Out On A Limb (album)
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Out On A Limb (album)
''Out on a Limb'' is an album by composer, arranger and conductor Pete Rugolo featuring performances recorded in 1956 and originally released on the EmArcy label as a 12-inch LP.Minn, MMaynard Ferguson Discographyaccessed October 6, 2016
accessed October 6, 2016 Tracks from this album were later released in stereo on ''Music from Out of Space'' and ''Rugolo Meets Rhythm''.


Track listing

''All compositions by Pete Rugolo, except where indicated.'' # "Don't Play the Melody" - 2:35 # "In a Modal Tone" - 2:53 # "Early Duke" - 4:12 # " Nancy" (

Pete Rugolo
Pietro "Pete" Rugolo (December 25, 1915 – October 16, 2011) was an American jazz composer, arranger and record producer. Life and career Rugolo was born in San Piero Patti, Sicily. His family emigrated to the United States in 1920 and settled in Santa Rosa, California. He began his career in music playing the baritone horn, like his father, but he quickly branched out into other instruments, notably the French horn and the piano. He received a bachelor's degree from San Francisco State College and then went on to study composition with Darius Milhaud at Mills College in Oakland, California and earn his master's degree. After he graduated, he was hired as an arranger and composer by guitarist and bandleader Johnny Richards. He spent World War II playing with altoist Paul Desmond in an Army band. After the war, Rugolo worked for Stan Kenton. He and songwriter Joe Greene collaborated on songs that made Kenton's band one of America's most popular. While Rugolo continued to work ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ...
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Vincent DeRosa
Vincent Ned DeRosa (October 5, 1920 – July 18, 2022) was an American hornist who served as a studio musician for Hollywood soundtracks and other recordings from 1935 until his retirement in 2008. Because his career spanned over 70 years, during which he played on many film and television soundtracks and as a sideman on studio albums, he is considered to be one of the most recorded brass players of all time. He set "impeccably high standards" for the horn, and became the first horn for Henry Mancini, Lalo Schifrin, Alfred Newman, and John Williams, among others, with Williams calling him "one of the greatest instrumentalists of his generation." DeRosa contributed to many of the most acclaimed albums of the 20th century, including some of the biggest-selling albums by artists as diverse as Frank Sinatra, Barry Manilow, Frank Zappa, Boz Scaggs, Ella Fitzgerald, Harry Nilsson, Stan Kenton, Henry Mancini, The Monkees, Sammy Davis Jr., and Mel Tormé. Early life and training DeR ...
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Bass Trombone
The bass trombone (german: Bassposaune, it, trombone basso) is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to facilitate low register playing, and usually two valves to fill in the missing range immediately above the pedal tones. History The earliest bass trombones were the bass sackbuts, usually pitched in G, F, or E♭ below the B♭ tenor. They had a smaller bore and less flared bell than modern instruments, and a longer slide with an attached handle to allow slide positions otherwise beyond the reach of a fully outstretched arm. The earliest known surviving specimen is an instrument in G built in Germany in 1593. This instrument matches descriptions and illustrations by Praetorius from his 1614–20 ''Syntagma Musicum''. These bass sackbuts were sometimes called , , and (Old German, , referring to intervals below B♭), though sometimes ...
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George Roberts (trombonist)
George Mortimer Roberts (March 22, 1928 – September 28, 2014) was an American trombonist. Career Born and raised in Des Moines, Iowa, Roberts began his career after service in the United States Navy. Career Roberts was a member of the Ray Robbins band, then quit to join Gene Krupa in 1947 when he was in the same section with Urbie Green. It was Urbie's lyric tenor trombone playing that inspired George to be an "Urbie" one octave lower. After the Krupa band broke up in 1949, Roberts was a freelance musician in Reno, Nevada, for a year before being hired by Stan Kenton to replace Bart Varsalona, who had left the band during its 1949–1950 hiatus. Roberts opted to stay in Los Angeles rather than go with Kenton on his 1953 European tour. Working freelance again, he was introduced to Nelson Riddle by Lee Gillette, one of the executives at Capitol Records who had produced Kenton's recordings. Roberts began recording with Riddle, Don Costa, Billy May, Axel Stordahl, Gordon Jenk ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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Frank Rosolino
Frank Rosolino (August 20, 1926 – November 26, 1978) was an American jazz trombonist. Biography Rosolino was born in Detroit, Michigan, United States, He performed with the big bands of Bob Chester, Glen Gray, Tony Pastor, Herbie Fields, Gene Krupa, and Stan Kenton. After a period with Kenton he settled in Los Angeles, where he performed with Howard Rumsey's Lighthouse All-Stars (1954–1960) in Hermosa Beach. Throughout the 1960s and 1970s, between nightclub engagements, Rosolino was active in many Los Angeles recording studios where he performed with such notables as Frank Sinatra, Sarah Vaughan, Tony Bennett, Peggy Lee, Mel Tormé, Michel Legrand, and Quincy Jones. In the mid-to-late 1960s he and fellow trombonist Mike Barone, billed as "Trombones Unlimited," recorded for Liberty Records several albums of pop-style arrangements of current hits, such as the 1968 album ''Grazing in the Grass.'' He can also be seen performing with Shelly Manne's group in the film ''I Want ...
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Herbie Harper
Herbert Harper (2 July 1920 — 21 January 2012) was an American jazz trombonist of the West Coast jazz school. Born in Salina, Kansas, he played swing music with Benny Goodman and Charlie Spivak in the 1940s and 1950s. Working on the West Coast jazz scene, he performed with such musicians as Stan Kenton, Bill Perkins and Maynard Ferguson, among others. In June 1949, he was a member of the band backing Billie Holiday on her ''Just Jazz'' radio broadcast for AFRS in Los Angeles.Billie Holiday discography
Jazzdisco.org. Retrieved 10 June 2013. Other band members were (trumpet),

