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On With The Show (Alex Mendham And His Orchestra Album)
''On with the Show'' is the third studio album An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early ... by British dance band Alex Mendham and His Orchestra, released in July 2017. Track listing References * External links * http://www.alexmendham.com {{DEFAULTSORT:On with the Show (Alex Mendham and his Orchestra album) 2017 albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alex Mendham And His Orchestra
Alex Mendham and His Orchestra are a British dance band, led by Alex Mendham, that performs and records music from the 1920s and 1930s. They perform concerts internationally. The orchestra held a long standing residency at the Savoy Hotel in London. Their debut album, ''Whistling in the Dark'', was released in January 2013, followed by a second album, ''Jazznocracy'', in December 2015. In 2017 they released '' On with the Show'', their third studio album. On 1 September 2018, to mark the centennial of " I'm Forever Blowing Bubbles" debut in 1918, the orchestra performed a special arrangement of the song at the London Stadium, the current home of West Ham United F.C. In 2020, the orchestra signed to Decca Records Decca Records is a British record label established in 1929 by Edward Lewis (Decca), Edward Lewis. Its U.S. label was established in late 1934 by Lewis, Jack Kapp, American Decca's first president, and Milton Rackmil, who later became American ... for a recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravan (1936 Song)
"Caravan" is an American jazz standard that was composed by Juan Tizol and Duke Ellington and first performed by Ellington in 1936. Irving Mills wrote lyrics, but they are rarely sung. The sad sound of "Caravan" interested exotica musicians; Martin Denny, Arthur Lyman, and Gordon Jenkins all covered it. Woody Allen used the song in two of his films, '' Alice'' and ''Sweet and Lowdown''. Steven Soderbergh used the Lyman version in his 2001 film ''Ocean's Eleven''. The song appears often in the 2014 film ''Whiplash'' as an important plot element. The Mills Brothers recorded an a cappella version in which they imitated instruments with their voices. Johnny Mathis recorded the song in 1956. More than 350 versions have been recorded. Original recording The first version of the song was recorded in Hollywood in 1936 and performed as an instrumental by Barney Bigard and His Jazzopators. Two takes were recorded, of which the first (Variety VA-515-1) was published. The band members were: * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Way You Look Tonight
"The Way You Look To-night" is a song from the film ''Swing Time'' that was performed by Fred Astaire and composed by Jerome Kern with lyrics written by Dorothy Fields. It won the Academy Award for Best Original Song in 1936. Fields remarked, "The first time Jerry played that melody for me I went out and started to cry. The release absolutely killed me. I couldn't stop, it was so beautiful." In the movie, Astaire sang "The Way You Look To-night" to Ginger Rogers while she was washing her hair in an adjacent room. Astaire's recording was a top seller in 1936. Other versions that year were by Guy Lombardo and Teddy Wilson with Billie Holiday. Composition and publication The song was sung by Fred Astaire in the 1936 film ''Swing Time'' in the key of D major, but it is typically performed in E-flat major with a modulation to G-flat major. It was first copyrighted on March 17, 1936 as "Way (The) you look to-night; song from I won't dance", and was unpublished ("I Won't Dance" was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Lips
"Hot Lips" ("When He Plays Jazz He's Got - Hot Lips") or "He's Got Hot Lips When He Plays Jazz" is a popular song written by jazz trumpeter Henry Busse, Henry Lange, and Lou Davis. The song was a number one hit for Paul Whiteman and His Orchestra. Henry Busse was a founding member of the Paul Whiteman Orchestra, joining in 1920. First publication Paul Whiteman and His Orchestra recorded the song on June 23, 1922 in New York and released it as a Victor 78, 18920-A. The recording was number one for six weeks. First published in 1922, it was advertised as "A Blues Fox Trot Song" The song is about a trumpet player. The chorus is: Other recordings The song has been recorded many times. Red Nichols, Al Hirt, Pete Candoli, Horace Heidt, Harry James, the California Ramblers, Miss Patricola on Victor, the Hoosier Hot Shots on Melotone, the Will Lockridge Orchestra on Score Records, and Henry Busse with his orchestra, have all recorded the song. The original release was by Paul Whit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anything Goes (Cole Porter Song)
"Anything Goes" is a song written by Cole Porter for his musical of the same name. (1934). Many of the lyrics include humorous references to figures of scandal and gossip from Depression-era high society. A recording by Paul Whiteman and his Orchestra (vocal by Ramona Davies) was very popular in 1934. People and items referenced in the song The song opens with a reference to the Massachusetts Bay Colony :"Times have changed, And we've often rewound the clockSince the Puritans got a shock, When they landed on Plymouth RockIf today, any shock they should try to stem, 'Stead of landing on Plymouth RockPlymouth Rock would land on them". The opening stanza is believed have influenced the orations of Malcolm X, who in 1964 said "Our forefathers were not the Pilgrims, we didn't land on Plymouth Rock, the rock was landed on us. The song mentions Mae West, Hollywood sex symbol, and Missus Ned McLean (Evalyn Walsh McLean), who had traveled to Soviet Union early after the Russian Rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What Is This Thing Called Love?
