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Orphan Film
An orphan film is a motion picture work that has been abandoned by its owner or copyright holder; also, any film that has suffered neglect. History The exact origin of the term orphan film is unclear. By the 1990s, however, film archivists were commonly using this colloquialism to refer to motion pictures abandoned by their owners. Before the end of the decade, the phrase emerged as the governing metaphor for film preservation, first in the United States, then internationally. Definition Historians and archivists define the term in both a narrow and a broad sense. A report from the Librarian of Congress, ''Film Preservation 1993,'' offered a first definition. As a category of so-called orphan works, orphan films are those “that lack either clear copyright holders or commercial potential” to pay for their preservation. However, a much wider group of works fall under the orphan rubric when the term is expanded to refer to all manner of films that have been neglected. The ...
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Motion Picture
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photography, photographing actual scenes with a movie camera, motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of computer-generated imagery, CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still imag ...
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Cinema Journal
The ''Journal of Cinema and Media Studies'' (formerly ''Cinema Journal'' and ''The Journal of the Society of Cinematologists'') is the official academic journal of the Society for Cinema and Media Studies (formerly the Society for Cinema Studies). It covers film studies, television studies, media studies, visual arts, cultural studies, film and media history, and moving image studies and is published by the University of Texas Press. History The journal began publishing in 1961 as ''The Journal of the Society of Cinematologists''—publishing research from the organization that would become SCS and then SCMS. In 1966, it evolved into ''Cinema Journal''. It remained so named until October 2018 when it became ''The Journal of Cinema and Media Studies'' to better align itself with the name of its host organization. See also * List of film periodicals Film periodicals combine discussion of individual films, genres and directors with in-depth considerations of the medium and the condit ...
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Paolo Cherchi Usai
Paolo is both a given name and a surname, the Italian form of the name Paul. Notable people with the name include: People with the given name Paolo Art *Paolo Alboni (1671–1734), Italian painter *Paolo Abbate (1884–1973), Italian-American sculptor *Paolo Antonio Barbieri (1603–1649), Italian painter * Paolo Buggiani (born 1933), Italian contemporary artist *Paolo Carosone (born 1941), Italian painter and sculptor *Paolo Moranda Cavazzola (1486–1522), Italian painter *Paolo Farinati (c. 1524–c. 1606), Italian painter * Paolo Fiammingo (c. 1540–1596), Flemish painter *Paolo Domenico Finoglia (c. 1590–1645), Italian painter *Paolo Grilli (1857–1952), Italian sculptor and painter *Paolo de Matteis (1662–1728), Italian painter * Paolo Monaldi, Italian painter *Paolo Pagani (1655–1716), Italian painter *Paolo Persico (c. 1729–1796), Italian sculptor *Paolo Pino (1534–1565), Italian painter *Paolo Gerolamo Piola (1666–1724), Italian painter *Paolo Porpora (1617 ...
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Abandonware
Abandonware is a product, typically software, ignored by its owner and manufacturer, and for which no official support is available. Within an intellectual rights contextual background, abandonware is a software (or hardware) sub-case of the general concept of ''orphan works''. Museums and various organizations dedicated to preserving this software continue to provide legal access. The term "abandonware" is broad, and encompasses many types of old software. Definitions of "abandoned" vary, but in general it is like any item that is abandoned – it is ignored by the owner, and as such product support and possibly copyright enforcement are also "abandoned". Types ;Commercial software unsupported but still owned by a viable company: The availability of the software depends on the company's attitude toward the software. In many cases, the company which owns the software rights may not be that which originated it, or may not recognize their ownership. Some companies, such as Bor ...
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Alan Smithee
Alan Smithee (also Allen Smithee) is an official pseudonym used by film directors who wish to disown a project. Coined in 1968 and used until it was formally discontinued in 2000, it was the sole pseudonym used by members of the Directors Guild of America (DGA) when directors, dissatisfied with the final product, proved to the satisfaction of a guild panel that they had not been able to exercise creative control over a film. The director was also required by guild rules not to discuss the circumstances leading to the movie or even to acknowledge being the project's director. History Before 1968, DGA rules did not permit directors to be credited under a pseudonym. This was intended to prevent producers from forcing them upon directors, which would inhibit the development of their résumés. The guild also required that the director be credited, in support of the auteur theory, which posits that the director is the primary creative force behind a film. The Smithee pseudonym was c ...
