Nothing Feels Good
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Nothing Feels Good
''Nothing Feels Good'' is the second album by American rock band the Promise Ring. The album has gained a cult following, and is frequently regarded as one of the most influential records of the emo genre. The title of the album was used as the name of the book '' Nothing Feels Good: Punk Rock, Teenagers, and Emo'' by Andy Greenwald. Original bass player Scott Beschta is credited with writing and playing all the bass parts for the album, although he had been fired by the time the album was released. The cover art for the album was shot in front of Trimper's Rides on the boardwalk in Ocean City, Maryland. Background and production The Promise Ring released their debut album '' 30° Everywhere'' in September 1996 through independent label Jade Tree. According to vocalist/guitarist Davey von Bohlen, it was recorded in five days "in a situation where we had no idea what we wanted to do or how we wanted it to come out." Additionally, Bohlen was ill during the making of it, resulting ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Davey Von Bohlen
Davey von Bohlen (born August 11, 1975) is an Americans, American musician and songwriter. He is best known for serving as lead vocalist and guitarist of the emo band The Promise Ring and also as guitarist and backing vocalist in short-lived cult band Cap'n Jazz originally from 1993 to 1995. He has also participated in the bands Vermont (US band), Vermont, and most recently, Maritime (band), Maritime. Musical career Cap'n Jazz Short-lived but highly influential, Cap'n Jazz helped transform emo from an underground punk subgenre into a more widely accepted subset of indie rock. The band quickly earned a cult following around Chicago and the Midwest, which would later spread to the rest of the US and the world after and around the time of the band's demise. Their unique sound, the fact that their recordings were relatively scarce, helped solidify their status as an underground legend. The band split in 1995 and their stature continued to grow. A double CD retrospective, entitled ...
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Cymbal
A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note (such as crotales). Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least a crash, ride, or crash/ride, and a pair of hi-hat cymbals. A player of cymbals is known as a cymbalist. Etymology and names The word cymbal is derived from the Latin ''cymbalum'', which is the latinisation of the Greek word ''kymbalon'', "cymbal", which in turn derives from ''kymbē'', "cup, bowl". In orchestral scores, cymbals may be indicated by the French ''cymbales''; German ''Becken'', ''Schellbecken'', ''Teller'', or ''Tschinellen''; Italian ''piatti'' or ''cinelli''; and Spanish ''platillos''. Many of these deri ...
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Half-time (music)
In popular music, half-time is a type of meter and tempo that alters the rhythmic feel by essentially ''doubling the tempo resolution'' or metric division/level in comparison to common-time. Thus, two measures of approximate a single measure of , while a single measure of 4/4 emulates 2/2. Half-time is not to be confused with ''alla breve'' or odd time. Though notes usually get the same value relative to the tempo, the way the beats are divided is altered. While much music typically has a backbeat on quarter note (crotchet) beats two and four, half time would increase the interval between backbeats to double, thus making it hit on beats three and seven, or the third beat of each measure (count out of an 8 beat measure (bar), common practice in half time): 1 2 3 4 1 2 3 4 1 2 3 4 5 6 7 8 1 2 3 4 Essentially, a half time 'groove' is one that expands one measure over the course of two. The ''length'' of each note is doubled while i ...
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