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Overpass (Marc Johnson Album)
''Overpass'' is a studio album by the jazz acoustic bassist Marc Johnson. ECM released the album on 27 August 2021. Background This is his first album in some 10 years. ''Overpass'' is a rare bass-only album; it contains eight compositions recorded in Säo Paulo, Brazil during 2018. Five tracks are originals; three tracks are covers, which Johnson selected with great care: Miles Davis’ "Nardis" and Alex North’s "Love Theme from Spartacus" were staples of the Bill Evans William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, interpretation of traditional jazz repertoire, block ch ...’ repertoire. Johnson and his wife Eliane Elias produced the record. Johnson said that several things led him to record this album, commenting, " I’ve been experimenting with different ways of playing alone with the bass to make music and came up with a coupl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Johnson (musician)
Marc Alan Johnson (born October 21, 1953, in Omaha, Nebraska) is an American jazz bass player, composer and band leader. Johnson was born in Nebraska and grew up in Texas. He is married to the Brazilian jazz pianist and singer Eliane Elias. Career At the age of 19, Johnson was working professionally with the Fort Worth Symphony, and while at the University of North Texas, he played in the One O'Clock Lab Band and was also the principal bassist in the NTSU Symphony. In 1978, Johnson joined pianist Bill Evans in what would be Evans's last trio. Johnson toured and recorded with Evans until the death of the pianist in 1980. In 2007 he released the tribute album ''Something For You''—a tribute to Evans—together with his wife, pianist Eliane Elias. His credits since then include albums with Joe Lovano, Michael Brecker, Stan Getz, Bob Brookmeyer, Gary Burton, John Abercrombie (guitarist), John Abercrombie, Bill Frisell, Pat Metheny, Lyle Mays, Eliane Elias, Enrico Pieranunzi, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Hull (critic)
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', ''The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2021 Albums
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the sm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alex North
Alex North (born Isadore Soifer, December 4, 1910 – September 8, 1991) was an American composer best known for his many film scores, including ''A Streetcar Named Desire'' (one of the first jazz-based film scores), ''Viva Zapata!'', ''Spartacus'', ''Cleopatra'', and ''Who's Afraid of Virginia Woolf?'' He was the first composer to receive an Honorary Academy Award, but never won a competitive Oscar despite fifteen nominations. He wrote the music for Unchained Melody as the theme for the prison film '' Unchained'' (1955), It has become a standard and one of the most recorded songs of the 20th century, with over 1,500 recordings made by more than 670 artists, in multiple languages. Early life North was born Isadore Soifer in Chester, Pennsylvania, to Jewish parents Jesse and Baila (Bessie) who had left the Russian Empire for the US around 1906. Jesse was from Bila Tserkva and Besie originated from Odessa (both cities are now in Ukraine). In the US, Jesse was a blacksmith, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nardis (composition)
"Nardis" is a composition by American jazz trumpeter Miles Davis. It was written in 1958, during Davis's modal period, to be played by Cannonball Adderley for the album ''Portrait of Cannonball''. The piece has come to be associated with pianist Bill Evans, who performed and recorded it many times. Composition From 1955 to 1958, Miles Davis was leading what would come to be called his First Great Quintet. By 1958, the group consisted of John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums, Richard Cook. ''It's About That Time: Miles Davis On and Off Record.'' New York: Oxford University Press, 2005. , pp. 44-45. and had just been expanded to a sextet with the addition of Cannonball Adderley on alto saxophone. Coltrane's return to Davis’s group in 1958 coincided with the "modal phase" albums: ''Milestones'' (1958) and ''Kind of Blue'' (1959) are both considered essential examples of 1950s modern jazz. Davis at this point ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Harris
Eddie Harris (October 20, 1934 – November 5, 1996) was an American jazz musician, best known for playing tenor saxophone and for introducing the electrically amplified saxophone. He was also fluent on the electric piano and organ. His best-known compositions are "Freedom Jazz Dance", popularized by Miles Davis in 1966, and "Listen Here". Biography Harris was born and grew up in Chicago, Illinois, United States. His father was from Cuba and his mother from Mississippi. He studied music under Walter Dyett at DuSable High School, as had many other successful Chicago musicians (such as Nat King Cole, Clifford Jordan, Johnny Griffin, Gene Ammons, Julian Priester, and others). He later studied music at Roosevelt University, by which time he was proficient on piano, vibraphone, and tenor saxophone. While in college, he performed professionally with Gene Ammons. After college, Harris was drafted into the United States Army and while serving in Europe, he was accepted into the 7th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Journal
