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Old Norse Morphology
Old Norse has three categories of verbs (strong, weak, & present-preterite) and two categories of nouns (strong, weak). Conjugation and declension are carried out by a mix of inflection and two nonconcatenative morphological processes: umlaut, a backness-based alteration to the root vowel; and ablaut, a replacement of the root vowel, in verbs. Nouns, adjectives and pronouns are declined in four grammatical cases – nominative, accusative, genitive and dative, in singular and plural. Some pronouns (first and second person) have dual number in addition to singular and plural. The nouns have three grammatical genders – masculine, feminine or neuter - and adjectives and pronouns are declined to match the gender of nouns. The genitive is used partitively, and quite often in compounds and kennings (e.g.: ''Urðarbrunnr'', the well of Urðr; ''Lokasenna'', the gibing of Loki). Most declensions (of nouns and pronouns) use ''-a'' as a regular genitive plural ending, and all declensi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Norse
Old Norse, Old Nordic, or Old Scandinavian, is a stage of development of North Germanic languages, North Germanic dialects before their final divergence into separate Nordic languages. Old Norse was spoken by inhabitants of Scandinavia and their Viking expansion, overseas settlements and chronologically coincides with the Viking Age, the Christianization of Scandinavia and the consolidation of Scandinavian kingdoms from about the 7th to the 15th centuries. The Proto-Norse language developed into Old Norse by the 8th century, and Old Norse began to develop into the modern North Germanic languages in the mid-to-late 14th century, ending the language phase known as Old Norse. These dates, however, are not absolute, since written Old Norse is found well into the 15th century. Old Norse was divided into three dialects: Old West Norse, ''Old West Norse'' or ''Old West Nordic'' (often referred to as ''Old Norse''), Old East Norse, ''Old East Norse'' or ''Old East Nordic'', and ''Ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morphophonology
Morphophonology (also morphophonemics or morphonology) is the branch of linguistics that studies the interaction between morphological and phonological or phonetic processes. Its chief focus is the sound changes that take place in morphemes (minimal meaningful units) when they combine to form words. Morphophonological analysis often involves an attempt to give a series of formal rules or constraints that successfully predict the regular sound changes occurring in the morphemes of a given language. Such a series of rules converts a theoretical underlying representation into a surface form that is actually heard. The units of which the underlying representations of morphemes are composed are sometimes called morphophonemes. The surface form produced by the morphophonological rules may consist of phonemes (which are then subject to ordinary phonological rules to produce speech sounds or ''phones''), or else the morphophonological analysis may bypass the phoneme stage and produce t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hávamál
''Hávamál'' ( ; Old Norse: ,Unnormalised spelling in the :Title: Final stanza: ../ref> classical pron. , Modern Icelandic pron. , ‘Words of he High One€™) is presented as a single poem in the Icelandic , a collection of Old Norse poems from the Viking age. The poem, itself a combination of numerous shorter poems, is largely gnomic, presenting advice for living, proper conduct and wisdom. It is considered an important source of Old Norse philosophy. The verses are attributed to Odin; the implicit attribution to Odin facilitated the accretion of various mythological material also dealing with the same deity. For the most part composed in the metre , a metre associated with wisdom verse, is both practical and philosophical in content. Following the gnomic " proper" comes the , an account of how Odin won the runes, and the , a list of magic chants or spells.Larrington, Carolyne. (Trans.) (1999) ''The Poetic Edda'', p. 14. Oxford World's Classics Name The Old Norse name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerund
In linguistics, a gerund ( abbreviated ) is any of various nonfinite verb forms in various languages; most often, but not exclusively, one that functions as a noun. In English, it has the properties of both verb and noun, such as being modifiable by an adverb and being able to take a direct object. The term "''-ing'' form" is often used in English to refer to the gerund specifically. Traditional grammar makes a distinction within ''-ing'' forms between present participles and gerunds, a distinction that is not observed in such modern grammars as ''A Comprehensive Grammar of the English Language'' and ''The Cambridge Grammar of the English Language''. Traditional use The Latin gerund, in a restricted set of syntactic contexts, denotes the sense of the verb in isolation after certain prepositions, and in certain uses of the genitive, dative, and ablative cases. It is very rarely combined with dependent sentence elements such as object. To express such concepts, the construction w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammatical Mood
In linguistics, grammatical mood is a grammatical feature of verbs, used for signaling modality. That is, it is the use of verbal inflections that allow speakers to express their attitude toward what they are saying (for example, a statement of fact, of desire, of command, etc.). The term is also used more broadly to describe the syntactic expression of modality – that is, the use of verb phrases that do not involve inflection of the verb itself. Mood is distinct from grammatical tense or grammatical aspect, although the same word patterns are used for expressing more than one of these meanings at the same time in many languages, including English and most other modern Indo-European languages. (See tense–aspect–mood for a discussion of this.) Some examples of moods are indicative, interrogative, imperative, subjunctive, injunctive, optative, and potential. These are all finite forms of the verb. Infinitives, gerunds, and participles, which are non-finite forms of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subjunctive Mood
