Now Appearing At Ole Miss
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Now Appearing At Ole Miss
''Now Appearing at Ole Miss'' is a live album by B. B. King, recorded in 1979 and released as a double album on MCA Records in 1980. The live recordings were augmented with overdubs, most notably with percussion instruments. This has been criticized by reviewers as making the album stale, and it is widely regarded as B.B. King's weakest 'live' album. One notable feature, is that the album contains the first use (on a blues recording) of the bass style of playing known as "slap" by Russell Jackson, who would go on to play in the posthumous "B.B. King Experience Band" with another B.B. King band veteran James "Boogaloo" Bolden. Track listing # "Intro/B.B. King Blues Theme" (Owens) – 3:04 # "Caldonia" (Fleecie Moore) – 2:47 # "Blues Medley - 14:10 a) Don't Answer the Door ( Jimmy Johnson ) b) You Done Lost Your Good Thing Now ( Joe Josea ) c)I Need Love So Bad ( Percy Mayfield ) d) Nobody Loves Me But My Mother" ( Riley B. King) # "Hold On (I Think Our Love Is Changing) ...
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Bihari Brothers
The Bihari brothers, Lester, Jules, Saul and Joe, were American businessmen of Hungarian Jewish origins. They were the founders of Modern Records in Los Angeles and its subsidiaries, such as Meteor Records, based in Memphis. The Bihari brothers were significant figures in the process that transformed rhythm and blues into rock and roll, which appealed to white audiences in the 1950s. Origins The brothers' parents were Hungarian Jewish immigrants from Austria-Hungary to the U.S. Edward Bihari (1882–1930) was born in Budapest. Esther "Esti" Taub (1886–1950) was born in Homonna, Hungary (now Humenné, Slovakia). They were married in Philadelphia (U.S.) in 1911. The couple had four sons: :Lester Louis Bihari (May 12, 1912, Pottstown, Pennsylvania – September 9, 1983) :Julius Jeramiah Bihari (September 9, 1913, Pottstown – November 17, 1984, Los Angeles) :Saul Samuel Bihari (March 9, 1918, St. Louis, Missouri – February 22, 1975) :Joseph Bihari (May 30, 1925, Memphis, Tenne ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Naná Vasconcelos
Juvenal de Holanda Vasconcelos, known as Naná Vasconcelos (2 August 1944 – 9 March 2016), was a Brazilian percussionist, vocalist and berimbau player, notable for his work as a solo artist on over two dozen albums, and as a backing musician with Pat Metheny, Don Cherry, Björk, Jan Garbarek, Egberto Gismonti, Gato Barbieri, and Milton Nascimento. Biography Vasconcelos was born in Recife, Brazil. Beginning from 1967 he joined many artists' works as a percussionist. Among his many collaborations, he contributed to four Jon Hassell albums from 1976 to 1980 (including '' Possible Musics'' by Brian Eno and Hassell), and later to several Pat Metheny Group works and Jan Garbarek concerts from early 1980s to early 1990s. In 1984 he appeared on the Pierre Favre album ''Singing Drums'' along with Paul Motian. He also appears on Arild Andersen's album ''If You Look Far Enough'' with Ralph Towner. He formed a group named Codona with Don Cherry and Collin Walcott, which released three albu ...
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Jesse Belvin
Jesse Lorenzo Belvin (December 15, 1932 – February 6, 1960) was an American singer, pianist and songwriter popular in the 1950s. Belvin co-wrote the 1954 Penguins' doo-wop classic " Earth Angel", which sold more than 10 million copies, while his top recording was the 1956 single " Goodnight My Love", a song that reached No. 7 on Billboard's R&B chart. Belvin's success was cut short by his death in a car crash at the age of 27. The accident, which also claimed the lives of his wife Jo Ann and their driver, occurred after a concert in Little Rock, Arkansas that had been disrupted at least twice by white supremacists. According to an Arkansas state trooper at the scene of the accident, the tires of Belvin's 1959 Cadillac had "obviously been tampered with". After his death, legendary blues singer Etta James referred to Belvin as the "most gifted of us all. Even now I consider him the greatest singer of my generation. Rhythm and Blues, Rock and Roll, crooner, you name it, he was g ...
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Rock Me Baby (song)
"Rock Me Baby" is a blues standard that has become one of the most recorded blues songs of all time. It originated as "Rockin' and Rollin'", a 1951 song by Lil' Son Jackson, itself inspired by earlier blues. Renditions by Muddy Waters and B.B. King made the song well-known. When B.B. King's recording of "Rock Me Baby" was released in 1964, it became his first single to reach the Top 40 in ''Billboard'' magazine's Hot 100 chart. In 2022, King's recording was inducted into the Blues Hall of Fame in the 'Classics of Blues Recording – Singles' category. Earlier songs B.B. King's "Rock Me Baby" is based on the 1951 song "Rockin' and Rollin'" by Lil' Son Jackson. King's lyrics are nearly identical to Jackson's, although instrumentally the songs are different: "Rockin' and Rollin'" is a solo piece, with Jackson's vocal and guitar accompaniment, whereas "Rock Me Baby" is an ensemble piece. Muddy Waters' song "Rock Me", recorded in 1956, is also based on Jackson's song. Some of J ...
