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On The Sunny Side Of The Strip
''On the Sunny Side of the Strip'' is a 1960 live album by the George Shearing quintet, one of five live albums recorded by the quintet. Track listing #"Jordu" (Duke Jordan) – 4:10 #"As I Love You" (Ray Evans, Jay Livingston) – 3:15 #"Confirmation" (Charlie Parker) – 4:25 #"The Nearness of You" (Hoagy Carmichael, Ned Washington) – 3:40 #"Mambo Inn" (Mario Bauzá, Edgar Sampson, Bobby Woodlen) – 3:09 #"Bernie's Tune" (Leiber and Stoller, Bernard Miller) – 3:25 #"Some Other Spring" (Arthur Herzog Jr., Irene Kitchings) – 3:45 #"Joy Spring" (Clifford Brown) – 4:25 #"Drume Negrita" (Eliseo Grenet, Ernesto Wood Grenet) – 6:43 Personnel *George Shearing - piano *Emil Richards - vibraphone *Toots Thielemans - guitar *Al McKibbon - double bass *Percy Brice - drums *Armando Peraza - conga The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Shearing
Sir George Albert Shearing, (13 August 1919 14 February 2011) was a British jazz pianist who for many years led a popular jazz group that recorded for Discovery Records, MGM Records and Capitol Records. Shearing was the composer of over 300 titles, including the jazz standards "Lullaby of Birdland" and " Conception", and had multiple albums on the '' Billboard'' charts during the 1950s, 1960s, 1980s and 1990s. He died of heart failure in New York City, at the age of 91. Biography Early life Born in Battersea, London, Shearing was the youngest of nine children. He was born blind to working-class parents: his father delivered coal and his mother cleaned trains in the evening. He started to learn piano at the age of three and began formal training at Linden Lodge School for the Blind, where he spent four years. Though he was offered several scholarships, Shearing opted to perform at a local pub, the Mason's Arms in Lambeth, for "25 bob a week" playing piano and accordion. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Bauzá
Prudencio Mario Bauzá Cárdenas (April 28, 1911 – July 11, 1993) was an Afro-Cuban jazz, Latin, and jazz musician. He was among the first to introduce Cuban music to the United States by bringing Cuban musical styles to the New York City jazz scene. While Cuban bands had had popular jazz tunes in their repertoire for years,Acosta, Leonardo 2003. ''Cubano be, cubano bop: one hundred years of jazz in Cuba''. Smithsonian, Washington, D.C.. Bauzá's composition "Tangá" was the first piece to blend jazz harmony and arranging technique, with jazz soloists and Afro-Cuban rhythms. It is considered the first true Afro-Cuban jazz or Latin jazz tune. Biography As a child he studied clarinet becoming recognized as a child prodigy on the instrument and was featured with the Havana Symphony at the age of 11. Bauzá then performed on clarinet and bass clarinet with pianist Antonio María Romeu's charanga (flute and violins) orchestra. This proved a fateful event as the orchestra visited Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al McKibbon
Al McKibbon (January 1, 1919 – July 29, 2005) was an American jazz double bassist, known for his work in bop, hard bop, and Latin jazz. In 1947, after working with Lucky Millinder, Tab Smith, J. C. Heard, and Coleman Hawkins, he replaced Ray Brown in Dizzy Gillespie's band, in which he played until 1950. In the 1950s he recorded with the Miles Davis nonet, Earl Hines, Count Basie, Johnny Hodges, Thelonious Monk, Mongo Santamaria, George Shearing, Cal Tjader, Herbie Nichols and Hawkins. McKibbon was credited with interesting Tjader in Latin music while he played in Shearing's group. McKibbon has always been highly regarded (among other signs of this regard, he was the bassist for the Giants of Jazz), and continued to perform until 2004. In 1999, the first album in his own name, ''Tumbao Para Los Congueros De Mi Vida'', was released. McKibbon's second album, ''Black Orchid'', was released in 2004 and was recorded at Icon Recording Studios, Hollywood, California. The album w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toots Thielemans
Jean-Baptiste Frédéric Isidor, Baron Thielemans (29 April 1922 – 22 August 2016), known professionally as Toots Thielemans, was a Belgian jazz musician. He was mostly known for his chromatic harmonica playing, as well as his guitar and whistling skills, and composing. According to jazz historian Ted Gioia, his most important contribution was in "championing the humble harmonica", which Thielemans made into a "legitimate voice in jazz".Gioia, Ted. ''The History of Jazz'', Oxford Univ. Press (2011) p. 382 He eventually became the "preeminent" jazz harmonica player.Morton, Brian, and Cook, Richard. ''The Penguin Jazz Guide: the History of the Music in the 1000 Best Albums'', Penguin UK, (2010) ebook. His first professional performances were with Benny Goodman's band when they toured Europe in 1949 and 1950. He emigrated to the U.S. in 1951, becoming a citizen in 1957. From 1953 to 1959 he played with George Shearing, and then led his own groups on tours in the U.S. and Europe. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emil Richards
