Orle (helmet Decoration)
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Orle (helmet Decoration)
The orle was a decorative chaplet or wreath worn on helmets in Western Europe during the first half of the 15th century. There is a level of overlap of function and appearance with the torse, though the latter term implies a twisted pad made up of, usually, two contrasting colours of cloth. Development The orle originated as a functional, padded roll of fabric worn around the bascinet helmet in the 14th century. In this period the bascinet was often worn under a great helm, and the orle served as a padded buffer between the two helmets. The force of any blow received on the great helm would tend to be absorbed by the orle, rather than being directly transmitted to the bascinet and the head within it. Additionally, the orle helped to keep the great helm steady on the head. Later, certainly before 1400, the bascinet was increasingly worn on its own. In the first half of the 15th century the orle developed into a purely decorative addition to the helmet. It also helped to conceal the ...
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Torse
In heraldry, a torse or wreath is a twisted roll of fabric laid about the top of the helmet and the base of the crest. It has the dual purpose of masking the join between helm and crest, and of holding the mantling in place. The torse is sometimes mistakenly said to represent the token, called a favour, such as a handkerchief or sleeve, which the knight's lady-love gave him to wear when he left for the wars or participated in tournaments. The purpose of the torse is known to be the masking of the "unsightly joining" of the helmet and the crest. However, it is possible that a knight might "twist he favourin and out or over and over the fillet which surrounded the joining-place of crest and helmet." Thus the favour (ladies handkerchief) might be twisted into the torse. The torse is blazoned as part of the crest. For example, the Coat of Arms of Canada is blazoned "On a wreath of the colours Argent and Gules, a lion passant guardant Or imperially crowned proper and holding in t ...
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Stafford Tomb, St John The Baptist Church, Bromsgrove - Photo 07
Stafford () is a market town and the county town of Staffordshire, in the West Midlands region of England. It lies about north of Wolverhampton, south of Stoke-on-Trent and northwest of Birmingham. The town had a population of 70,145 in the 2021 census, It is the main settlement within the larger borough of Stafford which had a population of 136,837 (2021). History Stafford means " ford" by a staithe (landing place). The original settlement was on a dry sand and gravel peninsula that offered a strategic crossing point in the marshy valley of the River Sow, a tributary of the River Trent. There is still a large area of marshland north-west of the town, which is subject to flooding and did so in 1947, 2000, 2007 and 2019. Stafford is thought to have been founded about AD 700 by a Mercian prince called Bertelin, who, legend has it, founded a hermitage on a peninsula named Betheney. Until recently it was thought that the remains of a wooden preaching cross from the time had ...
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Bascinet
The bascinet – also bassinet, basinet, or bazineto – was a Medieval European open-faced combat helmet. It evolved from a type of iron or steel skullcap, but had a more pointed apex to the skull, and it extended downwards at the rear and sides to afford protection for the neck. A mail curtain (aventail or camail) was usually attached to the lower edge of the helmet to protect the throat, neck and shoulders. A visor (face guard) was often employed from c. 1330 to protect the exposed face. Early in the fifteenth century, the camail began to be replaced by a plate metal gorget, giving rise to the so-called "great bascinet". Early development The first recorded reference to a bascinet, or ''bazineto'', was in the Italian city of Padua in 1281, when it is described as being worn by infantry.Nicolle (1999-journal), p. 583. It is believed that the bascinet evolved from a simple iron skullcap, (''Encyclopædia Britannica'', "Helmet") known as the cervelliere, which was worn with ...
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Great Helm
The great helm or heaume, also called pot helm, bucket helm and barrel helm, is a helmet of the High Middle Ages which arose in the late twelfth century in the context of the Crusades and remained in use until the fourteenth century. The barreled style was used by knights in most European armies between about 1220 to 1350 AD and evolved into the frog-mouth helm to be primarily used during jousting contests. History In its simplest form, the great helm was a flat-topped cylinder of steel that completely covered the head and had only very small openings for ventilation and vision. Later designs gained more of a curved design, particularly on the top, to deflect or lessen the impact of blows. The helmet was also extended downward until it reached shoulders. The great helm ultimately evolved from the nasal helmet, which had been produced in a flat-topped variant with a square profile by about 1180. From this type of helmet an intermediate type, called an 'enclosed helmet' or 'primit ...
