Nun Freut Euch, Lieben Christen G'mein
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Nun Freut Euch, Lieben Christen G'mein
"", or “Dear Christians, One and All, Rejoice” in English, is a Lutheran hymn, written in 1523 by Martin Luther. It is one of Luther's early hymns and considered by some as one of his finest. It was published as one of eight songs in 1524 in the first Lutheran hymnal, the . The contained four songs by Luther, three by Paul Speratus, Speratus, and one by Justus Jonas. It appeared also in 1524 in the ''Erfurt Enchiridion''. Apart from the hymn tunes with which it appeared in the (Zahn number, Zahn No. 4427) and in the ''Erfurt Enchiridion'' (Zahn No. 4428), a third melody, Zahn No. 4429a, was published for the hymn in 1535. Johann Sebastian Bach used both the first and the last of these melodies in his compositions.BWV2a, BWV2a (1998), p. 478 Text 1. Nun freut euch, lieben Christen g’mein, und lasst uns fröhlich springen, dass wir getrost und all in ein mit Lust und Liebe singen, was Gott an uns gewendet hat und seine süße Wundertat; gar teu’r hat ...
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List Of Hymns By Martin Luther
The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith. Luther wrote songs for occasions of the liturgical year ( Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of psalms, and other songs. Whenever Luther went out from pre-existing texts, here listed as "text source" (bible, Latin and German hymns), he widely expanded, transformed and personally interpreted them. Luther worked on the tunes, sometimes modifying older tunes, in collaboration with Johann Walter. Hymns were published in the ''Achtliederbuch'', in Walter's choral hymnal ''Eyn geystlich Gesangk Buchleyn ' ("A spiritual song booklet"), sometimes called First Wittenberg Hymnal and ' (Choir hymnal), was the first German hymnal for choir, published in Wittenberg in 1524 by Johann Walter ...
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Hymn Tune
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony, a fast harmonic rhythm (chords change frequently), with or without refrain or chorus. From the late sixteenth century in England and Scotland, when most people were not musically literate and learned melodies by rote, it was a common practice to sing a new text to a hymn tune the singers already knew which had a suitable meter and character. There are many hymn tunes which might fit a particular hymn: a hymn in Long Metre might be sung to any hymn tune in Long Metre, but the tunes might be as different as those tunes that have been used for centuries with hymns such as ''Te lucis ante terminum'', on one hand, and an arrangement of the calypso tune used with ''Jamaica Farewell'', on the other. Hymnal editors Editors bring extensive knowledge of theology, poetry, and music to the process of compiling a new hymn ...
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16th-century Hymns In German
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ...
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Kurt Aland
Kurt Aland (28 March 1915 – 13 April 1994) was a German theologian and biblical scholar who specialized in New Testament textual criticism. He founded the '' Institut für neutestamentliche Textforschung'' (Institute for New Testament Textual Research) in Münster and served as its first director from 1959 to 1983. He was one of the principal editors of '' Nestle–Aland – Novum Testamentum Graece'' for the Deutsche Bibelgesellschaft and ''The Greek New Testament'' for the United Bible Societies. Life Aland was born in Berlin- Steglitz. He started studying theology in 1933 at the Friedrich-Wilhelms-Universität in Berlin (he also studied philology, archaeology, and history). On 23 March that year, he was examined before the ''Bruderrat'' (council of brothers) in the ''Bekennende Kirche'' (Confessing Church). During his studies, he worked for the journal of the Confessing Church, ''Junge Kirche'' (Young Church). In an ideological brochure, ''Wer fälscht?'' (Who is lying? ...
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Bertelsmann
Bertelsmann SE & Co. KGaA () is a German private multinational conglomerate corporation based in Gütersloh, North Rhine-Westphalia, Germany. It is one of the world's largest media conglomerates, and is also active in the service sector and education. Bertelsmann was founded as a publishing house by Carl Bertelsmann in 1835. After World War II, Bertelsmann, under the leadership of Reinhard Mohn, went from being a medium-sized enterprise to a major conglomerate, offering not only books but also television, radio, music, magazines and services. Its principal divisions include the RTL Group, Penguin Random House, BMG, Arvato, the Bertelsmann Printing Group, the Bertelsmann Education Group and Bertelsmann Investments. Bertelsmann is an unlisted and capital market-oriented company, which remains primarily controlled by the Mohn family. History 1835 to 1933 The nucleus of the corporation is the ''C. Bertelsmann Verlag'', a publishing house established on July 1, 1835 by ...
