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Organ Flue Pipe Scaling
Scaling is the ratio of an organ pipe's diameter to its length. The scaling of a pipe is a major influence on its timbre. Reed pipes are scaled according to different formulas than for flue pipes. In general, the larger the diameter of a given pipe at a given pitch, the fuller and more fundamental the sound becomes. The effect of the scale of a pipe on its timbre The sound of an organ pipe is made up of a set of harmonics formed by acoustic resonance, with wavelengths that are fractions of the length of the pipe. There are nodes of stationary air, and antinodes of moving air, two of which will be the two ends of an open-ended organ-pipe (the mouth, and the open end at the top).Mainstone, John (1998). "The physics of the organ". In Nicholas Thistlethwaite & Geoffrey Webber (Eds.), ''The Cambridge Companion to the Organ'', p9. 37-41. Cambridge: Cambridge University Press. The actual position of the antinodes is not exactly at the end of the pipe; rather it is slightly outside the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ratio
In mathematics, a ratio shows how many times one number contains another. For example, if there are eight oranges and six lemons in a bowl of fruit, then the ratio of oranges to lemons is eight to six (that is, 8:6, which is equivalent to the ratio 4:3). Similarly, the ratio of lemons to oranges is 6:8 (or 3:4) and the ratio of oranges to the total amount of fruit is 8:14 (or 4:7). The numbers in a ratio may be quantities of any kind, such as counts of people or objects, or such as measurements of lengths, weights, time, etc. In most contexts, both numbers are restricted to be Positive integer, positive. A ratio may be specified either by giving both constituting numbers, written as "''a'' to ''b''" or "''a'':''b''", or by giving just the value of their quotient Equal quotients correspond to equal ratios. Consequently, a ratio may be considered as an ordered pair of numbers, a Fraction (mathematics), fraction with the first number in the numerator and the second in the denom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organ Pipe
An organ pipe is a sound-producing element of the pipe organ that resonates at a specific pitch when pressurized air (commonly referred to as ''wind'') is driven through it. Each pipe is tuned to a specific note of the musical scale. A set of organ pipes of similar timbre comprising the complete scale is known as a rank; one or more ranks constitutes a stop. Construction Materials Organ pipes are generally made out of either metal or wood. Very rarely, glass, porcelain, plastic, paper, Papier-mâché, or even stone pipes may be seen. A historical organ in the Philippines has pipes made exclusively of bamboo. Metal Metal pipes are usually made of lead; for increased rigidity it is alloyed with tin along with trace amounts of antimony and copper. The percentage of each metal in the alloy influences the characteristics of the resulting pipe. A high proportion of tin results in a slightly brighter colour (optical colour, not timbre). In addition, high amounts of tin give a glea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diameter
In geometry, a diameter of a circle is any straight line segment that passes through the center of the circle and whose endpoints lie on the circle. It can also be defined as the longest chord of the circle. Both definitions are also valid for the diameter of a sphere. In more modern usage, the length d of a diameter is also called the diameter. In this sense one speaks of diameter rather than diameter (which refers to the line segment itself), because all diameters of a circle or sphere have the same length, this being twice the radius r. :d = 2r \qquad\text\qquad r = \frac. For a convex shape in the plane, the diameter is defined to be the largest distance that can be formed between two opposite parallel lines tangent to its boundary, and the is often defined to be the smallest such distance. Both quantities can be calculated efficiently using rotating calipers. For a curve of constant width such as the Reuleaux triangle, the width and diameter are the same because all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both Woodwind instrument, woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reed Pipe
A reed pipe (also referred to as a ''lingual'' pipe) is an organ pipe that is sounded by a vibrating brass strip known as a ''reed''. Air under pressure (referred to as ''wind'') is directed towards the reed, which vibrates at a specific pitch. This is in contrast to flue pipes, which contain no moving parts and produce sound solely through the vibration of air molecules. Reed pipes are common components of pipe organs. Stop Reed pipes include all stops of the "Reed" class, and some stops from the "Hybrid" class. The reed stops of an organ are collectively called the "reed-work". Construction A reed pipe comprises a metal ''tongue'' (the reed) which rests against a ''shallot'', in which is carved a tunnel. The reed and shallot are held in place by a wooden ''wedge''. This assembly protrudes from the underside of the ''block'' and hangs down into the ''boot''. A ''tuning wire'' is inserted through the boot and is bent to hold the reed against the shallot. The wire is moved u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flue Pipe
