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Nothing Feels Good
''Nothing Feels Good'' is the second album by American rock band the Promise Ring. The album has gained a cult following, and is frequently regarded as one of the most influential records of the emo genre. The title of the album was used as the name of the book '' Nothing Feels Good: Punk Rock, Teenagers, and Emo'' by Andy Greenwald. Original bass player Scott Beschta is credited with writing and playing all the bass parts for the album, although he had been fired by the time the album was released. The cover art for the album was shot in front of Trimper's Rides on the boardwalk in Ocean City, Maryland. Background and production The Promise Ring released their debut album '' 30° Everywhere'' in September 1996 through independent label Jade Tree. According to vocalist/guitarist Davey von Bohlen, it was recorded in five days "in a situation where we had no idea what we wanted to do or how we wanted it to come out." Additionally, Bohlen was ill during the making of it, resulting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Davey Von Bohlen
Davey von Bohlen (born August 11, 1975) is an Americans, American musician and songwriter. He is best known for serving as lead vocalist and guitarist of the emo band The Promise Ring and also as guitarist and backing vocalist in short-lived cult band Cap'n Jazz originally from 1993 to 1995. He has also participated in the bands Vermont (US band), Vermont, and most recently, Maritime (band), Maritime. Musical career Cap'n Jazz Short-lived but highly influential, Cap'n Jazz helped transform emo from an underground punk subgenre into a more widely accepted subset of indie rock. The band quickly earned a cult following around Chicago and the Midwest, which would later spread to the rest of the US and the world after and around the time of the band's demise. Their unique sound, the fact that their recordings were relatively scarce, helped solidify their status as an underground legend. The band split in 1995 and their stature continued to grow. A double CD retrospective, entitled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cymbal
A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note (such as crotales). Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least a crash, ride, or crash/ride, and a pair of hi-hat cymbals. A player of cymbals is known as a cymbalist. Etymology and names The word cymbal is derived from the Latin ''cymbalum'', which is the latinisation of the Greek word ''kymbalon'', "cymbal", which in turn derives from ''kymbē'', "cup, bowl". In orchestral scores, cymbals may be indicated by the French ''cymbales''; German ''Becken'', ''Schellbecken'', ''Teller'', or ''Tschinellen''; Italian ''piatti'' or ''cinelli''; and Spanish ''platillos''. Many of these deri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Half-time (music)
In popular music, half-time is a type of meter and tempo that alters the rhythmic feel by essentially ''doubling the tempo resolution'' or metric division/level in comparison to common-time. Thus, two measures of approximate a single measure of , while a single measure of 4/4 emulates 2/2. Half-time is not to be confused with ''alla breve'' or odd time. Though notes usually get the same value relative to the tempo, the way the beats are divided is altered. While much music typically has a backbeat on quarter note (crotchet) beats two and four, half time would increase the interval between backbeats to double, thus making it hit on beats three and seven, or the third beat of each measure (count out of an 8 beat measure (bar), common practice in half time): 1 2 3 4 1 2 3 4 1 2 3 4 5 6 7 8 1 2 3 4 Essentially, a half time 'groove' is one that expands one measure over the course of two. The ''length'' of each note is doubled while i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fill (music)
In popular music, a fill is a short musical passage, riff, or rhythmic sound which helps to sustain the listener's attention during a break between the phrases of a melody. "The terms riff and fill are sometimes used interchangeably by musicians, but hilethe term riff usually refers to an exact musical phrase repeated throughout a song", a fill is an improvised phrase played during a section where nothing else is happening in the music. While riffs are repeated, fills tend to be varied over the course of a song. For example, a drummer may fill in the end of one phrase with a sixteenth note hi-hat pattern, and then fill in the end of the next phrase with a snare drum figure. In drumming, a fill is defined as a "short break in the groove—a lick that 'fills in the gaps' of the music and/or signals the end of a phrase. It's akin to a mini-solo." A fill may be played by rock or pop instruments such as the electric lead guitar, bass, organ, drums or by other instruments such as s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuplet
In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" This is indicated by a number, or sometimes two indicating the fraction involved. The notes involved are also often grouped with a bracket or (in older notation) a slur. The most common type of tuplet is the triplet. Terminology The modern term 'tuplet' comes from a rebracketing of compound words like quintu(s)-(u)plet and sextu(s)-(u)plet, and from related mathematical terms such as "tuple", "-uplet" and "-plet", which are used to form terms denoting multiplets (''Oxford English Dictionary'', entries "multiplet", "-plet, ''comb. form''", "-let, ''suffix''", and "-et, ''suffix''1"). An alternative modern term, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syncopation
