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On The Road Again (Canned Heat Song)
"On the Road Again" is a song recorded by the American blues-rock group Canned Heat in 1967. A driving blues-rock boogie, it was adapted from earlier blues songs and includes mid-1960s psychedelic rock elements. Unlike most of Canned Heat's songs from the period which were sung by Bob Hite, second guitarist and harmonica player Alan Wilson provides the distinctive falsetto vocal. "On the Road Again" first appeared on their second album, ''Boogie with Canned Heat'', in January 1968; when an edited version was released as a single in April 1968, "On the Road Again" became Canned Heat's first record chart hit and one of their best-known songs. Earlier songs With his record company's encouragement, Chicago blues musician Floyd Jones recorded a song titled "On the Road Again" in 1953. It was a remake of his successful 1951 song "Dark Road". Both songs are based on Mississippi Delta bluesman Tommy Johnson's 1928 song "Big Road Blues"Victor Records 21409 (Canned Heat took their name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canned Heat
Canned Heat is an American band formed in Los Angeles, California, in 1965. The group is noted for its efforts to promote interest in blues music and its original artists and rock music. It was founded by two blues enthusiasts Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 song "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat". After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a lineup of Hite (vocals), Wilson (guitar, harmonica and vocals), Henry Vestine and later Harvey Mandel (lead guitar), Larry Taylor (bass), and Adolfo de la Parra (drums). The music and attitude of Canned Heat attracted a worldwide following and established the band as one of the most popular music acts of the hippie and Counterculture era of the 1960s. Canned Heat appeared at most major musical events at the end of the 1960s, performing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Cook (American Musician)
Frank Lenord Clayman Cook (January 6, 1942 – July 9, 2021) was an American drummer and member of blues bands Canned Heat, Pacific Gas & Electric and Bluesberry Jam. For a time he was also the manager of Pacific Gas & Electric. Life and career He was born in Boyle Heights, Los Angeles, and raised in Brentwood, California. He attended University High School. Obituary, Dr. Frank Lenord Clayman-Cook, ''Los Angeles Times'', September 9, 2021 Retrieved October 26, 2021 Studying with , he became a drummer in his mid-teens, before studying philosophy at |
Rollin' And Tumblin'
"Rollin' and Tumblin'" (or "Roll and Tumble Blues") is a blues standard first recorded by American singer-guitarist Hambone Willie Newbern in 1929. Called a "great Delta blues classic", it has been interpreted by hundreds of Delta and Chicago blues artists, including well-known recordings by Muddy Waters. Rock musicians usually follow Waters' versions, with the 1960s group Cream's rendition being perhaps the best known. Original song Hambone Willie Newbern recorded "Roll and Tumble Blues" on March 14, 1929, in Atlanta, Georgia for Okeh Records. It shares several elements of "Minglewood Blues", first recorded in 1928 by Gus Cannon's Jug Stompers. Newbern's "Roll and Tumble Blues" is a solo piece with his vocal and slide-guitar accompaniment. The song is performed in the key of A using an open tuning and an irregular number of bars with an additional bar and a half at the end of each phrase. The tempo varies from an initial 140 beats per minute to a final 158 bpm. A key ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock (radio Format)
Progressive rock (sometimes known as underground rock) is a radio station programming format that emerged in the late 1960s,Thomas Staudter"On the Radio With a Mix Very Distinctly His Own" ''The New York Times'', March 24, 2002. Accessed March 23, 2008. in which disc jockeys are given wide latitude in what they may play, similar to the freeform format but with the proviso that some kind of rock music is almost always played.Fritz E. Froehlich, Allen S. Kent, Carolyn M. Hall (eds.), "FM Commercialization in the United States", ''The Froehlich/Kent Encyclopedia of Telecommunications'', CRC Press, 1991. . p. 179. It enjoyed the height of its popularity in the late 1960s and 1970s. The name for the format began being used circa 1968, when serious disc jockeys were playing "progressive 'music for the head and discussing social issues in between records.Mike Olszewski, ''Radio Daze: Stories from the Front in Cleveland's FM Air Wars'', Kent State University Press, 2003. . p. xi. Dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolfo De La Parra
Canned Heat is an American band formed in Los Angeles, California, in 1965. The group is noted for its efforts to promote interest in blues music and its original artists and rock music. It was founded by two blues enthusiasts Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 song "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat". After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a lineup of Hite (vocals), Wilson (guitar, harmonica and vocals), Henry Vestine and later Harvey Mandel (lead guitar), Larry Taylor (bass), and Adolfo de la Parra (drums). The music and attitude of Canned Heat attracted a worldwide following and established the band as one of the most popular music acts of the hippie and Counterculture era of the 1960s. Canned Heat appeared at most major musical events at the end of the 1960s, performing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Taylor
