as well as individual tuning controls for each drum voice and a swing function. In addition, it boasted several humanizing elements such as rolls, flams, and timing variations that were meant to mimic those of real drummers. The DMX features 24 individual drum sounds derived ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Davy DMX
David Franklin Reeves Jr. (known professionally as Davy DMX, Davy D or Davy Dee, and also credited under the name David Reeves) is an American musician, DJ, and producer best known for his work in cooperation with Run-DMC, Kurtis Blow, The Fat Boys, and Jam Master Jay. An early associate of Russell Simmons and Larry Smith, Dave first made his name in the 1980s. Early life Davy DMX was born in The Bronx borough of New York City on October 3, 1960. When he was ten years old, he moved with his family to Hollis, Queens, a largely African-American community notable as the home of such world-class achievers as Andrew Young, the Rev. Al Sharpton, Lani Guinier, Milt Jackson, Run-DMC and DJ Hurricane. Of his musical education, Dave has said, "I always liked the Jackson 5 when I was young, so I got a guitar and taught myself how to play." Eventually, he also taught himself how to play bass, keyboards, and drums. At the dawn of hip-hop in the mid-70s, Dave taught himself how to deejay. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DMX Krew
DMX Krew is the recording name of the musician Edward Upton. Upton's other aliases include 101 Force, Asylum Seekers, Bass Potato, Chester Louis III, Computor Rockers, David Michael Cross, Ed DMX, EDMX, House of Brakes, Michael Knight, and Viet Cong. He has released six full albums on Aphex Twin's label Rephlex Records and numerous singles/EPs for both Rephlex and his own Breakin' Records. DMX Krew's sound spans several electronic music genres, mostly being rooted in early electro-pop/breakbeat type music; the ''Collapse of the Wave Function'' EPs were a more experimental direction. Discography Albums * '' Sound of the Street'' (1996) * ''Ffressshh!'' (1997) * '' Nu Romantix'' (1998) * ''We are DMX'' (1999) * ''The Collapse of the Wave Function LP'' (2004) * ''Many Worlds (The Collapse Of The Wave Function Volume 4)'' (2005) * ''The Transactional Interpretation (The Collapse Of The Wave Function Volume 5)'' (2005) * ''Kiss Goodbye'' (2005) * ''Wave:CD'' (2005) * ''Wave Funk'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Every Breath You Take
"Every Breath You Take" is a song by the English rock band the Police from their album ''Synchronicity'' (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the ''Billboard'' Hot 100 singles chart for eight weeks (the band's only hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries. At the 26th Annual Grammy Awards, the song was nominated for three Grammy Awards, including Song of the Year, Best Pop Performance by a Duo or Group with Vocals, and Record of the Year, winning in the first two categories. For the song, Sting received the 1983 Ivor Novello Award for Best Song Musically and Lyrically from the British Academy of Songwriters, Composers and Authors.Lister, David, "Pop ballads bite back in lyrical fashion", ''The Independent'', 28 May 1994 "Every Breath You Take" is the Police's and Sting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Police
The Police were an English rock band formed in London in 1977. For most of their history the line-up consisted of primary songwriter Sting (lead vocals, bass guitar), Andy Summers (guitar) and Stewart Copeland (drums, percussion). The Police became globally popular in the late 1970s and early 1980s. Emerging in the British new wave scene, they played a style of rock influenced by punk, reggae, and jazz. Their 1978 debut album, ''Outlandos d'Amour'', reached No. 6 on the UK Albums Chart on the strength of the singles " Roxanne" and "Can't Stand Losing You". Their second album, ''Reggatta de Blanc'' (1979), became the first of four consecutive No. 1 studio albums in the UK and Australia; its first two singles, "Message in a Bottle" and "Walking on the Moon", became their first UK number ones. Their next two albums, ''Zenyatta Mondatta'' (1980) and ''Ghost in the Machine'' (1981), led to further critical and commercial success with two songs, "Don't Stand So Close to Me" and "Ev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound On Sound
''Sound on Sound'' is an independently owned monthly music technology magazine published by SOS Publications Group, based in Cambridge, United Kingdom. The magazine includes product tests of electronic musical performance and recording devices, and interviews with industry professionals. Due to its technical focus, it is predominantly aimed at the professional recording studio market as well as artist project studios and home recording enthusiasts. All news and articles printed in the magazine since January 1994 have also been published online via its website, often including rich media content such as video and audio files that correspond to the content of individual articles. The articles printed in the magazine before January 1994 can be found on the Mu:zines website. History The magazine was conceived, created and founded by brothers Ian and Paul Gilby in 1985, and was originally launched in 1985 on the UK Channel 4 television programme, '' The Tube'', championing the conve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Monday (New Order Song)
"Blue Monday" is a song by English rock band New Order. It was released as a 12-inch single on 7 March 1983 through Factory Records. The song appears on certain cassette and CD versions of the band's second studio album, ''Power, Corruption & Lies'' (1983). The track was written and produced by Gillian Gilbert, Peter Hook, Stephen Morris and Bernard Sumner. "Blue Monday" is a synth-pop and alternative dance song that drew inspirations from many works of other artists. The 12-inch single was backed with a primarily instrumental version of the song entitled "The Beach" on the B-side. The single's unique packaging was designed by Peter Saville and Brett Wickens. It features a die-cut sleeve designed to resemble a -inch floppy disk. The front cover features no words, but instead has code in the form of coloured blocks that reads out the artist, song and label information, once deciphered. The original single was a commercial hit, making the top 10 in many countries. In the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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