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals. Syncopation is used in many musical styles, especially dance music. According to music producer Rick Snoman, "All dance music makes use of syncopation, and it's often a vital element that helps tie the whole track together". Syncopation can also occur when a strong harmony is simultaneous with a weak beat, for instance, when a 7th-chord is played on the second beat of measure or a dominant chord is played at the fourth beat of a measure. The latter occurs frequently in tonal cadences for 18th- and early-19th-century music and is the usual conclusion of any section. A hemiola (the equivalent Latin term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Knapsack (band)
:''See also knapsack (other)'' Knapsack was an American Rock music, rock band formed in 1993 by Blair Shehan (vocals/guitar) and Colby Mancasola (drums). Shehan and Mancasola were two high school friends studying at the University of California, Davis. Guitarist Jason Bokros and bass guitarist Rod Meyer completed the line-up. In 1994, the band recorded a single for the independent label Goldenrod Records and signed with Alias Records later that year. Their first album, ''Silver Sweepstakes'', was released in 1995 in music, 1995. They then toured extensively playing with bands such as Pavement (band), Pavement, Rocket from the Crypt, Jawbox and Drive Like Jehu. Bokros left the group before the release of their second album, ''Day Three of My New Life'', in 1997 in music, 1997. Rod Meyer left the group after this release and was replaced by Sergie Loobkoff of Samiam. Their third album, ''This Conversation is Ending Starting Right Now'', was released in 1998 in music, 1998. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superchunk
Superchunk is an American indie rock band from Chapel Hill, North Carolina, United States, consisting of singer-guitarist Mac McCaughan, guitarist Jim Wilbur, bassist Laura Ballance, and drummer Jon Wurster. Formed in 1989, they were one of the bands that helped define the Chapel Hill music scene of the 1990s. Their energetic, high-velocity style and do-it-yourself ethic is influenced by punk rock. Members McCaughan and Ballance founded the successful independent record label Merge Records in 1989 as a way to release music from Superchunk and music created by friends, which has expanded to include artists from around the world and records reaching the top of the ''Billboard'' music charts. Superchunk released a string of full-length albums and compilations throughout the 1990s. After releasing their eighth studio album in 2001, the band went into a period of reduced activity. In 2010, the band released a new studio album, ''Majesty Shredding'', and followed it up in 2013 with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cap'n Jazz
Cap'n Jazz (sometimes stylised as caP'n Jazz) was an American emo band formed in Chicago in 1989 by brothers Tim and Mike Kinsella, who were joined by Sam Zurick and Victor Villarreal. After a number of name changes and the addition of guitarist Davey von Bohlen, the band began to earn a cult following in the Chicago area and the Midwest. History Cap'n Jazz recorded several singles for independent labels in the early 90s as well as contributing to several compilations. In 1995, the band released its only full-length album, ''Burritos, Inspiration Point, Fork Balloon Sports, Cards in the Spokes, Automatic Biographies, Kites, Kung Fu, Trophies, Banana Peels We've Slipped On and Egg Shells We've Tippy Toed Over'' on the Man with Gun label. The album is sometimes referred to as ''Shmap'n Shmazz'', which was printed on top of the CD release. The band broke up in July 1995, shortly after Shmap'n Shmazz's release, on the night of a show at Little Rock's Das Yutes a Go-Go. In 1998, J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Midwest Emo
Midwest emo (or Midwestern emo) refers to the emo scene and/or subgenre that developed in 1990s Midwestern United States. Employing unconventional vocal stylings, distinct guitar riffs and arpeggiated melodies, Midwest emo bands shifted away from the genre's hardcore punk roots and drew on indie rock and math rock approaches. According to the author and critic Andy Greenwald, "this was the period when emo earned many, if not all, of the stereotypes that have lasted to this day: boy-driven, glasses-wearing, overly sensitive, overly brainy, chiming-guitar-driven college music."Greenwald, pp. 34–35. Midwest emo is sometimes used interchangeably with "second-wave emo". Although not implied by the name, Midwest emo does not solely refer to bands and artists from the Midwestern United States, and the style is played by outfits internationally. Characteristics According to ''The Chicago Reader'' critic Leor Galil, the second-wave bands of the Midwest emo scene "transformed the angular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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