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Nyckelharpa Players
A nyckelharpa (, "keyed fiddle", or literally "key harp", plural ) is the national musical instrument of Sweden. It is a string instrument or chordophone. Its keys are attached to tangents which, when a key is depressed, serve as frets to change the pitch of the string. The nyckelharpa is similar in appearance to a fiddle or the big Sorb geige or viol. Structurally, it is more closely related to the hurdy-gurdy, both employing key-actuated tangents to change the pitch. History A depiction of two instruments, possibly but not confirmed nyckelharpas, can be found in a relief dating from on one of the gates of Källunge Church in Gotland. Early church paintings are found in Siena, Italy, dating to 1408 and in different churches in Denmark and Sweden, such as Tolfta Church, Sweden, which dates to . Other very early pictures are to be found in Hildesheim, Germany, dating to . The (nyckelharpa) is also mentioned in , a famous work written in 1620 by the German organist Michael ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bowed String Instrument
Bowed string instruments are a subcategory of string instruments that are played by a bow rubbing the strings. The bow rubbing the string causes vibration which the instrument emits as sound. Despite the numerous specialist studies devoted to the origin of the bowing the problem of the origin of the bowing is unresolved Some say that the bow was introduced to Europe from the Middle East while others say the bow was not introduced from the Middle East but the other way round and that that the bow may have had its origin from a more frequent intercourse with North Europe and Western Europe List of bowed string instruments Violin family * Pochette * Violin (violino) * Viola (altviol, bratsche) * Cello (violoncello) * Double bass (contrabasso) ;Variants on the standard members of the violin family include: * Tenor violin * Five string violin * Cello da spalla * Baroque violin * Kontra * Kit violin * Sardino * Stroh violin * Låtfiol * Hardanger fiddle * Lira da bracc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Praetorius
Michael Praetorius (probably 28 September 1571 – 15 February 1621) was a German composer, organist, and music theorist. He was one of the most versatile composers of his age, being particularly significant in the development of musical forms based on Protestant hymns. Life Praetorius was born Michael Schultze, the youngest son of a Lutheran pastor, in Creuzburg, in present-day Thuringia. After attending school in Torgau and Zerbst, he studied divinity and philosophy at the University of Frankfurt (Oder). He was fluent in a number of languages. After receiving his musical education, from 1587 he served as organist at the Marienkirche in Frankfurt. From 1592/3 he served at the court in Wolfenbüttel, under the employ of Henry Julius, Duke of Brunswick-Lüneburg. He served in the duke's State Orchestra, first as organist and later (from 1604) as ''Kapellmeister'' (court music director). [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Music
Contemporary classical music is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism. History Background At the beginning of the twentieth century, composers of classical music were experimenting with an increasingly dissonant pitch language, which sometimes yielded atonal pieces. Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles (see also New Objectivity and Social Realism). After World War II, modernist composers sought to achieve greater levels o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Music
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music. Terminology Interpretations of historical scope of "early music" vary. The original Academy of Ancient Music formed in 1726 defined "Ancient" music as works written by composers who lived before the end of the 16th century. Johannes Brahms and his contemporaries would have understood Early music to range from the High Renaissance and Baroque, while some scholars consider that Early music should include the music of ancient Greece or Rome before 500 AD (a period that is generally covered by the term Ancient music). Music critic Michael Kennedy excludes Baroque, defining Early music as "musical compositions from heearliest times up to and including music of heRenaissance period". Musicologist Thomas Forrest Kelly considers that the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Ambrosini
Marco Ambrosini (born 1964 in Forlì, Italy) is an Italian musician, composer and arranger living in Germany. Studies From 1971 to 1981, Ambrosini studied violin and viola (with Adrio Casagrande) and composition with Mario Perrucci at the "Instituto Musicale G.B.Pergolesi" in Ancona and at the conservatory "G.Rossini" in Pesaro. Musician Ambrosini debuted as a soloist and nyckelharpa player in the theatre "Alla Scala" in Milan, in concerts for the Royal Swedish Concert Agency, in the Alte Oper Frankfurt, in the Philharmony in Cologne, Berlin, Moscow, in the Carnegie Hall of New York and also perform with different ensembles for early music, baroque music and contemporary music. Worldwide concert activity includes over 150 CDs, broadcast and television shots as a composer, soloist, or as member of the Katharco Early Music Consort and the ensemble Oni Wytars (Germany), Els Trobadors (Spain), ensemble Unicorn, ensemble Accentus, Clemencic Consort, Armonico Tributo Aus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roots Revival
