Opéra De Marseille
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Opéra De Marseille
The Opéra de Marseille, known today as the Opéra Municipal, is an opera company located in Marseille, France. In 1685, the city was the second in France after Bordeaux to have an opera house which was erected on a tennis court. However, the first real theatre, the ''Grand-Théâtre'' or ''Salle Bauveau'' was constructed in 1787. During its period of great opulence following the Revolution, it was the site of many major opera presentations, including Verdi’s ''Rigoletto'' and ''Il Trovatore'' in 1860 and performances in 1866 of ''Lucia di Lammermoor'' and ''Il Barbiere di Siviglia'' by the famous soprano, Adelina Patti. Also, French premieres of major operatic works were given in the theatre: these include ''Aida'' (1877), ''La Fanciulla del West'' (1912), and an historic performance by Dame Nellie Melba in Ambroise Thomas’ ''Hamlet'' in 1890. Some years following the installation of electricity, in November 1919 a fire destroyed the 18th century theatre, leaving only its she ...
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Marseille (France), The Opera
Marseille in mistralian norm or oc, Marselha in classical norm ; it, Marsiglia. (formerly spelled in English as Marseilles; Occitan ( Provençal): ''Marsiho'' or ''Marselha'') is the prefecture of the French department of Bouches-du-Rhône and capital of the Provence-Alpes-Côte d'Azur region. Situated in the Provence region of southern France, it is located on the coast of the Gulf of Lion, part of the Mediterranean Sea, near the mouth of the Rhône river. Its occupants are called ''Marseillais''. Marseille is the second most populous city in France, with 870,321 inhabitants in 2020 (Jan. census) over a municipal territory of . Together with its suburbs and exurbs, the Marseille metropolitan area, which extends over , had a population of 1,879,601 at the Jan. 2020 census, the third most populated in France after those of Paris and Lyon. The cities of Marseille, Aix-en-Provence, and 90 suburban municipalities have formed since 2016 the Aix-Marseille-Provence Metropolis, an i ...
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Opera House
An opera house is a theatre building used for performances of opera. It usually includes a stage, an orchestra pit, audience seating, and backstage facilities for costumes and building sets. While some venues are constructed specifically for operas, other opera houses are part of larger performing arts centers. Indeed, the term ''opera house'' is often used as a term of prestige for any large performing-arts center. History Italy is a country where opera has been popular through the centuries among ordinary people as well as wealthy patrons and it continues to have many working opera houses such as Teatro Massimo in Palermo (the biggest in Italy), Teatro di San Carlo in Naples (the world's oldest working opera house) and Teatro La Scala in Milan. In contrast, there was no opera house in London when Henry Purcell was composing and the first opera house in Germany, the Oper am Gänsemarkt, was built in Hamburg in 1678, followed by the Oper am Brühl in Leipzig in 1693, and t ...
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Neoclassical Architecture In France
Neoclassical or neo-classical may refer to: * Neoclassicism or New Classicism, any of a number of movements in the fine arts, literature, theatre, music, language, and architecture beginning in the 17th century ** Neoclassical architecture, an architectural style of the 18th and 19th centuries ** Neoclassical sculpture, a sculptural style of the 18th and 19th centuries ** New Classical architecture, an overarching movement of contemporary classical architecture in the 21st century ** in linguistics, a word that is a recent construction from New Latin based on older, classical elements * Neoclassical ballet, a ballet style which uses traditional ballet vocabulary, but is generally more expansive than the classical structure allowed * The "Neo-classical period" of painter Pablo Picasso immediately following World War I * Neoclassical economics, a general approach in economics focusing on the determination of prices, outputs, and income distributions in markets through supply and dema ...
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Opera Houses In France
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Buildings And Structures In Marseille
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artis ...
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Ernest Reyer
Louis Étienne Ernest Reyer (1 December 1823 – 15 January 1909) was a French opera composer and music critic. Biography Ernest Reyer was born in Marseille. His father, a notary, did not want his son to take up a career in music. However, he did not actively block his son's ambitions and allowed him to attend classes at the Conservatoire from age six to sixteen. In 1839, when he was 16 years old, Ernest traveled to north Africa to work under his brother-in-law, head of accounting for the Treasury Department in Algeria. The job was not a good fit with Reyer's nonchalant and undisciplined temperament. From administrative documents, it is apparent that Reyer wrote innumerable youthful essays and stories, and original dance pieces. Some of his early compositions achieved local notoriety and received favorable comments in the Algerian press, including a Mass performed at the cathedral that was performed for the arrival of the Duke of Aumale in 1847. Reyer returned to Paris during th ...