''Jazz Journal'' is a British jazz magazine established in 1946 by Sinclair Traill (1904–1981). It was first published in London under the title ''Pick Up'', which Traill founded as a locus for serious jazz criticism in Britain.Roberta Freund Schwartz How Britain Got the Blues: The Transmission and Reception of American Blues', Ashgate Publishing, (1988), p.25, In May 1948, Traill, using his own money, relaunched it as ''Jazz Journal''. Traill, for the rest of his life, served as its editor-in-chief. ''Jazz Journal'' is Britain's longest published jazz magazine. Ownership overview In April 1977, Billboard Limited – then the publisher of ''Music Week'' and '' The Artist'' – acquired publishing rights to ''Jazz Journal'' (via lease agreement) from the magazine's owner, Novello & Company, Ltd. Cardfront Publishers Limited, a division of Billboard Limited, became the publisher; Mike Hennessey became director; Traill continued as editor-in-chief; and the publication w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
JazzTimes
''JazzTimes'' is an American magazine devoted to jazz. Published 10 times a year, it was founded in Washington, D.C. in 1970 by Ira Sabin as the newsletter ''Radio Free Jazz'' to complement his record store. Coverage After a decade of growth in subscriptions, deepening of writer pools, and internationalization, ''Radio Free Jazz'' expanded its focus and, at the suggestion of jazz critic Leonard Feather, changed its name to ''JazzTimes'' in 1980. Sabin's Glenn joined the magazine staff in 1984. In 1990, ''JazzTimes'' incorporated exclusive cover photography and higher quality art and graphic design. The magazine reviews audio and video releases concerts, instruments, music supplies, and books. It also includes a guide to musicians, events, record labels, and music schools. David Fricke, whose writing credits include ''Rolling Stone'', '' Melody Maker'' and ''Mojo'', also contributes to the magazine. Web traffic JazzTimes.com was redesigned in 2019. Among its most popular s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeff Tamarkin
Jeff Tamarkin is an American editor, author and historian specializing in music and popular culture. Career For 15 years Tamarkin was editor of '' Goldmine'', a magazine for record and CD collectors. Prior to that, he served as the first editor of ''CMJ'' (College Media Journal) and as editor of ''Relix''. He was also the first editor of ''Grateful Dead Comix'', and has written for many other publications, including '' Billboard'', ''Pulse'', ''Boston Phoenix'', ''Newsweek Japan'', '' Playbill'', ''Creem'', '' BAM Magazine'', ''Tidal (service)'', ''Spirit'', ''Mojo'', ''M: Music & Musicians'', ''East Bay Express'', '' The Aquarian Weekly'', '' Newsday'', ''Sing Out'', ''Tracks'', ''Harp'', ''The New York Daily News'' and ''ICE''. He has contributed to the ''Guinness Encyclopedia of Popular Music'' and Allmusic and has written program notes for Carnegie Hall and Jazz at Lincoln Center. Tamarkin has interviewed more than 1,000 musicians and other entertainment figures. Tamarkin ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazzwise
''Jazzwise'', launched in 1997, is the UK jazz monthly magazine. ''Jazzwise'' has a broad sub-genre coverage, from jazz, improv, hard bop, and jazz-rock to bebop and classic jazz, and also covers jazz crossover, including jazz-funk, jazz hip-hop and jazz-electronica. It features news coverage, a national gig guide, gossip column, a jazz-on-film page, opinion column, in-depth features and a review section covering new CD releases, reissues, vinyl, DVDs, books and live reviews. Breaking news stories also feature on the ''Jazzwise'' magazine website. ''Jazzwise'' also mentors new jazz writers through its ongoing intern scheme and the Write Stuff workshops held each November during the London Jazz Festival. The ''Jazzwise'' app features the full edition of the magazine and was the first jazz magazine app in the iTunes Newsstand. 100 Best Jazz Albums of All Time The September 2009 issue of ''Jazzwise'' was titled "The 100 Jazz Albums That Shook the World", conceived by Jon Newey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-bop
Post-bop is a genre of small-combo jazz that evolved in the early to mid 1960s in the United States. Pioneers of the genre, such as Miles Davis, Charles Mingus, Wayne Shorter, Herbie Hancock, John Coltrane and Jackie McLean, crafted syntheses of hard bop with contemporaneous developments in avant-garde jazz, modal jazz and free jazz that resulted in music with a complex and experimental flavor though still rooted in bop tradition, featuring less of the blues and soul leanings predominant in hard bop. The movement had a significant impact on subsequent generations of both acoustic jazz and fusion musicians. Definition Post-bop refers to a body of music that emerged in the late 1950s and 60s that combined principles of bebop, hard bop, modal jazz, avant-garde and free jazz, but also departed from earlier traditions in jazz. Post-bop can refer to a variety of Jazz music that is post-bebop chronologically but in the common understanding post-bop music reflects these influences: the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