The subjunctive (also known as conjunctive in some languages) is a grammatical mood, a feature of the utterance that indicates the speaker's attitude towards it. Subjunctive forms of verbs are typically used to express various states of unreality such as: wish, emotion, possibility, judgment, opinion, obligation, or action that has not yet occurred; the precise situations in which they are used vary from language to language. The subjunctive is one of the irrealis moods, which refer to what is not necessarily real. It is often contrasted with the indicative, a realis mood which is used principally to indicate that something is a statement of fact. Subjunctives occur most often, although not exclusively, in subordinate clauses, particularly ''that''-clauses. Examples of the subjunctive in English are found in the sentences "I suggest that you ''be'' careful" and "It is important that she ''stay'' by your side." Indo-European languages Proto-Indo-European The Proto-Indo-European ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperative Mood
The imperative mood is a grammatical mood that forms a command or request. The imperative mood is used to demand or require that an action be performed. It is usually found only in the present tense, second person. To form the imperative mood, use the base form of the verb. They are sometimes called ''directives'', as they include a feature that encodes directive force, and another feature that encodes modality of unrealized interpretation. An example of a verb used in the imperative mood is the English phrase "Go." Such imperatives imply a second-person subject (''you''), but some other languages also have first- and third-person imperatives, with the meaning of "let's (do something)" or "let them (do something)" (the forms may alternatively be called cohortative and jussive). Imperative mood can be denoted by the glossing abbreviation . It is one of the irrealis moods. Formation Imperative mood is often expressed using special conjugated verb forms. Like other finite ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indicative
A realis mood (abbreviated ) is a grammatical mood which is used principally to indicate that something is a statement of fact; in other words, to express what the speaker considers to be a known state of affairs, as in declarative sentences. Most languages have a single realis mood called the indicative mood, although some languages have additional realis moods, for example to express different levels of certainty. By contrast, an irrealis mood is used to express something that is not known to be the case in reality. An example of the contrast between realis and irrealis moods is seen in the English sentences "He works" and "It is necessary that he work". In the first sentence, ''works'' is a present indicative (realis) form of the verb, and is used to make a direct assertion about the real world. In the second sentence, ''work'' is in the subjunctive mood, which is an irrealis mood – here ''that he work'' does not necessarily express a fact about the real world (he could be re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammatical Conjugation
In linguistics, conjugation () is the creation of derived forms of a verb from its principal parts by inflection (alteration of form according to rules of grammar). For instance, the verb ''break'' can be conjugated to form the words ''break'', ''breaks'', ''broke'', ''broken'' and ''breaking''. While English has a relatively simple conjugation, other languages such as French and Arabic are more complex, with each verb having dozens of conjugated forms. Some languages such as Georgian and Basque have highly complex conjugation systems with hundreds of possible conjugations for every verb. Verbs may inflect for grammatical categories such as person, number, gender, case, tense, aspect, mood, voice, possession, definiteness, politeness, causativity, clusivity, interrogatives, transitivity, valency, polarity, telicity, volition, mirativity, evidentiality, animacy, associativity, pluractionality, and reciprocity. Verbs may also be affected by agreement, polypersonal agreem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syncope (phonetics)
In phonology, syncope (; from grc, , , cutting up) is the loss of one or more sounds from the interior of a word, especially the loss of an unstressed vowel. It is found in both synchronic and diachronic analyses of languages. Its opposite, whereby sounds are added, is epenthesis. Synchronic analysis Synchronic analysis studies linguistic phenomena at one moment of a language's history, usually the present, in contrast to diachronic analysis, which studies a language's states and the patterns of change across a historical timeframe. In modern languages, syncope occurs in inflection, poetry, and informal speech. Inflections In languages such as Irish and Hebrew, the process of inflection can cause syncope: * In some verbs : (to play) should become * (I play). However, the addition of the causes syncope and the second-last syllable vowel is lost so becomes . : (katav), (he) wrote, becomes (katvu), (they) wrote, when the third-person plural ending (-u) is added. * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assimilation (linguistics)
Assimilation is a sound change in which some phonemes (typically consonants or vowels) change to become more similar to other nearby sounds. A common type of phonological process across languages, assimilation can occur either within a word or between words. It occurs in normal speech but becomes more common in more connected speech, rapid speech. In some cases, assimilation causes the sound spoken to differ from the normal pronunciation in isolation, such as the prefix ''in-'' of English ''input'' pronounced with phonetic [m] rather than [n]. In other cases, the change is accepted as canonical for that word or phrase, especially if it is recognized in standard spelling: ''implant'' pronounced with [m], composed historically of ''in'' + ''plant''. English "handbag" (canonically ) is often pronounced in rapid speech because the and sounds are both bilabial consonants, and their places of articulation are similar. However, the sequence - has different places but similar man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germanic Umlaut
The Germanic umlaut (sometimes called i-umlaut or i-mutation) is a type of linguistic umlaut in which a back vowel changes to the associated front vowel ( fronting) or a front vowel becomes closer to (raising) when the following syllable contains , , or . It took place separately in various Germanic languages starting around AD 450 or 500 and affected all of the early languages except Gothic. An example of the resulting vowel alternation is the English plural ''foot ~ feet'' (from Proto-Germanic , pl. ). Germanic umlaut, as covered in this article, does not include other historical vowel phenomena that operated in the history of the Germanic languages such as Germanic a-mutation and the various language-specific processes of u-mutation, nor the earlier Indo-European ablaut (''vowel gradation''), which is observable in the conjugation of Germanic strong verbs such as ''sing/sang/sung''. While Germanic umlaut has had important consequences for all modern Germanic languag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