A flue pipe (also referred to as a ''labial'' pipe) is an organ pipe that produces sound through the vibration of air molecules, in the same manner as a recorder or a whistle. Air under pressure (called ''wind'') is driven through a flue and against a sharp lip called a ''labium'', causing the column of air in the pipe to resonate at a frequency determined by the pipe length (see wind instrument). Thus, there are no moving parts in a flue pipe. This is in contrast to reed pipes, whose sound is driven by beating reeds, as in a clarinet. Flue pipes are common components of pipe organs. Stop Flue pipes include all stops of the "Principal", "Flute", and "String" classes, and some stops from the "Hybrid" class. Construction Flue pipes may be metallic or wooden. Metal pipes are usually circular in cross section; wooden pipes are usually square or rectangular, though triangular and round wooden pipes do exist. A flue pipe has two major parts, a foot and a resonator. The ''foot'' i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch (music)
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration. Pitch is closely related to frequency, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Series (music)
A harmonic series (also overtone series) is the sequence of harmonics, musical tones, or pure tones whose frequency is an integer multiple of a ''fundamental frequency''. Pitched musical instruments are often based on an acoustic resonator such as a string or a column of air, which oscillates at numerous modes simultaneously. At the frequencies of each vibrating mode, waves travel in both directions along the string or air column, reinforcing and canceling each other to form standing waves. Interaction with the surrounding air causes audible sound waves, which travel away from the instrument. Because of the typical spacing of the resonances, these frequencies are mostly limited to integer multiples, or harmonics, of the lowest frequency, and such multiples form the harmonic series. The musical pitch of a note is usually perceived as the lowest partial present (the fundamental frequency), which may be the one created by vibration over the full length of the string or air co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acoustic Resonance
Acoustic resonance is a phenomenon in which an acoustic system amplifies sound waves whose frequency matches one of its own natural frequencies of vibration (its ''resonance frequencies''). The term "acoustic resonance" is sometimes used to narrow mechanical resonance to the frequency range of human hearing, but since acoustics is defined in general terms concerning vibrational waves in matter, acoustic resonance can occur at frequencies outside the range of human hearing. An acoustically resonant object usually has more than one resonance frequency, especially at harmonics of the strongest resonance. It will easily vibrate at those frequencies, and vibrate less strongly at other frequencies. It will "pick out" its resonance frequency from a complex excitation, such as an impulse or a wideband noise excitation. In effect, it is filtering out all frequencies other than its resonance. Acoustic resonance is an important consideration for instrument builders, as most acoustic i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
End Correction
Whenever a wave forms through a medium/object (organ pipe) with a closed/open end, there is a chance of error in the formation of the wave, i.e. it may not actually start from the opening of the object but instead before the opening, thus resulting on an error when studying it theoretically. Hence an end correction is sometimes required to appropriately study its properties. The end correction depends on the radius of the object. An acoustic pipe, such as an organ pipe, marimba, or flute resonates at a specific pitch or frequency. Longer pipes resonate at lower frequencies, producing lower-pitched sounds. The details of acoustic resonance are taught in many elementary physics classes. In an ideal tube, the wavelength of the sound produced is directly proportional to the length of the tube. A tube which is open at one end and closed at the other produces sound with a wavelength equal to four times the length of the tube. A tube which is open at both ends produces sound whose wavelen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dom Bédos De Celles
François-Lamathe Dom Bédos de Celles de Salelles (24 January 1709 – 25 November 1779) was a Benedictine monk best known for being a master pipe organ builder. Life and work He was born in Caux, Hérault, near Béziers, France. He was elected to the French Academy of Sciences at Bordeaux and correspondent of the academy at Paris in 1758. As a recognized organ-builder, he was called upon to carry out repairs and appraise and advise other organ-builders in many locations across France. In 1760 he published ''La Gnomonique pratique ou l’Art de tracer les cadrans solaires'' under the patronage of the Jean-Paul Grandjean de Fouchy, Secretary of the Academy of Sciences and an authority in gnomonics and sundials. In 1766–78 he published his treatise L'art du facteur d'orgues (The Art of the Organ-Builder), a part of the series Descriptions des Arts et Métiers. Dom Bédos's work, in four folio volumes, contains great historical detail about eighteenth-century organ building, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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