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Number Pieces
The term ''Number Pieces'' refers to a body of late compositions (40, or 41 if ''Seventeen'' was actually composed) by John Cage. Each piece is named after the number of performers involved: for instance, ''Seven'' is a piece for seven performers, ''One9'' (read "One Nine") is the ninth work for one performer, and ''1O1'' is a piece for an orchestra of 101 musicians. The vast majority of these works were composed using Cage's time bracket technique: the score consists of short fragments (frequently just one note, with or without dynamics) and indications, in minutes and seconds, during which the fragment can start and by what time it should end. Time brackets can be fixed (e.g. from 1.15 to 2.00) or flexible (e.g. from anywhere between 1.15 and 1.45, and to anywhere between 2.00 and 2.30). All of the ''Number Pieces'' were composed during the last six years of Cage's life, 1987–1992. Most are for traditional instruments, with six exceptions that range from works for rainsticks, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curved Bow
The curved bow for string instruments enables string players to control the tension of the bow hair in order to play one, two, three and four strings simultaneously and to change easily among these possibilities. The high arch of the bow allows full, sustained chords to be played and there is a lever mechanism that affects the tension and release of the bow hair. The stick of the curved bow is bent upwards (convex) and forms a circle segment. Since the four strings of a string instrument are arranged on a curved bridge, the bow hairs must be loosened so that they can reach all three or four strings (Fig. 1). Currently used bow sticks are slightly bent in the other direction (concave), that is it is only possible to play two strings at a time and, for a short time with a lot of bow pressure, three strings simultaneously (Fig. 2). History Curved Bow on four strings (Fig. 1) The practice of polyphonic playing is documented by Alessandro Striggio (1540–92), violinist Nicolaus Bruh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hood River Valley High School
Hood River Valley High School is a public high school in Hood River, Oregon, United States. It opened in September 1970 as the result of a consolidation of the former Hood River and Wy'East high schools. Academics Hood River Valley High School is a Title 1 school. The school has a dropout rate of 2.8% and an attendance rate of 94%. Of the 38% of students who took the SAT, the average verbal score was 504 and the average math score was 507. In the 2006 Oregon Statewide Assessments, the score for reading was 57%, the state average being 55%. For science, the score was 50%, below the state average of 62%. In writing the score was 55%, equal to the state average of 55%. The score for math was 38%, and the state average was 45%. In 2008, 76% of the school's seniors received a high school diploma. Of 314 students, 238 graduated, 53 dropped out, five received a modified diploma, and 18 were still in high school in 2009. Advanced Placement courses (2020-2021) * English Literature a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arditti Quartet
The Arditti Quartet is a string quartet founded in 1974 and led by the British violinist Irvine Arditti. The quartet is a globally recognized promoter of contemporary classical music and has a reputation for having a very wide repertoire. They first became known taking into their repertoire technically challenging pieces. Over the years, there have been personnel changes but Irvine Arditti is still at the helm, leading the group. The repertoire of the group is mostly music from the last 50 years with a strong emphasis on living composers. Their aim from the beginning has been to collaborate with composers during the rehearsal process. However, unlike some other groups, it is loyal to music of a classical vein and avoids cross-genre music. The Quartet has performed in major concert halls and cultural festivals all over the world and has the longest discography of any group of its type. In 1999, it won the Ernst von Siemens Music Prize for lifetime achievement, being the firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorothea Winter
Dorothea Angelika Winter (November 27, 1949 – November 11, 2012) was a German recorder player and recorder teacher. She taught recorder at the Conservatory of Zwolle, Maastricht and at the Royal Conservatory in The Hague. She was a founder and a member of Trio Dolce. John Cage wrote "Three" for Trio Dolce. Biography Dorothea Winter was born in Ahrensburg (Germany) on November 27, 1949. After her graduation at Stormarnschule in 1968 she studied recorder with Ferdinand Conrad in Hannover. While being a recorder student in Germany she played many concerts in Europe under the pseudonym of Theodora Sommer. She moved to Holland, where she studied recorder with Jeanette van Wingerden and Frans Brüggen at the Royal Conservatory in The Hague. She obtained her Degree in Performance with honors and won several prizes at the International Competition for Woodwinds at the Early Music Festival in Bruges. In 1986 she founded, together with recorder players Christine Brelowski anGeesche Gedder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vexations