Milt Bernhart
Milt Bernhart (May 25, 1926 – January 22, 2004) was a West Coast jazz trombonist who worked with Stan Kenton, Frank Sinatra, and others. He supplied the solo in the middle of Sinatra's 1956 recording of ''I've Got You Under My Skin'' conducted by Nelson Riddle. Biography Bernhart (occasionally spelled Bernhardt) began on tuba, but switched to trombone in high school. At 16 he worked in Boyd Raeburn's band and later had some "gigs" with Teddy Powell. After time in the United States Army he worked, off and on, with Stan Kenton for the next ten years. He is perhaps most associated with Kenton, but in 1955 he had his first album as a leader. In 1986 he was elected President of the Big Band Academy of America. Although known as "mild-mannered" or humorous, his brief period with Benny Goodman was one area that brought out his ire. He indicated working with Goodman was "the bottom", except for basic training in the Army, of his first 23 years of life. He called Goodman a "bore" an ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Ray Linn
:''Not related to actor-singeRay Linn Jr.(1914–1994)''. Ray Linn (October 20, 1920 in Chicago, Illinois – 4 November 1996 in Columbus, Ohio) was an American jazz trumpeter. Linn's first major engagements came in the late 1930s, playing with Tommy Dorsey (1938–41) and Woody Herman (1941-42). He would return to play with Herman again several times, in 1945, 1947, and 1955–59. In the 1940s he spent time with Jimmy Dorsey (1942–45), Benny Goodman (1943, 1947), Artie Shaw (1944–46), and Boyd Raeburn (1946). He moved to Los Angeles in 1945, where he worked extensively as a studio musician, in addition to playing with Bob Crosby (1950–51) and his extended final tenure with Herman. He spent much of the 1960s playing music for television, including ''The Lawrence Welk Show''. Linn recorded eight tunes as a leader in 1946, and full-length albums in 1978 and 1980, the latter of which are Dixieland jazz efforts. Discography As leader * ''Chicago Jazz'' (Trend, 1978) * ...
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Maynard Ferguson
Walter Maynard Ferguson CM (May 4, 1928 – August 23, 2006) was a Canadian jazz trumpeter and bandleader. He came to prominence in Stan Kenton's orchestra before forming his own big band in 1957. He was noted for his bands, which often served as stepping stones for up-and-coming talent, his versatility on several instruments, and his ability to play in a high register. Biography Early life and education Ferguson was born in Verdun (now part of Montreal), Quebec, Canada. Encouraged by his mother and father (both musicians), he started playing piano and violin at the age of four. At nine years old, he heard a cornet for the first time in his local church and asked his parents to buy one for him. When he was thirteen, he soloed with the Canadian Broadcasting Corporation Orchestra. He was heard frequently on the CBC, notably featured on a "Serenade for Trumpet in Jazz" written for him by Morris Davis. He won a scholarship to the Conservatoire de musique du Québec à Montréal whe ...
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