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On Stage (Gerald Wilson Album)
''On Stage'' is an album by the Gerald Wilson Orchestra recorded in 1965 and released on the Pacific Jazz label.Pacific Jazz 10000/20000 series discography
accessed December 15, 2015


Reception

rated the album with 4 stars; in his review, Scott Yanow said: "Arranger Gerald Wilson led one of the finest big bands of the 1960s. This out of print LP features the L.A. orchestra in top form although, since it is a studio album, its title is inaccurate".


Track listing

''All compositions by Gerald Wilson except as indicated'' # "Los Moros de Espana" - 3:05 # "

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Gerald Wilson
Gerald Stanley Wilson (September 4, 1918 – September 8, 2014) was an American jazz trumpeter, big band bandleader, composer, arranger, and educator. Born in Mississippi, he was based in Los Angeles from the early 1940s. In addition to being a band leader, Wilson wrote arrangements for Duke Ellington, Sarah Vaughan, Ray Charles, Julie London, Dizzy Gillespie, Ella Fitzgerald, Benny Carter, Lionel Hampton, Billie Holiday, Dinah Washington, and Nancy Wilson. Early life Wilson was born in Shelby, Mississippi, and at the age of 16 moved to Detroit, Michigan, where he graduated from Cass Technical High School (one of his classmates was saxophonist Wardell Gray).Peter Vacher"Gerald Wilson obituary" ''The Guardian'', 15 September 2014. He joined the Jimmie Lunceford orchestra in 1939, replacing its trumpeter and arranger, Sy Oliver. While with Lunceford, Wilson contributed songs to the band, including "Hi Spook" and "Yard-dog Mazurka", the first influenced by Ellington's recording o ...
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Streamline Ewing
John Richard "Streamline" Ewing (January 19, 1917 – February 1, 2002) was an American jazz trombonist. Career In 1934, Ewing began his career when he was seventeen. Four years later he was with Horace Henderson, then with Earl Hines live and on record from 1938 to 1939 and from 1941 to 1942. He worked for short spans with Louis Armstrong and Lionel Hampton in the 1940s, in addition to Jimmie Lunceford (1943–45), Cab Calloway (1946, 1949), Jay McShann (1948), Cootie Williams (1950), Louis Jordan, and Earl Bostic. In the early 1950s he moved to California and played with George Jenkins and in the studio with T-Bone Walker and Gerald Wilson. He began playing with Teddy Buckner in 1956; the two would play together on and off into the 1980s. He led his band the Streamliners for recording sessions in 1958 and 1960. In 1962 he toured with Henderson again and with Rex Stewart in 1967. Late in the 1960s he played in the Young Men of New Orleans band. In 1983 he played with the Eagle B ...
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Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ...
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Roy Ayers
Roy Ayers (born September 10, 1940) is an American funk, soul, and jazz composer, vibraphone player, and music producer. Ayers began his career as a post-bop jazz artist, releasing several albums with Atlantic Records, before his tenure at Polydor Records beginning in the 1970s, during which he helped pioneer jazz-funk. He is a key figure in the acid jazz movement, and has been dubbed "The Godfather of Neo Soul". He is best known for his compositions "Everybody Loves the Sunshine", "Searchin", and "Running Away". At one time, he was said to have more sampled hits by rappers than any other artist. Biography Early life Ayers was born on September 10, 1940, in Los Angeles. He grew up in a musical family, where his father played trombone and his mother played piano. At the age of five, he was given his first pair of vibraphone mallets by Lionel Hampton. The area of Los Angeles that Ayers grew up in, South Park (later known as South Central) was at the center of the Southern ...
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Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ...
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Jack Nimitz
Jack Nimitz (January 11, 1930 – June 10, 2009) was an American jazz baritone saxophonist. He was nicknamed "The Admiral". Career A native of Washington, D.C., Nimitz started on clarinet in his early teens before playing alto saxophone. During the 1950s he played baritone saxophone with Woody Herman, Stan Kenton, and Herbie Mann. He continued to play in big bands in the 1960s with Terry Gibbs and Gerald Wilson in addition to working in film and leading a quintet. He was a founding member of Supersax in the early 1970s and remained with the band into the 1990s. During the 1980s and 1990s he was a member of big bands led by Oliver Nelson and Bill Berry. He performed in the sextet of Frank Strazzeri and the sextet of Bud Shank in the 1990s. In 1997 he worked with Buddy Childers at the PizzaExpress Jazz Club in London. A studio musician for much of his life, Nimitz recorded his first album as leader in the 1990s. The Jack Nimitz Quintet played its final performance on May 10, ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Harold Land
Harold de Vance Land (December 18, 1928 – July 27, 2001) was an American hard bop and post-bop tenor saxophonist. Land developed his hard bop playing with the Max Roach/ Clifford Brown band into a personal, modern style, often rivalling Clifford Brown's instrumental ability with his own inventive and whimsical solos. His tone was strong and emotional, yet hinted at a certain introspective fragility. Biography Land was born in Houston, Texas, United States and grew up in San Diego, California. He started playing at the age of 16. He made his first recording as the leader of the Harold Land All-Stars, for Savoy Records in 1949. In 1954, he joined the Clifford Brown/Max Roach Quintet, with whom he was at the forefront of the hard-bop/bebop movement. The Land family moved from San Diego to Los Angeles, in 1955. There he played with Curtis Counce, led his own groups, and co-led groups with Bobby Hutcherson, Blue Mitchell, and Red Mitchell. From the 1970s onwards, his style showed ...
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Teddy Edwards
Theodore Marcus Edwards (April 26, 1924 – April 20, 2003) was an American jazz tenor saxophonist. Biography Edwards was born in Jackson, Mississippi, United States. He learned to play at a very early age, first on alto saxophone and then clarinet. His uncle sent for him to come to Detroit to live because he felt opportunities were better. Due to illness in the family, he went back to Jackson and ventured to Alexandria, Louisiana. He was persuaded by Ernie Fields to join his band after going to Tampa, Florida. Edwards had planned to go to New York City, but Fields convinced him he could get there by way of Washington, D.C., if he worked with his band. Edwards ended up at the "Club Alabam" on Central Avenue in Los Angeles, which later became his city of residence. Edwards played with many jazz musicians, including his personal friend Charlie Parker, Roy Milton, Wynonie Harris, Vince Guaraldi, Joe Castro and Ernie Andrews. A 1947 recording with Dexter Gordon, '' The Duel' ...
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Curtis Amy
Curtis Amy (October 11, 1929 – June 5, 2002) was an American jazz saxophonist. Biography Amy was born in Houston, Texas, United States. He learned how to play clarinet before joining the Army, and during his time in service, picked up the tenor saxophone. After his discharge, he attended and graduated from Kentucky State College. He worked as an educator in Tennessee while playing in midwestern jazz clubs. In the mid-1950s, he relocated to Los Angeles and later signed with Pacific Jazz Records, often playing with organist Paul Bryant. In the mid-1960s, he spent three years as musical director of Ray Charles' orchestra, together with his wife, Merry Clayton, and Steve Huffsteter. As well as leading his own bands and recording albums under his own name, Amy did session work and played the solos on several recordings, including The Doors song "Touch Me", Carole King's ''Tapestry'', and Lou Rawls' first albums, ''Black and Blue'' and ''Tobacco Road'', coinciding with Dexter Go ...
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Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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