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Sigurd (opera)
''Sigurd'' is an opera in four acts and nine scenes by the French composer Ernest Reyer on a libretto by Camille du Locle and Alfred Blau. Like Wagner's ''Ring of the Nibelung'', the story is based on the ''Nibelungenlied'' and the Eddas, with some crucial differences from the better known Wagnerian version (the role of the supernatural is limited and replaced in large part by fate; the initial version of the libretto with a prologue set in heaven was later cut out). The whole opera can best be described as an epic with techniques of the grand opera. Initially sketched out in 1862 (and virtually completed in draft by 1867), the work waited many years before it was performed in full. Orchestration of various fragments progressed much more slowly, and as they were completed, they were sometimes performed at various concerts. Initial attempts at staging the work at the Paris Opéra failed, therefore the opera had its world premiere in the Théatre de la Monnaie in Brussels on 7 Januar ...
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World War II
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposing military alliances: the Allies and the Axis powers. World War II was a total war that directly involved more than 100 million personnel from more than 30 countries. The major participants in the war threw their entire economic, industrial, and scientific capabilities behind the war effort, blurring the distinction between civilian and military resources. Aircraft played a major role in the conflict, enabling the strategic bombing of population centres and deploying the only two nuclear weapons ever used in war. World War II was by far the deadliest conflict in human history; it resulted in 70 to 85 million fatalities, mostly among civilians. Tens of millions died due to genocides (including the Holocaust), starvation, ma ...
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János Fürst
János Fürst (8 August 1935 – 3 January 2007) was a Hungarian-born conductor and violinist. Biography Fürst originally studied the violin at the Franz Liszt Academy of Music in his native Budapest. After the 1956 Soviet invasion of Hungary, he continued studies at the conservatory in Brussels. He attended the Conservatoire de Paris and there won a ''Premier Prix''. He took a job in 1958 with the Radio Éireann Symphony Orchestra, and developed his career as an orchestra leader. In 1963, Fürst founded the Irish Chamber Orchestra, and developed his conducting career from that point. On the formation of the Ulster Orchestra in 1966, Fürst became its concertmaster, and later its assistant conductor in 1971. He held positions as Chief Conductor and Music Director with orchestras in Malmö (1974–77), Aalborg (1980–83), Dublin, Winterthur (1990–94) and was Chief Guest Conductor of the Helsinki Philharmonic Orchestra. Fürst was music director of the Opéra de Mar ...
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The Gods (theatrical)
The gods (UK English), or sometimes paradise, is a theatrical term, referring to the highest areas of a theatre such as the upper balconies. These are generally the cheapest seats. One reason for naming the cheapest seats "the gods" is because the theatres have beautifully painted ceilings, often mythological themes, so the cheap seats are up near the gods. Another is that those seated in "the gods" look down upon both the performers and the occupants of more expensive seats, like the Olympian Gods looking down from Mount Olympus upon the lives of mortal people. There are references to the "gods" in many plays and films. Among them is the famous French film, '' Les Enfants du Paradis'' (or ''Children of Paradise'' in its US release), which is described as "set in the teeming theatre district of 1840s Paris (the "boulevard du crime"), the paradise of the film's title is a reference to "the gods", the highest, cheapest seats in the theatre, occupied by the poorest of the poor. As ...
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Renata Scotto
Renata Scotto (born 24 February 1934) is an Italian soprano and opera director. Recognized for her sense of style, her musicality, and as a remarkable singer-actress, Scotto is considered one of the preeminent singers of her generation. Since retiring from the stage as a singer in 2002, she has turned successfully to directing opera as well as teaching in Italy and America, along with academic posts at the Accademia Nazionale di Santa Cecilia in Rome and the Juilliard School in New York. Singing career Renata Scotto was born in Savona, Italy. She made her operatic debut in her home town on Christmas Eve of 1952 at the age of 18 in front of a sold-out house as Violetta in Verdi's '' La traviata''.The next day, she made her 'official' opera debut at the Teatro Nuovo in Milan as Violetta. Shortly after, she performed in her first Puccini opera, ''Madama Butterfly'', in Savona and was paid twenty-five thousand lire. Both roles would later become closely associated with her name. ...
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Plácido Domingo
José Plácido Domingo Embil (born 21 January 1941) is a Spanish opera singer, conductor, and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Although primarily a ''lirico-spinto'' tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José and Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation. In the early 2010s, he transitioned from the tenor repertory into exclusively baritone parts, most notably Simon Boccanegra. As of 2020, he has performed 151 different roles. Domingo has also achieved significant success as a crossover artist, especially in the genres of Latin and popular music. In addition to winning fourteen Grammy and Latin Grammy Awards, several of his records have gone silver, gold, platinum an ...
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