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Oar Folkjokeopus
Oar Folkjokeopus (commonly known as Oar Folk) was a Minneapolis record store that operated on the corner of Lyndale Ave and 26th St from 1973 until 2001. The store was considered one of the staples of the Minneapolis rock scene in the 1980s, along with Jay's Longhorn Bar, and became a popular hub for musicians in the Twin Cities and the Midwest. The store was essentially the only place in Minneapolis that sold punk rock records in the 1970s and early 1980s, which made it a popular hangout for members of local bands such as Hüsker Dü, The Replacements, the Suicide Commandos, Soul Asylum and many more. Bob Mould of Hüsker Dü called it the city's "preeminent record store" and an important venue for him to find a fellow music-loving community. Martin Keller, writer for the Minneapolis ''City Pages'', said about Oar Folk: "A lot of people trace the whole rock scene (in the Twin Cities) to Oar Folk. I was living six blocks away at the time, and you'd always run into eterJesperson ...
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Oar (Skip Spence Album)
''Oar'' is the only solo studio album by American rock musician Skip Spence, released on May 19, 1969 by Columbia Records. It was recorded over seven days in December 1968 in Nashville, and features Spence on all of the instruments. History Described as "one of the most harrowing documents of pain and confusion ever made", the album was recorded after Spence had spent six months in Bellevue Hospital Center, Bellevue Hospital. Spence had been committed to Bellevue following a delusion-driven attempt to attack Moby Grape bandmates Don Stevenson (musician), Don Stevenson and Jerry Miller with a fire axe. At the time of Spence's release from hospital, he had written a number of songs that he wanted to record. Producer David Rubinson suggested that Spence record at the Columbia studios in Nashville, where there was a particularly patient recording engineer, Mike Figlio. Rubinson instructed Figlio to keep the tapes running at all times, to record everything that Spence did. The majorit ...
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Independent Stores
Independent or Independents may refer to: Arts, entertainment, and media Artist groups * Independents (artist group), a group of modernist painters based in the New Hope, Pennsylvania, area of the United States during the early 1930s * Independents (Oporto artist group), a Portuguese artist group historically linked to abstract art and to Fernando Lanhas, the central figure of Portuguese abstractionism Music Groups, labels, and genres * Independent music, a number of genres associated with independent labels * Independent record label, a record label not associated with a major label * Independent Albums, American albums chart Albums * ''Independent'' (Ai album), 2012 * ''Independent'' (Faze album), 2006 * ''Independent'' (Sacred Reich album), 1993 Songs * "Independent" (song), a 2007 song by Webbie * "Independent", a 2002 song by Ayumi Hamasaki from '' H'' News and media organizations * ''The Independent'', a British online newspaper. * ''The Malta Independent'', a Mal ...
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Music Retailers Of The United States
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal j ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Curtiss A
Curtiss A (born Curt Almsted on January 31, 1951) is a musician and visual artist from Minneapolis. One of the original artists on the Twin/Tone Records label, he performs one of the most popular shows in the Twin Cities, an annual tribute to John Lennon held at First Avenue.McKinney, Devin"The John & Curtiss Show" ''American Prospect'', December 14, 2005. He was the first musician to headline at First Avenue's sister club 7th Street Entry, and opened for Prince's first concert at First Avenue (then still called Uncle Sam's). Career Curtiss formed Wire, his first Twin Cities band, in 1969 and played with various permutations of that group through the 1970s. (Almsted's band is unrelated to the English post-punk band of the same name.) His first recording, a six-song EP, was with the Spooks, which he started with future Replacements guitarist Slim Dunlap. In 1978, Curtiss (as Buzz Barker) released the single-cum-political rant, ''I Don’t Wanna Be President''. Its B-side, ''La ...
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Jayhawks (band)
The Jayhawks are an American alternative country and country rock band that emerged from the Twin Cities music scene in the mid-1980s. Led by vocalists/guitarists/songwriters Gary Louris and Mark Olson, their country rock sound was influential on many bands who played the Twin Cities circuit during the 1980s and 1990s, such as Uncle Tupelo, the Gear Daddies and the Honeydogs. They have released eleven studio albums, with and without Olson (who left the band for the first time in 1995), including five on the American Recordings label. After going on hiatus from 2005 to 2009, the 1995 lineup of the band reunited and released the album ''Mockingbird Time'' in September 2011; Olson left the band for the second time after the tour to promote the album. After another hiatus in 2013, the 1997 lineup led by Louris reunited to play shows in 2014 to support the reissue of three albums originally released between 1997 and 2003. Since then, the band has continued to tour and record, rel ...