Emil Richards (born Emilio Joseph Radocchia; September 2, 1932 – December 13, 2019) was an American vibraphonist and percussionist. Biography Musician Richards began playing the xylophone aged six. In High School, he performed with the Hartford Symphony Orchestra. He studied with Al Lepak at the Hartt School of Music in Hartford, graduating in 1952. After being drafted, he belonged to an Army band in Japan and played with Toshiko Akiyoshi. He cited Lionel Hampton as his first and biggest influence on vibraphone. In 1954, Richards moved to New York City, where he played with Charles Mingus, Ed Shaughnessy, and Ed Thigpen while doing studio recordings for Perry Como, the Ray Charles Singers, and Mitchell Ayres. For about three years, he was a member of a group led by George Shearing, then moved to Los Angeles and worked with Don Ellis and Paul Horn. He led his own band, the Microtonal Blues Band, and spent time with composer and inventor Harry Partch. As a sideman, he accompani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eliseo Grenet
Eliseo Grenet Sánchez (12 June 1893 in Havana – 4 December 1950) was a Cuban pianist and a leading composer/arranger of the day. He composed music for stage shows and films, and some famous Cuban dance music.Giro, Radamés 2007. ''Diccionario enciclopédico de la música en Cuba''. La Habana. vol 2, p175 Eliseo was one of three musical brothers, all composers, the others being Emilio (Neno','' 1901–1941) and Ernesto (1908–1981). Emilio went on composing even after having a leg bitten off by a shark in 1930;Sublette, Ned 2004. ''Cuba and its music: from the first drums to the mambo''. Chicago. p406 Ernesto was a drummer who became leader of the Tropicana's orchestra. Life & work Eliseo studied music under Mercedes Valenzuela and Leandro Simón Guergué, the father of Moisés Simons. In 1905 he played piano in the silent film theatre ''La Caricatura'', and in 1909 directed the orchestra of the ''Politeama Habanero'' theatre, which mostly showed zarzuelas. Later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clifford Brown
Clifford Benjamin Brown (October 30, 1930 – June 26, 1956) was an American jazz trumpeter and composer. He died at the age of 25 in a car accident, leaving behind four years' worth of recordings. His compositions "Sandu", "Joy Spring", and "Daahoud" have become jazz standards. Brown won the '' DownBeat'' magazine Critics' Poll for New Star of the Year in 1954; he was inducted into the ''DownBeat'' Hall of Fame in 1972. Early career Brown was born into a musical family in Wilmington, Delaware. His father organized his four sons, including Clifford, into a vocal quartet. Around age ten, Brown started playing trumpet at school after becoming fascinated with the shiny trumpet his father owned. At age thirteen, his father bought him a trumpet and provided him with private lessons. In high school, Brown received lessons from Robert Boysie Lowery and played in "a jazz group that Lowery organized", making trips to Philadelphia. Brown briefly attended Delaware State University as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joy Spring
"Joy Spring" is a 1954 jazz composition by Clifford Brown that became his signature work. The title was his pet name for his wife Larue. Early history Brown first recorded "Joy Spring" in a studio session led by him on August 6, 1954, at Capitol Recording Studios, in Los Angeles, with Harold Land (tenor sax), Richie Powell (piano), George Morrow ( bass), and Max Roach (drums). They did two takes – and . Six days later (August 12, 1954), at the same studio, Brown, as leader, recorded Jack Montrose's arrangement of it with Stu Williamson (valve trombone), Zoot Sims (tenor sax), Bob Gordon (baritone sax), Russ Freeman (piano), Joe Mondragon ( bass), and Shelly Manne (drums). That take has been issued on several albums, including '' Jazz Messages'' (Jazztone ), ''Clifford Brown & Max Roach'' (Pacific Jazz ), and ''Jazz Imortal – Featuring Zoot Sims'' (1988; Pacific Jazz ). Larue Anderson, before marrying Brown, had been a classical music student at the University of S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