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Cloth Of Gold
Cloth of gold or gold cloth (Latin: ''Tela aurea'') is a fabric woven with a gold-wrapped or spun weft—referred to as "a spirally spun gold strip". In most cases, the core yarn is silk, wrapped (''filé'') with a band or strip of high content gold. In rarer instances, fine linen and wool have been used as the core. History Cloth of gold has been popular for ecclesiastical use for many centuries. Under Henry VII of England, its use was reserved to royalty and higher levels of nobility. It is also used today by companies such as Charvet for neckwear. Few extant examples have survived in Roman provincial tombs. Later producers of cloth of gold include the Byzantine Empire and Medieval Italian weavers, particularly in Genoa, Venice and Lucca. Dating from the 1460s the Waterford cloth-of-gold vestments are made from Italian silk woven in Florence. The panels were embroidered in Bruges which was the centre of the medieval embroidery industry. A similar ''cloth of silver'' was ...
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Richard Beauchamp, Earl Of Warwick
Richard Beauchamp, 13th Earl of Warwick (25 or 28 January 138230 April 1439) was an English medieval nobleman and military commander. Early life Beauchamp was born at Salwarpe CourtRichard Gough, ''Description of the Beauchamp chapel, adjoining to the church of St. Mary, at Warwick. And the monuments of the earls of Warwick, in the said church and elsewhere'' (Warwick Town, St Mary, 1803)p. 17/ref> in Salwarpe, Worcestershire, the son of Thomas de Beauchamp, 12th Earl of Warwick and Margaret Ferrers, a daughter of William Ferrers, 3rd Baron Ferrers of Groby. His godfather was King Richard II of England. He was knighted at the coronation of King Henry IV, and succeeded as Earl of Warwick in 1401. Welsh rebellion Soon after reaching his majority and taking responsibility for the Earldom, he saw military action in Wales, defending against a Welsh rebellion led by Owain Glyndŵr. On 22 July 1403, the day after the Battle of Shrewsbury, he was made a Knight of the Garter. In ...
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Effigy
An effigy is an often life-size sculptural representation of a specific person, or a prototypical figure. The term is mostly used for the makeshift dummies used for symbolic punishment in political protests and for the figures burned in certain traditions around New Year, Carnival and Easter. In European cultures, effigies were in the past also used for punishment in formal justice, when the perpetrator could not be apprehended, and in popular justice practices of social shaming and exclusion. Additionally, "effigy" is used for certain traditional forms of sculpture, namely tomb effigies, funeral effigies and coin effigies. There is a large overlap and exchange between the ephemeral forms of effigies. Traditional holiday effigies are often politically charged, for instance, when the generalised figures Año Viejo (the Old Year) or Burning of Judas, Judas in Latin America are substituted by the effigy of a despised politician. Traditional forms are also borrowed for political p ...
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Monumental Brass
A monumental brass is a type of engraved sepulchral memorial, which in the 13th century began to partially take the place of three-dimensional monuments and effigies carved in stone or wood. Made of hard latten or sheet brass, let into the pavement, and thus forming no obstruction in the space required for the services of the church, they speedily came into general use, and continued to be a favourite style of sepulchral memorial for three centuries. In Europe Besides their great value as historical monuments, monumental brasses are interesting as authentic contemporary evidence of the varieties of armour and costume, or the peculiarities of palaeography and heraldic designs, and they are often the only authoritative records of the intricate details of family history. Although the intrinsic value of the metal has unfortunately contributed to the wholesale spoliation of these interesting monuments, they are still found in remarkable profusion in England, and they were at one time ...
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Headgear
Headgear, headwear, or headdress is the name given to any element of clothing which is worn on one's head, including hats, helmets, turbans and many other types. Headgear is worn for many purposes, including protection against the elements, decoration, or for religious or cultural reasons, including social conventions. Purposes Protection or defence Headgear may be worn for protection against cold (such as the Canadian tuque), heat, rain and other precipitation, glare, sunburn, sunstroke, dust, contaminants, etc. Helmets are worn for protection in battle or against impact, for instance when riding bicycles or motor vehicles. There are also hats that are worn for protection from the cold. Fashion Headgear can be an article of fashion, usually hats, caps or hoods. The formal man's black silk top hat was formerly an indispensable portion of the suit, and women's hats have, over the years, attained a fantastic number of shapes ranging from immense confections to no more than a f ...
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