A roots revival (folk revival) is a trend which includes young performers popularizing the traditional musical styles of their ancestors. Often, roots revivals include an addition of newly composed songs with socially and politically aware lyrics, as well as a general modernization of the folk sound. The term ''roots revival'' is vague, and may not always refer to identical events. Characteristics associated with a roots revival include: * Popularization of previously non-mainstream and independent music, independent of folk music * Adaptation of folk styles to pop (or rock) structures * Invention of new formats like bands where only solo acts had existed before * Introduction of new instruments * Composition of works by those who perform them, as opposed to folk tunes mostly passed down orally (see singer-songwriter) * Incorporation of politically aware lyrics, often critical of a government, religion, or other authority, or society in general * Lyrics are the first from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Sahlström
Eric Sahlström (1912–1986 CE) was a Swedish player of the nyckelharpa, and '' riksspelman'' awardee from Tobo in northern Uppland, Sweden. Sahlström won great respect for his musicianship in an era when folk music was not yet an established art form. He was hired by Bo Nilson in 1962 to play in a new work at the Venice Biennale. In 1968 he received the Swedish Local Heritage Federation's medal from Gustaf VI Adolf and the same year the Royal Swedish Academy of Music's ''Medaljen för tonkonstens främjande'' ("Medal for Music Promotion"). He was nominated as a music professor at the Royal College of Music, Stockholm. In 1976 he was recognised for "artistic quality and importance for Swedish culture", as the first musician to receive that award. Eric Sahlström is one of those who most contributed most to the renaissance of the ''nyckelharpa'' ("key fiddle") in modern times. The instrument at that point had some small popularity amongst a handful of musicians in Upplan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drone (music)
In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is ''burden'' (''bourdon'' or ''burdon'') such as a "drone ipeof a bagpipe", the pedal point in an organ, or the lowest course of a lute. Α ''burden'' is also part of a song that is repeated at the end of each stanza, such as the chorus or refrain.Brabner, John H F., ed. (1884). The national encyclopædia', Vol. V, p.99. Libr. ed. William McKenzie. . Musical effect "Of all harmonic devices, it droneis not only the simplest, but probably also the most fertile." A drone effect can be achieved through a sustained sound or through repetition of a note. It most often establishes a tonality upon which the rest of the piece is built. A drone can be instrumental, vocal or both. Drone (both instrumental and vocal) can be place ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bow (music)
In music, a bow is a tensioned stick which has hair (usually horse-tail hair) coated in rosin (to facilitate friction) affixed to it. It is moved across some part (generally some type of strings) of a musical instrument to cause vibration, which the instrument emits as sound. The vast majority of bows are used with string instruments, such as the violin, viola, cello, and bass, although some bows are used with musical saws and other bowed idiophones. Materials and manufacture A bow consists of a specially shaped stick with other material forming a ribbon stretched between its ends, which is used to stroke the string and create sound. Different musical cultures have adopted various designs for the bow. For instance, in some bows a single cord is stretched between the ends of the stick. In the Western tradition of bow making—bows for the instruments of the violin and viol families—a hank of horsehair is normally employed. The manufacture of bows is considered a demanding c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic Scale
The chromatic scale (or twelve-tone scale) is a set of twelve pitches (more completely, pitch classes) used in tonal music, with notes separated by the interval of a semitone. Chromatic instruments, such as the piano, are made to produce the chromatic scale, while other instruments capable of continuously variable pitch, such as the trombone and violin, can also produce microtones, or notes between those available on a piano. Most music uses subsets of the chromatic scale such as diatonic scales. While the chromatic scale is fundamental in western music theory, it is seldom directly used in its entirety in musical compositions or improvisation. Definition The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Bohlin
August Bohlin (born 7 July 1877 Österlövsta; died 19 May 1949) was a nyckelharpa and fiddler from Uppland. He is known for developing the three-row nyckelharpa of today in 1929. August came from a musical family; his father Johan was a skilled nyckelharpist. Father and son produced three albums together in 1913 (Odeon 840, 845 and 847). On CD 2004 from www.tongang.se References Nyckelharpa players People from Uppland 1877 births 1949 deaths {{Sweden-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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