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The Suburbs (band)
The Suburbs are an alternative punk rock/ funk/ new wave band from Minneapolis, Minnesota that was popular in the late 1970s and 1980s. The band frequently headlined at Minneapolis's most influential music clubs, including Jay's Longhorn Bar and First Avenue. Band history The Suburbs were formed in the western suburbs of Minneapolis in November 1977 following introductions by Chris Osgood of the Suicide Commandos. Following live performances, they released ''The Suburbs'' on the Twin/Tone label (the label's first release) in early 1978. The record was a nine-song 7-inch red vinyl EP. The band also saw two songs, "Urban Guerrillas" and "Ailerons O.K.", included on the compilation ''Big Hits of Mid-America, Volume Three.'' Guitarist Bruce C. Allen did the art direction for the compilation. After building a following playing basement parties, the Suburbs had their first major success at influential Minneapolis punk/New Wave nexus Jay's Longhorn Bar; drummer Hugo Klaers said t ...
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Twin/Tone Records
Twin/Tone Records was an independent record label based in Minneapolis, Minnesota, which operated from 1977 until 1994. It was the original home of influential Minnesota bands the Replacements and Soul Asylum and was instrumental in helping the Twin Cities music scene achieve national attention in the 1980s. Along with other independent American labels such as SST Records, Touch and Go Records, and Dischord, Twin/Tone helped to spearhead the nationwide network of underground bands that formed the pre-Nirvana indie-rock scene. These labels presided over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock that were emerging. Twin/Tone originated in the Minneapolis punk rock scene. The label was begun by Peter Jesperson, music and sports writer Charley Hallman, and Paul Stark. Releases by the pop/rock group The Suburbs were both Twin/Tone's first release (''The Suburbs EP'' in 1978) and its last (''Viva! ...
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Peter Jesperson
Peter Jesperson is an American music industry businessman from Minneapolis, Minnesota, known for his involvement in discovering the Replacements, and for later serving as their manager. He also co-founded Twin/Tone Records along with Paul Stark and Charley Hallman, and managed the record store Oar Folkjokeopus during the 1970s and early 1980s. Recent work In 1995, Jesperson moved out of Minneapolis to work at New West Records in Los Angeles, where he was still working as of 2011. Jesperson led an effort called Songs For Slim to raise money for former Replacements guitarist Slim Dunlap's medical care after Dunlap had a stroke in 2012, by releasing a series of 7"s. This effort was later endorsed by a number of notable musicians, including Steve Earle and Lucinda Williams, and also led to the 2013 release of '' Songs for Slim'', an EP featuring Replacements members Paul Westerberg, Tommy Stinson, and Chris Mars Chris Mars (born April 26, 1961) is an American painter and musici ...
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Folkjokeopus
''Folkjokeopus'' is the third album issued by English folk/rock singer-songwriter and guitarist Roy Harper. It was produced by Shel Talmy and was first released in 1969 by Liberty Records. History The album is notable for the lengthy track "McGoohan's Blues", which Harper states was "inspired by actor Patrick McGoohan's depiction of the establishment rebel in his TV series, ''The Prisoner''". An extended, Dylanesque strophic form accompanied only by Harper's guitar ("how the sea she roars with laughter/And howls with the dancing wind/To see my two feet standing here/questioning") suddenly segues, after over ten minutes, first into a brief, new and quieter theme and then into a full-band coda. The searing falsetto of "She's the One" makes for one of Harper's most intense and moving recordings as manic guitar-strumming accompanies his scornful upbraiding of an acquaintance for his self-pitying insensitivity to a "wonderful wife" whom the singer sees and apparently loves as "a very ...
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Roy Harper (singer)
Roy Harper (born 12 June 1941) is an English folk rock singer, songwriter, and guitarist. He has released 22 studio albums (and 10 live ones) across a career that stretches back to 1966. As a musician, Harper is known for his distinctive fingerstyle playing and lengthy, lyrical, complex compositions, reflecting his love of jazz and the poet John Keats. He was the lead vocalist on Pink Floyd’s “Have a Cigar.” His influence has been acknowledged by Jimmy Page, Robert Plant, Pete Townshend, Kate Bush, Pink Floyd, and Ian Anderson of Jethro Tull, who said Harper was his "...primary influence as an acoustic guitarist and songwriter." Neil McCormick of ''The Daily Telegraph'' described him as "one of Britain's most complex and eloquent lyricists and genuinely original songwriters... much admired by his peers". Across the Atlantic his influence has been acknowledged by Seattle-based acoustic band Fleet Foxes, American musician and producer Jonathan Wilson and Californian harpi ...
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