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Orazi E Curiazi
''Orazi e Curiazi'' (''The Horatii and the Curiatii'') is an opera by the Italian composer Saverio Mercadante. It takes the form of a ''tragedia lirica'' in three acts. The libretto, by Salvadore Cammarano, is based on the Roman legend of the fight between Horatii and Curiatii. It was first performed at the Teatro San Carlo, Naples, on 10 November 1846. Roles Recordings References Further reading *Black, John, ''The Italian Romantic Libretto: A Study of Salvadore Cammarano'', Edinburgh University Press, 1984 *Rose, Michael (1998), “Mercandante, (Giuseppe) Saverio (Raffaele)" in Stanley Sadie, (ed.), ''The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volu ...'', vol. 3, pp. 334–339. London: Macmillan Publishers, Inc. *Rose, Michael (2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saverio Mercadante By Cefaly
Saverio is a given name of Italian origin. It is a cognate of Xavier and Javier, both of which originate from ''Xabier'', the Basque name for the Spanish town Javier. ''Xabier'' is itself the romanization of ''etxe berri'' meaning "new house" or "new home". Retrieved 28 October 2015 People ; Given name *Sav Rocca (Saverio Giovanni Rocca) (born 1973), Australian professional American football player in the USA *Saverio Bettinelli (1718–1808), Italian writer *Saverio Costanzo (born 1975), Italian film director *Saverio Fava (1832–1913), first Italian ambassador to the USA *Saverio Gandini (1729–1796), Italian painter of the late-Baroque and Neoclassic periods *Saverio Mammoliti (born 1942), Italian 'Ndrangheta boss from Oppido Mamertina and Castellace in Calabria * Saverio Mercadante (1795–1870), Italian composer ; Middle name *Francesco Saverio Romano Francesco Saverio Romano (born 24 December 1964) is an Italian politician and lawyer. He served as the minister of agricu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Du Plessis
Christian du Plessis (born 2 July 1944) is a South African baritone, largely based in England, and particularly associated with the bel canto repertory. Born in Vryheid, South Africa, he studied in Johannesburg with Teasdale Griffiths and Esme Webb, and made his stage debut there, with the Transvaal Opera, as Yamadori in ''Madama Butterfly'', in 1967. Further studies followed in London with Otokar Kraus, making his debut there in 1970, as Mathieu in '' Andrea Chénier''. He became a member of the English National Opera, where he sang the standard baritone repertory: Valentin, Luna, Posa, Marcello, Cecil, also Germont in a recording of ''La traviata'', etc. In the mid-1970s, he began concentrating in the bel canto repertory, making a specialty of lesser-known works by Donizetti and Bellini, appearing in concert performances for the London Opera Society and stage productions by Opera Rara, notably the title role in ''Torquato Tasso'', Corrado in ''Maria de Rudenz'', Ernesto in ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Saverio Mercadante
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amanda Holden (writer)
Amanda Juliet Holden (; 19 January 1948 – 7 September 2021) was a British pianist, librettist, translator, editor and academic teacher. She is known for translating opera librettos to more contemporary English for the English National Opera, and for writing new librettos, especially in collaboration with Brett Dean. She contributed to encyclopedias such as the ''New Penguin Opera Guide''. Life and career Amanda Juliet Warren was born in London, the daughter of Sir Brian Warren and Dame Josephine Barnes. She was educated at Benenden School, and studied at Lady Margaret Hall, Oxford, with Egon Wellesz where she gained a Master of Arts (MA), at Guildhall School of Music and Drama and a MA at the American University, Washington, DC. She also had degrees from the Royal Academy of Music (ARCM and LRAM).Holden /Amanda, ''Who's Who'' (UK), 2012 She first worked as a freelance pianist and accompanist, teacher at the Guildhall School, and therapist from 1973 to 1986. Libret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philharmonia Orchestra
The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Among the conductors who worked with the orchestra in its early years were Richard Strauss, Wilhelm Furtwängler and Arturo Toscanini; of the Philharmonia's younger conductors, the most important to its development was Herbert von Karajan who, though never formally chief conductor, was closely associated with the orchestra in the late 1940s and early 1950s. The Philharmonia became widely regarded as the finest of London's five symphony orchestras in its first two decades. From the late 1950s to the early 1970s the orchestra's chief conductor was Otto Klemperer, with whom the orchestra gave many concerts and made numerous recordings of the core orchestral repertoire. During Klemperer's tenure Legge, citing the difficulty of maintaining the orchestra's high standards, attempted to disband it in 1964, but the players, backed by Klemp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Parry (conductor)