"What Is This Thing Called Love?" is a 1929 popular song written by Cole Porter, for the musical '' Wake Up and Dream''. It was first performed by Elsie Carlisle in March 1929. The song has become a popular jazz standard and one of Porter's most often played compositions."What Is This Thing Called Love?" at jazzstandards.com. Retrieved 8 July 2009 Background ''Wake Up and Dream'' ran for 263 shows in London. The show was also noticed in New York, and the critics praised 's performance of the song. The show was produced on |
Jeepers Creepers (song)
"Jeepers Creepers" is a popular song and jazz standard. The music was written by Harry Warren and the lyrics by Johnny Mercer for the 1938 movie '' Going Places''. It was premiered by Louis Armstrong and has been covered by many other musicians. The song was nominated for the Academy Award for Best Original Song in 1938 but lost to "Thanks for the Memory". The song was included in the 1984 Smithsonian collection ''American Popular Song: Six Decades of Songwriters and Singers'' and in the 1998 album ''The Songs of Harry Warren.'' Patti Austin sang "Jeepers Creepers". Background In 1930s Hollywood, black actors were not filmed singing to each other, so Armstrong sang it to a racehorse named Jeepers Creepers. The phrase "jeepers creepers", a minced oath for "Jesus Christ," predates both the song and film. Mercer said that the title came from a Henry Fonda line in an earlier movie. The lyrics include: Jeepers Creepers, where'd ya get those peepers? Jeepers Creepers, where'd ya get th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm No Angel
''I'm No Angel'' is a 1933 pre-Code film directed by Wesley Ruggles, and starring Mae West and Cary Grant. West received sole story and screenplay credit. It is one of her films that was not subjected to heavy censorship. Plot Tira (Mae West) shimmies and sings in the sideshow of Big Bill Barton's Wonder Show, while her current boyfriend, pickpocket "Slick" (Ralf Harolde), relieves her distracted audience of their valuables for Big Bill ( Edward Arnold). One of the rich customers, Ernest Brown, arranges a private rendezvous, during which Slick barges in and attempts to run a badger game on the customer. The customer threatens to call the cops, so Slick whacks him over the head with a bottle. Mistakenly thinking he has killed the man, Slick flees, but is caught and jailed. Fearing that Slick will implicate her, Tira asks Big Bill for a loan to retain her lawyer, Bennie Pinkowitz (Gregory Ratoff). He agrees on condition that she does her lion taming act, which includes putti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mae West
Mae West (born Mary Jane West; August 17, 1893 – November 22, 1980) was an American stage and film actress, playwright, screenwriter, singer, and sex symbol whose entertainment career spanned over seven decades. She was known for her breezy sexual independence, and her lighthearted bawdy double entendres, often delivered in a husky contralto voice. She was active in vaudeville and on stage in New York City before moving to Los Angeles to begin a career in the film industry. West was one of the most controversial movie stars of her day; she encountered problems especially with censorship. She once quipped, "I believe in censorship. I made a fortune out of it." She bucked the system by making comedy out of conventional mores, and the Depression-era audience admired her for it. When her film career ended, she wrote books and plays, and continued to perform in Las Vegas and the United Kingdom, on radio and television, and recorded rock 'n roll albums. In 1999, the American Film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Night And Day (song)
"Night and Day" is a popular song by Cole Porter that was written for the 1932 musical ''Gay Divorce''. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. Fred Astaire introduced "Night and Day" on stage. His studio recording of the song with the Leo Reisman orchestra was released on Victor Records on January 13, 1933, and it became a No. 1 hit, topping the charts of the day for ten weeks. In December, it beat " The Last Round-Up" by George Olsen (nine weeks) and " Stormy Weather" by Harold Arlen and Ted Koehler (eight weeks) to become the Number 1 record for the year 1933. Astaire performed it again in the 1934 film version of the show, renamed ''The Gay Divorcee'', and it became one of his signature songs. There are several accounts about the song's origin. One mentions that Porter was inspired by an Islamic prayer when he visited Morocco. Another account says he was inspired by the Moorish architect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Show Tune
A show tune is a song originally written as part of the score of a work of musical theatre or musical film, especially if the piece in question has become a standard, more or less detached in most people's minds from the original context. Though show tunes vary in style, they do tend to share common characteristics—they usually fit the context of a story being told in the original musical, they are useful in enhancing and heightening choice moments. A particularly common form of show tune is the "I Want" song, which composer Stephen Schwartz noted as being particularly likely to have a lifespan outside the show that spawned it. Show tunes were a major venue for popular music before the rock and roll and television era; most of the hits of such songwriters as Jerome Kern, Cole Porter, and George Gershwin came from their shows. (Even into the television and rock era, a few stage musicals managed to turn their show tunes into major pop music hits, sometimes aided by fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cheek To Cheek
"Cheek to Cheek" is a song written by Irving Berlin in 1934–35, specifically for the star of his new musical, Fred Astaire. The movie was ''Top Hat'', co-starring Ginger Rogers."Cheek to Cheek" by Fred Astaire, 1935 ; from the University of Virginia's American Studies website, subsection : 1935-1939"; retrieved 2012-03-07. In the movie, Astaire sings the song to Rogers as they dance. The song was nominated for the Best Song for 1936, which it lost to " [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
