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Núria Espert
Núria Espert Romero (born 11 June 1935 in L'Hospitalet de Llobregat, Catalonia, Spain) is a Spanish theatre and television actor, and theatre and opera director. When she was 19 years old, she married the actor :es:Armando Moreno, Armando Moreno, who would later become her manager. As a tribute to this actor, the city of Fuenlabrada named a theatre "Sala Municipal de Teatro Núria Espert". Professional trajectory Núria Espert studied high school at the Maragall Institute in Barcelona and later completed her studies with music and Languages. At only sixteen years of age, she began to work in amateur theatre and in the 1950s she had the opportunity to perform, in her native Barcelona, great classics such as La vida es sueño (Life is a Dream) (1950) and El jardinero de Falerina (The Gardener of Falerina) (1953), by Calderón de la Barca; Los empeños de una casa (1952), by Sor Juana Inés de la Cruz; or Romeo and Juliet (1953), by William Shakespeare, Shakespeare, adapted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Hospitalet De Llobregat
L'Hospitalet de Llobregat (; es, Hospitalet de Llobregat), often shortened to L'Hospitalet or just L'H, is a municipality of Spain, located to the immediate southwest of Barcelona, in the autonomous community of Catalonia. It is part of the Barcelona Metropolitan Area. By population, it is the second largest in Catalonia and the sixteenth in Spain. It is one of the most densely populated cities in the European Union. Name The name of L'Hospitalet (literally, 'the small hospital' in Catalan) makes reference to a hostel. The name of the river Llobregat is added as an accompaniment. History The first records of the settlement date to the Neolithic era with artefacts showing human habitation in the Llobregat river area. Roman artefacts have been found dating to the 2nd century BC such as a funeral decoration representing the head of Medusa, now in the Archaeological Museum of Catalonia. However it is not until the 10th century that written references to ''Provençana'' (the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Ciutat Cremada
''La ciutat cremada'' (''The Burned City''; Spanish title: ''La ciudad quemada'') is a 1976 Spanish historical film directed by Antoni Ribas.http://spanish_cinema.enacademic.com/46/Catalan_cinema Cast Plot The story takes place in Barcelona following the disaster in Cuba until the Tragic Week (la Semana Trágica), approximately from 1899 until 1909, by means of events which befall a family in that city. References External links * 1970s historical films Spanish multilingual films Spanish historical films 1970s Spanish films {{historic-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Puccini
Giacomo Puccini (Lucca, 22 December 1858Bruxelles, 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera, he later developed his work in the realistic ''verismo'' style, of which he became one of the leading exponents. His most renowned works are ''La bohème'' (1896), ''Tosca'' (1900), '' Madama Butterfly'' (1904), and ''Turandot'' (1924), all of which are among the most frequently performed and recorded of all operas. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca, Italy, in 1858. He was the sixth of nine children of Michele Puccini (1813–1864) and Albina Magi (1830–1884). The Puccini family was established in Lucca as a local musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madama Butterfly
''Madama Butterfly'' (; ''Madame Butterfly'') is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is based on the short story "Madame Butterfly" (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel '' Madame Chrysanthème'' by Pierre Loti.Chadwick Jenna"The Original Story: John Luther Long and David Belasco" on columbia.edu Long's version was dramatized by David Belasco as the one-act play '' Madame Butterfly: A Tragedy of Japan'', which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year. The original version of the opera, in two acts, had its premiere on 17 February 1904 at La Scala in Milan. It was poorly received, despite having such notable singers as soprano Rosina Storchio, tenor Giovanni Zenatello and baritone Giuseppe De Luca in lead roles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Celestina
''The Tragicomedy of Calisto and Melibea'' ( es, Tragicomedia de Calisto y Melibea), known in Spain as ''La Celestina'' is a work entirely in dialogue published in 1499. It is attributed to Fernando de Rojas, a descendant of converted Jews, who practiced law and, later in life, served as an alderman of Talavera de la Reina, an important commercial center near Toledo. The book is considered to be one of the greatest works of all Spanish literature, and is usually regarded as marking the end of the medieval period and the beginning of the renaissance in Spanish literature. Although usually regarded as a novel, it is written as a continuous series of dialogues and can be taken as a play, having been staged as such and filmed. The story tells of a bachelor, Calisto, who uses the old procuress and bawd Celestina to start an affair with Melibea, an unmarried girl kept in seclusion by her parents. Though the two use the rhetoric of courtly love, sex — not marriage — is their aim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Who's Afraid Of Virginia Woolf?