David Parry (born 23 March 1949) is an English conductor who is particularly known for his work in opera. Described as "a man of the theatre with whom directors love to work; he is good with singers; he knows the British opera world like the back of his hand. He is a controversial and outspoken defender of the operatic form, and a passionate advocate of opera in English", his work includes a large discography of complete opera recordings of rarely performed works made on the Opera Rara and Chandos record labels, as well as works recorded with well-known British and European orchestras. Parry is also a member of the support staff of the Cardiff International Academy of Voice Early career Parry was educated at Cambridge University and the Royal Academy of Music in London. He explains how he became a conductor by way of wanting to be a singer: "Audrey Langford, who was a very important singing teacher in the 1960s and '70s, ran a rather good choir which she conducted herself, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alastair Miles
Alastair Miles (born 11 July 1961, Harrow, England) is a British operatic and concert bass who has had an international career since the late 1980s. Biography Education Alastair Miles was educated at The John Lyon School, Harrow, and subsequently at St Marylebone Grammar School. He began flute lessons at the age of fourteen with the composer Albert Alan Owen, a pupil of Nadia Boulanger, who inspired him to think about a career in music. Miles studied flute at the Guildhall School of Music under Trevor Wye, Peter Lloyd and Edward Beckett. He became an orchestral player and taught at Stowe School and Chetham's School of Music before embarking on his vocal career. From 1982 to 1985 he sang as a Lay Clerk in the choir of St. Albans Cathedral under the direction of Stephen Darlington. Having studied with bass-baritone Richard Standen whilst at the Guildhall, he was prompted by English National Opera baritone Geoffrey Chard, a near-neighbour of his parents, to have lessons with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcus Haddock
Marcus Haddock (born 19 June 1957) is an American opera singer and voice teacher who in the course of his 25-year stage career sang leading tenor roles throughout the United States and Europe. Born in Fort Worth, Texas and trained at the Boston University College of Fine Arts under Phyllis Curtin, Haddock began his career in the United States after winning the Metropolitan Opera National Council Auditions in 1984. From the late 1980s to the late 1990s he was primarily based in Europe where he sang in all the major opera houses, sometimes performing under the name Marcus Jerome-Haddock. He increasingly sang in American opera houses from 1998 and made his Metropolitan Opera debut in 2003 in the title role of ''Faust''. His early roles were those of the ''tenore di grazia'' repertoire, but as his career progressed he also took on heavier lyric and spinto tenor roles such as Rodolfo in ''La bohème'' and Don José in '' Carmen'', both of which he has recorded. Haddock retired from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Michaels-Moore
Anthony Michaels-Moore (born 8 April 1957) is an English operatic baritone and the first British winner of the Luciano Pavarotti International Voice Competition (Philadelphia, 1985). Michaels-Moore has since performed in many of the world's major opera houses across Europe, the Americas, and Asia. He has distinguished himself as a specialist in Verdi and Puccini roles, most renowned for his portrayals of Falstaff, Nabucco, Rigoletto, Simon Boccanegra, Iago in ''Otello'', Germont in ''La traviata'', Sharpless in ''Madama Butterfly'', and Scarpia in ''Tosca''. In addition to the standard repertoire, he has sung and recorded the baritone roles of some of the less-known 19th Century Italian operas, as well as the popular English art song cycles by Stanford and Vaughan Williams. Michaels-Moore currently lives in Santa Fe, New Mexico. He is the first opera singer to provide the voice of Zozobra when he performed the role of old man gloom for the 96th Burning of Zozobra on September 4, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nelly Miricioiu
Nelly Miricioiu (born 31 March 1952) is a Romanian-born British operatic soprano singing a large repertoire ranging from bel canto to verismo. Biography Born in Adjud, Romania, Miricioiu started singing at 5 and was hailed as a child prodigy. At 9 she started studying piano and at 14 she won her first singing contest, "Young Talents, Great hopes". At 18 she sang in Pergolesi's ''La serva padrona'' and joined the Conservatory of Iași where she continued her studies with Tibi Popovici. In 1972 she was the youngest contestant in the Francisco Vinas Musical Competition in Barcelona and in 1975 she won the first prize at the very first Maria Callas Grand Prix in Athens. More first prizes followed at competitions in Geneva, Paris, Sofia, Oostend. Miricioiu made her operatic debut in Mozart's ''The Magic Flute'', as the Queen of the Night at Iaşi Romanian Opera, and continued to sing at Brasov Opera House between 1975 and 1978 in roles such as Mimì in ''La bohème'', Micaëla in ''C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