Samuel Lawrence Taylor (June 26, 1942 – August 19, 2019) was an American bass guitarist, best known for his work as a member of Canned Heat from 1967. Before joining Canned Heat he had been a session bassist for The Monkees and Jerry Lee Lewis. He was the younger brother of Mel Taylor, long-time drummer of The Ventures. Life and career Taylor was born in New York, New York. His mother was Jewish and his father was a "WASP" from Tennessee. Taylor played bass guitar in The Gamblers, one of the first rock groups to play instrumental surf music. Its personnel also included Elliot Ingber, a future member of Frank Zappa's Mothers of Invention, Fraternity of Man and Captain Beefheart's The Magic Band; Bruce Johnston, half of the Bruce and Terry duo with Terry Melcher from 1962–66 and longtime "sixth" member of The Beach Boys, for a time brother Mel Taylor, and guitarist-songwriter-bandleader Derry Weaver, who would record and perform in several capacities during the early 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Vestine
Henry Charles Vestine (December 25, 1944 – October 20, 1997) a.k.a. "The Sunflower", was an American guitar player primarily known as a member of the band Canned Heat. He was with the group from its start in 1966 to July 1969. In later years he played in local bands but occasionally returned to Canned Heat for a few tours and recordings. In 2003 Vestine was ranked 77th in ''Rolling Stone'' magazine list of the " 100 Greatest Guitarists of All Time". Family Born in Takoma Park, Maryland, Vestine was the only son of Harry and Lois Vestine. His father was a noted geophysicist and meteorologist. The Vestine Crater on the Moon had been named posthumously after his father who discovered it. Henry Vestine married Lisa Lack, with whom he moved to Anderson, South Carolina. In 1980 they had a son, Jesse. In 1983, they separated and Vestine moved to Oregon. Vestine's love of music and the blues in particular was fostered at an early age when he accompanied his father on canvasses of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overblowing
Overblowing is the manipulation of supplied air through a wind instrument that causes the sounded pitch to jump to a higher one without a fingering change or the operation of a slide. Overblowing may involve a change in the air pressure, in the point at which the air is directed, or in the resonance characteristics of the chamber formed by the mouth and throat of the player. (The latter is a feature of embouchure.) In some instruments, overblowing involves the direct manipulation of the vibrating reed(s), and/or the pushing of a register key while otherwise leaving fingering unaltered. With the exception of harmonica overblowing, the pitch jump is from one vibratory mode of the reed or air column, e.g., its fundamental, to an overtone. Overblowing can be done deliberately in order to get a higher pitch, or inadvertently, resulting in the production of a note other than intended. Characteristics In simple woodwind instruments, overblowing can cause the pitch to change into a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skip James
Nehemiah Curtis "Skip" James (June 9, 1902October 3, 1969) was an American Delta blues singer, guitarist, pianist and songwriter. AllMusic stated: "This emotional, lyrical performer was a talented blues guitarist and arranger with an impressive body of work." His guitar playing is noted for its dark, minor-key sound, played in an open D-minor tuning with an intricate fingerpicking technique. James first recorded for Paramount Records in 1931, but these recordings sold poorly, having been released during the Great Depression, and he drifted into obscurity. After a long absence from the public eye, James was rediscovered in 1964 by blues enthusiasts including John Fahey, helping further the blues and folk music revival of the 1950s and early 1960s. During this period, James appeared at folk and blues festivals, gave concerts around the country, and recorded several albums for various record labels. His songs have influenced generations of musicians and have been adapted by num ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Music
Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy. Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk and rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal. Since the 1970s, revivals have included psychedelic funk, neo-psychedelia, and stoner rock as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanbur
The term ''Tanbur'' ( fa, تنبور, ) can refer to various long-necked string instruments originating in Mesopotamia, Southern or Central Asia. According to the ''New Grove Dictionary of Music and Musicians'', "terminology presents a complicated situation. Nowadays the term tanbur (or tambur) is applied to a variety of distinct and related long-necked lutes used in art and folk traditions. Similar or identical instruments are also known by other terms." These instruments are used in the traditional music of Iran, India, Kurdistan, Armenia, Afghanistan, Azerbaijan (especially Avar community), Pakistan, Turkey, Tajikistan, Kazakhstan, and Uzbekistan. Origins Tanburs have been present in Mesopotamia since the Akkadian era, or the third millennium BC. Three figurines have been found in Susa that belong to 1500 BC, and in hands of one of them is a tanbur-like instrument. Also an image on the rocks near Mosul that belong to about 1000 B shows tanbur players. Playing the tan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boogie Chillen'
"Boogie Chillen'" or "Boogie Chillun" is a blues song first recorded by John Lee Hooker in 1948. It is a solo performance featuring Hooker's vocal, electric guitar, and rhythmic foot stomps. The lyrics are partly autobiographical and alternate between spoken and sung verses. The song was his debut record release and in 1949, it became the first "down-home" electric blues song to reach number one in the R&B records chart. Hooker's song was part of a trend in the late 1940s to a new style of urban electric blues based on earlier Delta blues idioms. Although it is called a boogie, it resembles early North Mississippi Hill country blues rather than the boogie-woogie piano-derived style of the 1930s and 1940s. Hooker gave credit to his stepfather, Will Moore, who taught him the rhythm of "Boogie Chillen'" ("chillen'" is a phonetic approximation of Hooker's pronunciation of "children") when he was a teenager. Some of the song's lyrics are derived from earlier blues songs. Hooker' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