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The Texas Archive Of The Moving Image
The Texas Archive of the Moving Image (TAMI) is an independent 501(c)(3) organization founded in 2002 by film archivist and University of Texas at Austin professor Caroline Frick, PhD. TAMI's mission is to preserve, study, and exhibit Texas film heritage. The organization has three main projects: the TAMI Online Collection, the Texas Film Round-Up, and Teach Texas. Its offices are located in Austin, Texas. Online collection The Texas Archive of the Moving Image website is a streaming video website that includes a variety of Texas-related films such as home movies, industrial films, local television, and orphan film materials as well as TAMI-curated online exhibits. The TAMI website was launched in 2008 using Glifos Social Media and the MediaWiki platform. The oldest films in the archive are a collection of Edison Studios films from the 1900 Galveston Hurricane. The TAMI site includes several curated collections with topics that include President Lyndon B. Johnson and his family, ...
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Association Of Moving Image Archivists
The Association of Moving Image Archivists (AMIA) is a 501(c)(3) not-for-profit organization established to advance the field of moving image archiving by fostering cooperation among individuals and organizations concerned with the acquisition, description, preservation, exhibition and use of moving image materials. History Since the late 1960s, representatives from moving image archives have recognized the value of regular meetings to exchange practical information and experiences. Over the years, this group of archivists originally known as the Film and Television Archives Advisory Committee (F/TAAC) expanded from a handful of participants to several hundred archivists from over 100 national, regional and local institutions. In 1990, the name of the group was changed to the Association of Moving Image Archivists. In 1991, AMIA voted to formalize as an individual-based member-based professional association, the only one of its kind in the moving image archival field. Althoug ...
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Film Preservation
Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible. For many years the term "preservation" was synonymous with "duplication" of film. The goal of a preservationist was to create a durable copy without any significant loss of quality. In more modern terms, film preservation includes the concepts of handling, duplication, storage, and access. The archivist seeks to protect the film and share its content with the public. Film preservation is not to be confused with film revisionism, in which long-completed films are modified with the insertion of outtakes or new musical scores, the addition of sound effects, black-and-white film being colorized, older soundtracks converted to Do ...
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Orphan Works
An orphan work is a copyright-protected work for which rightsholders are positively indeterminate or uncontactable. Sometimes the names of the originators or rightsholders are known, yet it is impossible to contact them because additional details cannot be found. A work can become orphaned through rightsholders being unaware of their holding, or by their demise (e.g. deceased persons or defunct companies) and establishing inheritance has proved impracticable. In other cases, comprehensively diligent research fails to determine any authors, creators or originators for a work. Since 1989, the amount of orphan works in the United States has increased dramatically since some works are published anonymously, assignments of rights are not required to be disclosed publicly, and registration is optional and, thus, many works' statuses with respect to who holds which rights remain unknown to the public even when those rights are being actively exploited by authors or other rightsholders. ...
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European Union
The European Union (EU) is a supranational political and economic union of member states that are located primarily in Europe. The union has a total area of and an estimated total population of about 447million. The EU has often been described as a '' sui generis'' political entity (without precedent or comparison) combining the characteristics of both a federation and a confederation. Containing 5.8per cent of the world population in 2020, the EU generated a nominal gross domestic product (GDP) of around trillion in 2021, constituting approximately 18per cent of global nominal GDP. Additionally, all EU states but Bulgaria have a very high Human Development Index according to the United Nations Development Programme. Its cornerstone, the Customs Union, paved the way to establishing an internal single market based on standardised legal framework and legislation that applies in all member states in those matters, and only those matters, where the states have agreed to act ...
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Directive 2012/28/EU
Directive may refer to: * Directive (European Union), a legislative act of the European Union * Directive (programming), a computer language construct that specifies how a compiler should process input * "Directive" (poem), a poem by Robert Frost * Directive speech act, a particular kind of speech act which causes the hearer to take a particular action * Lative case, a grammatical case that indicates direction See also * * Direction (other) Direction may refer to: *Relative direction, for instance left, right, forward, backwards, up, and down ** Anatomical terms of location for those used in anatomy ** List of ship directions * Cardinal direction Mathematics and science *Directio ...
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Federation Europeenne Des Realisateurs De L'audiovisuel
A federation (also known as a federal state) is a political entity characterized by a union of partially self-governing provinces, states, or other regions under a central federal government (federalism). In a federation, the self-governing status of the component states, as well as the division of power between them and the central government, is typically constitutionally entrenched and may not be altered by a unilateral decision, neither by the component states nor the federal political body. Alternatively, a federation is a form of government in which sovereign power is formally divided between a central authority and a number of constituent regions so that each region retains some degree of control over its internal affairs. It is often argued that federal states where the central government has overriding powers are not truly federal states. For example, such overriding powers may include: the constitutional authority to suspend a constituent state's government by invo ...
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