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Die Melodien Der Deutschen Evangelischen Kirchenlieder
A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant Church service. The typical four-part setting of a chorale, in which the sopranos (and the congregation) sing the melody along with three lower voices, is known as a ''chorale harmonization''. Lutheran hymns Starting in 1523, Martin Luther began translating worship texts into German from the Latin. He composed melodies for some hymns himself, such as "Ein feste Burg ist unser Gott" ("A Mighty Fortress Is Our God"), and even a few harmonized settings. For other hymns he adapted Gregorian chant melodies used in Catholic worship to fit new German texts, sometimes using the same melody more than once. For example, he fitted the melody of the hymn "Veni redemptor gentium" to three different texts, " Verleih uns Frieden gnädiglich", "Erhalt uns, Herr, bei deinem Wort", and "Nun komm, der Heiden Heiland". The first Lutheran hymns were published in 1524. These inclu ...
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BWV2a
Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble and orchestra. There are over 1000 known compositions by Bach. Nearly all of them are listed in the ' (BWV), which is the best known and most widely used catalogue of Bach's compositions. Listing Bach's compositions Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. For instance, his obituary contains a list of the instrumental compositions printed during the composer's lifetime, followed by an approximate list of his unpublished work. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same approach: its ninth chapter first lists printed works (adding four-part chorales which h ...
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ...
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Justus Jonas
Justus Jonas, the Elder (5 June 1493 – 9 October 1555), or simply Justus Jonas, was a German Lutheran theologian and reformer. He was a Jurist, Professor and Hymn writer. He is best known for his translations of the writings of Martin Luther and Philipp Melanchthon. He accompanied Martin Luther in his final moments. Life and church Jonas was born at Nordhausen in present-day Thuringia where he was the son of the burgermeister. His birth name was Jodokus (Jobst) Koch, which he changed according to the common custom of German scholars in the sixteenth century, when at the University of Erfurt. He entered that university in 1506, studied law and the humanities, and became Master of Arts in 1510. In 1511 he went to University of Wittenberg, where he took his bachelor's degree in law. He returned to Erfurt in Thuringia during 1514 or 1515 was ordained priest. In 1518, he was appointed Canon of St. Severus Church (''Severikirche'') in Erfurt which was a collegiate church. In ...
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Erfurt Enchiridion
The ''Erfurt Enchiridion'' (enchiridion, from grc, ἐγχειρίδιον, hand book) is the second Lutheran hymnal. It appeared in 1524 in Erfurt in two competing editions. One of them contains 26 songs, the other 25, 18 of them by Martin Luther, others by Elisabeth Cruciger, Erhard Hegenwald, Justus Jonas and Paul Speratus. While the songs of the ''Enchiridion'' could be used in churches, they were intended primarily for singing elsewhere, such as at home, at court, and in guild meetings. History The songs of the reformer Luther and others were first sold as broadsheets, and contributed to the spreading of Protestant ideas. They were printed in collections, beginning with the First Lutheran hymnal, called the ', and with the Wittenberg song book, both published in 1524. The Erfurt ''Enchiridion'' appeared the same year, in two almost equal editions by two different printers, Johannes Loersfeld and Matthes Maler. Both books are identical except for one song. The double app ...
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Paul Speratus
Paul Speratus (13 December 148412 August 1551) was a Swabian Catholic priest who became a Protestant preacher, reformer and hymn-writer. In 1523, he helped Martin Luther to create the First Lutheran hymnal, published in 1524 and called ''Achtliederbuch''. Early life Paul Speratus was born in Rötlen (a village now part of present-day Ellwangen) in Swabia, on or about 13 December 1484, probably to a wealthy family. His original surname, Latinized to "Speratus," may have been "Spreter," "Hoffer," or "Offer." In later years would write his name as "von Rötlen" (of Rötlen) or "von Ellwangen, Priester der Diöcese Augsburg" (of Ellwangen, Priest of the Diocese of Augsburg). Early studies took him to Paris and Italy, as well as (probably) Freiburg and Vienna. In 1506, he was ordained a Roman Catholic priest. In 1517, he was the author of a poem praising the Johann Eck, a conservative Catholic soon to be an important Catholic critic of Luther's teaching. At about the same tim ...
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First Lutheran Hymnal
The First Lutheran hymnal, published in 1524 as ''Etlich Cristlich lider / Lobgesang und Psalm'' (Some Christian songs / canticle, and psalm), often also often referred to as the Achtliederbuch (Book with eight songs, literally Eightsongsbook), was the first Lutheran hymnal. History and content The hymnal was created by Martin Luther and Paul Speratus working in collaboration. It contains eight hymns: four by Luther, three by Speratus, and one anonymous, which has been attributed to Justus Jonas. The creators declared their intentions on the title page: "Lobgesang / un Psalm / dem rainen wort Gottes gemeß / auß der heylige schrifft / durch mancherley hochgelerter gemacht / in der Kirch zu singen / wie es dann zum tayl Berayt in Wittenberg in übung ist." (Canticle / and psalm / according to the pure word of God / from the holy scripture / made by several learned eople/ to be sung in church / as already practised in part in Wittenberg.) The hymnal is rather "eine lose buchhän ...
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