''Who's Afraid of Virginia Woolf?'' is a play by Edward Albee first staged in October 1962. It examines the complexities of the marriage of a middle-aged couple, Martha and George. Late one evening, after a university faculty party, they receive an unwitting younger couple, Nick and Honey, as guests, and draw them into their bitter and frustrated relationship. The play is in three acts, normally taking a little less than three hours to perform, with two 10-minute intermissions. The title is a pun on the song "Who's Afraid of the Big Bad Wolf?" from Walt Disney's ''Three Little Pigs'' (1933), substituting the name of the celebrated English author Virginia Woolf. Martha and George repeatedly sing this version of the song throughout the play. ''Who's Afraid of Virginia Woolf?'' won both the 1963 Tony Award for Best Play and the 1962–63 New York Drama Critics' Circle Award for Best Play. It is frequently revived on the modern stage. The film adaptation was released in 1966, writte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salome (play)
''Salome'' (French: ''Salomé'', ) is a one-act tragedy by Oscar Wilde. The original 1891 version of the play was in French; an English translation was published three years later. The play depicts the attempted seduction of Jokanaan (John the Baptist) by Salome, step-daughter of Herod Antipas; her dance of the seven veils; the execution of Jokanaan at Salome's instigation; and her death on Herod's orders. The first production was in Paris in 1896. Because the play depicted biblical characters it was banned in Britain and was not performed publicly there until 1931. The play became popular in Germany, and Wilde's text was taken by the composer Richard Strauss as the basis of his 1905 opera ''Salome (opera), Salome'', the international success of which has tended to overshadow Wilde's original play. Film and other adaptations have been made of the play. Background and first production When Wilde began writing ''Salome'' in late 1891 he was known as an author and critic, but was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medea (play)
''Medea'' ( grc, Μήδεια, ''Mēdeia'') is an ancient Greek tragedy written by Euripides, based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the actions of Medea, a former princess of the kingdom of Colchis, and the wife of Jason; she finds her position in the Greek world threatened as Jason leaves her for a Greek princess of Corinth. Medea takes vengeance on Jason by murdering his new wife as well as her own two sons, after which she escapes to Athens to start a new life. Euripides' play has been explored and interpreted by playwrights across the centuries and the world in a variety of ways, offering political, psychoanalytical, feminist, among many other original readings of Medea, Jason and the core themes of the play. ''Medea'', along with three other plays, earned Euripides third prize in the City Dionysia. Some believe that this indicates a poor reception, but "the competition that year was extraordinarily keen"; Sophocles, often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doña Rosita La Soltera
Don (; ; pt, Dom, links=no ; all from Latin ', roughly 'Lord'), abbreviated as D., is an honorific prefix primarily used in Spain and Hispanic America, and with different connotations also in Italy, Portugal and its former colonies, and Croatia. ''Don'' is derived from the Latin ''dominus'': a master of a household, a title with background from the Roman Republic in classical antiquity. With the abbreviated form having emerged as such in the Middle Ages, traditionally it is reserved for Catholic clergy and nobles, in addition to certain educational authorities and persons of distinction. ''Dom'' is the variant used in Portuguese. The female equivalent is Doña (), Donna (), Doamnă (Romanian) and Dona () abbreviated D.ª, Da., or simply D. It is a common honorific reserved for women, especially mature women. In Portuguese "Dona" tends to be less restricted in use to women than "Dom" is to men. In Britain and Ireland, especially at Oxford, Cambridge, and Dublin, the word is use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