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Three O'Clock In The Morning
"Three O'Clock in the Morning" is a waltz composed by Julián Robledo that was extremely popular in the 1920s. Robledo published the music as a piano solo in 1919, and two years later Dorothy Terriss wrote the lyrics. Paul Whiteman's instrumental recording in 1922 became one of the first 20 recordings in history to sell over 1 million copies. History Julián Robledo, an Argentine composer born in Spain, published the music for "Three O'Clock in the Morning" in New Orleans in 1919. In 1920 the song was also published in England and Germany, and lyrics were added in 1921 by Dorothy Terriss (the pen name of Theodora Morse). The song opens with chimes playing Westminster Quarters followed by three strikes of the chimes to indicate three o'clock. The lyrics then begin: ''It's three o'clock in the morning, we've danced the whole night through''. This "Waltz Song with Chimes" created a sensation when it was performed in the final scene of the Greenwich Village Follies of 1921. In ...
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Stix Hooper
Stix or STIX may refer to: People * Stix Hooper (born 1938), American jazz musician * Gary Stix, American journalist * Thomas H. Stix (1924–2001), American physicist * Christine Stix-Hackl (born 1957), Austrian jurist Arts and entertainment * ''Stix'' (public art installation), a 2015 work by Christian Moeller * ''STIX'' (video game), a Commodore 64 video game * Stix, an animated stick character in the video game ''Bubba 'n' Stix'' * The stiX, a British music project * ''The Stix'', a 2003 album by Jaga Jazzist Computing * STIX Fonts project, providing mathematical symbols * Structured Threat Information eXpression, a structured language for cyber threat intelligence Other uses * Stix Baer & Fuller, an American department store chain (1892–1984) * Stix, Baer and Fuller F.C., an American soccer club (1931–1934) * Styx In Greek mythology, Styx (; grc, Στύξ ) is a river that forms the boundary between Earth (Gaia) and the Underworld. The rivers Acheron, Cocytus, Le ...
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Roy Hawkins
Roy Theodore Hawkins (February 7, 1903 – March 19, 1974) was an American blues singer, pianist, and songwriter. After working in clubs, he broke through with his 1950 song "Why Do Things Happen to Me" inspired by an auto accident which paralyzed his right arm. Several of his songs, most notably " The Thrill Is Gone", were covered by later artists, including Ray Charles, B.B. King, and James Brown. Biography Hawkins was born in Jefferson, Texas. Little is known of the early part of his life. By the mid-1940s he was performing as a singer and pianist in the Oakland, California area, where he was discovered by musician and record producer Bob Geddins, who was impressed by Hawkins' "soulful, doom-laden style". Hawkins seems to have made his first recordings when about 45 years old, for the Cava-Tone and Down Town record labels in 1948. His band, the Four Jacks, included saxophonist William Staples, guitarist Ulysses James, bassist Floyd Montgomery, and drummer Madison Lit ...
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The Thrill Is Gone
"The Thrill Is Gone" is a slow minor-key blues song written by West Coast blues musician Roy Hawkins and Rick Darnell in 1951. Hawkins's recording of the song reached number six in the Billboard R&B chart in 1951. In 1970, "The Thrill Is Gone" became a major hit for B.B. King. His rendition helped make the song a blues standard. B.B. King rendition B.B. King recorded his version of "The Thrill Is Gone" in June 1969 for his album ''Completely Well'', released the same year. King's version is a slow 12-bar blues notated in the key of B minor in 4/4 time. The song's polished production and use of strings marked a departure from both the original song and King's previous material. When BluesWay Records released "The Thrill Is Gone" as a single in December 1969, it became one of the most successful of King's career and one of his signature songs. It reached number three in the ''Billboard'' Best Selling Soul Singles chart and number 15 in the broader ''Billboard'' Hot 100 ...
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Dave Clark (promoter)
Dave Clark (March 6, 1909 – July 22, 1995) in Jacksonville, Florida, was a pioneering African-American record promoter. Born in Jackson, Tennessee, Clark became interested in music after a teacher gave him piano and violin lessons. He later learned band music and performed as a teenager with traveling minstrel shows. He graduated from Lane College in Jackson in 1934 and from the Juilliard School in New York City in 1939. He began promoting for Decca Records in 1938, beginning with Jimmie Lunceford. This launched a career as a promoter for most major labels that recorded African-American music. He worked for Duke/Peacock for 17 years, and also spent time with Chess, Aladdin, Apollo, United, Stax, and TK, before moving to Malaco in 1980. Clark also served as the musical consultant for several movies, including ''The Color Purple''. He wrote a column for ''Down Beat'' magazine during the 1960s called "Swing Row Is My Beat". Clark had over 60 songs to his credit, including B.B. ...
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Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ...
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