''Vexations'' is a musical work by Erik Satie. Apparently conceived for keyboard (although the single page of manuscript does not specify an instrument), it consists of a short theme in the bass whose four presentations are heard alternatingly unaccompanied and played with chords above. The theme and its accompanying chords are written using enharmonic notation. The piece is undated, but scholars usually assign a date around 1893–1894 on the basis of musical and biographical evidence. The piece bears the inscription "In order to play the motif 840 times in succession, it would be advisable to prepare oneself beforehand, and in the deepest silence, by serious immobilities" (''Pour se jouer 840 fois de suite ce motif, il sera bon de se préparer au préalable, et dans le plus grand silence, par des immobilités sérieuses''). From the 1960s onward, this text has mostly been interpreted as an instruction that the page of music should be played 840 times, although this may not hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Dahinden
Roland Dahinden (born 2 May 1962) is a Swiss trombonist and composer. Career He was born in Zug, Switzerland. He studied the trombone and composition at Musikhochschule Graz with Erich Kleinschuster and Georg Friedrich Haas, at Scuola di Musica di Fiesole Florenz with Vinko Globokar). He earned an MA at Wesleyan University in Connecticut (1994), studying with Anthony Braxton, Alvin Lucier and a PhD at Birmingham University, England (2002), studying with Vic Hoyland. In 2003, he was awarded the "werkjahr" prize of the art council of the Canton of Zug, Switzerland. He is married to the pianist Hildegard Kleeb, whom he has worked with as a duo since 1987. Since 1992 he has worked as a trio with violinist Dimitrios Polisoidis. As a trombonist he specializes in the performance of contemporary music and improvisation/jazz. He has given concerts throughout Europe, America and Asia. Composers such as Peter Ablinger, Maria de Alvear, Anthony Braxton, John Cage, Peter Hansen, Hauke H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renga
''Renga'' (, ''linked verse'') is a genre of Japanese collaborative poetry in which alternating stanzas, or ''ku (''句), of 5-7-5 and 7-7 mora (sound units, not to be confused with syllables) per line are linked in succession by multiple poets. Known as ''tsukuba no michi'' ( ''The Way of Tsukuba'') after the famous Tsukuba Mountain in the Kantō region, the form of poetry is said to have originated in a two-verse poetry exchange by Yamato Takeru and later gave birth to the genres ''haikai'' () and haiku ().Kaneko, Kinjirō. ''Rengashū, Haikaishū''. Tōkyō: Shōgakkan, 2001. Print. The genre was elevated to a literary art by Nijō Yoshimoto (, 1320–1388), who compiled the first imperial renga anthology Tsukubashū () in 1356. The most famous renga master was Sōgi (, 1421–1502), and Matsuo Bashō (, 1644–1694) after him became the most famous ''haikai'' master. Renga sequences were typically composed live during gatherings of poets, transcribed oral sessions known as '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brilliant Classics
Brilliant Classics is a classical music label based in the Dutch town of Leeuwarden. It is renowned for releasing super-budget-priced editions on CD of the complete works of J.S. Bach, Mozart, Beethoven and many other composers. The label also specialises in new recordings of early music, chamber, organ and piano music. Mission Since its inception, Brilliant Classics has sought to bring art music to the widest possible public by releasing all its recordings at budget and super-budget price. The distribution strategy of selling through supermarkets and drugstores (see History below) introduced classical music to a mass market when most other labels were selling to a specialised audience. One of its best-known sets is the complete works of J.S. Bach on 155CDs: this has sold more than 500,000 units. Though CD is still the primary medium for Brilliant Classics, all its new releases are available as downloads, and many are available on streaming services. History The label was f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mayumi Miyata
is a Japanese player of the '' shō'', a traditional Japanese mouth organ. Miyata was born on April 1, 1954, in Tokyo and graduated from the Kunitachi College of Music, where she majored in piano. While in school, she began studying '' gagaku'' music from Ono Tadamaro of the Imperial Household Agency. Although the ''shō'' is generally associated with Japan's ancient ''gagaku'' court music, Miyata was among the first players of the instrument to specialize in contemporary classical music. She plays a specially constructed instrument with extra pipes, allowing for the use of more chromaticism. The US composer John Cage (1912–1992) composed a number of works for Miyata just before his death. Cage met her during the 1990 Darmstadt summer course. She has also premiered works by Tōru Takemitsu, Toshi Ichiyanagi, Maki Ishii, Joji Yuasa, Klaus Huber, Toshio Hosokawa, and Uroš Rojko. In 2005, Miyata performed in three songs by the Icelandic musician Björk, for the sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shō (instrument)
The is a Japanese free reed aerophone, free reed musical instrument that was introduced from China during the Nara period (AD 710 to 794). It is descended from the Chinese ''Sheng (instrument), sheng'', of the Tang Dynasty era, although the ''shō'' tends to be smaller in size than its contemporary sheng relatives. It consists of 17 slender bamboo pipes, each of which is fitted in its base with a metal free reed. Two of the pipes are silent, although research suggests that they were used in some music during the Heian period. It is speculated that even though the pipes are silent, they were kept as part of the instrument to keep the symmetrical shape. The instrument's sound is said to imitate the call of a Phoenix (mythology), phoenix, and it is for this reason that the two silent pipes of the ''shō'' are kept—as an aesthetic element, making two symmetrical "wings". Similar to the Chinese Sheng (instrument), sheng, the pipes are tuned carefully with a drop of a dense resin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
