Notas Para Una Cartografía De Filipinas
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Notas Para Una Cartografía De Filipinas
''Notas para una cartografía de Filipinas'', subtitled ''Prelude, Toccata, and Fugues for piano and gangsa, one player'', is a work by the contemporary classical composer Jeffrey Ching (Chinese name in Piny''in: Zhuang Zŭxin 莊祖欣, 庄祖欣). It was completed in Berlin on 19 December 2007. The first performances were given by Kyoko Okuni in Münster on 30 September 2008 and by Abelardo Galang II in Osaka on 5 October 2008. Origin of the title The Spanish title, meaning "Notes for a cartography of the Philippines", was taken from this sentence in a scholarly journal: Between 1903 and 1907 Blair and Robertson incorporated numerous photoengraved reproductions of early maps in their well-known corpus of Philippiniana (Emma Helen Blair and James Alexander Robertson, ''The Philippine Islands, 1493-1898'', 55 vols. leveland 1903-1907, and Robertson at the same time evaluated some of these maps as historical evidence, but the first attempt at a cartographical analysis was made b ...
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Jeffrey Ching
Jeffrey Ching (, born 4 November 1965) is a contemporary classical composer. He was born in the Philippines, to Chinese parents. He is married with the operatic soprano Andión Fernández and has two children. His opera ' was given in the Theater Erfurt in 2009. Selected works *'' Concerto da camera'' *''Horologia sinica'' *''Kunstkabinett'' *''Notas para una cartografía de Filipinas'' *''Terra Kytaorum {{Use dmy dates, date=January 2024 ''Terra Kytaorum'' (Land of the Cathayans) is a work for brass ensemble and percussion by the contemporary classical composer Jeffrey Ching. Its subtitle is ''Souvenir des Yuan'', which incorporates it into that ...'' *Symphony No. 1 in C major (prem. 1981) * Symphony No. 2, "The Imp of the Perverse" * Symphony No. 3, "Rituals" * Symphony No. 4, "Souvenir des Ming" * Symphony No. 5, "Kunstkammer" References Further reading * Hila, Antonio C. "Understanding the Early Music of Jeffrey Ching: An Erudite Composer", ''Unitas'', Vol. 75, ...
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Tang Dynasty
The Tang dynasty (, ; zh, t= ), or Tang Empire, was an Dynasties in Chinese history, imperial dynasty of China that ruled from 618 to 907 AD, with an Zhou dynasty (690–705), interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilization, and a Golden age (metaphor), golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty. The House of Li, Lǐ family () founded the dynasty, seizing power during the decline and collapse of the Sui Empire and inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Zhou dynasty (690–705), Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The devast ...
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Compositions By Jeffrey Ching
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography * Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space * Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones * Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungari ...
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Gangsa
A gangsa is a type of metallophone which is used mainly in Balinese and Javanese Gamelan music in Indonesia. In Balinese gong kebyar styles, there are two types of gangsa typically used: the smaller, higher pitched and the larger . Each instrument consists of several tuned metal bars (either iron or bronze) each placed over an individual resonator. The bars are hit with a wooden , each producing a different pitch. Duration of sound intensity and sound quality factors are generally accomplished by damping the vibration of the bar with the fingers of the free hand. Balinese gong , as with other metallophones in gong ensembles, are played in neighboring pairs with interlocking, rapid-tempo parts that elaborate on the melody of a piece of music (see Kotekan); these pairs are tuned to be dissonant and create certain wavelengths of sympathetic vibrations to create a shimmering tone (see Ombak) that travels long distances. The gangsa is very similar to the old and the . The same word ...
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Double Fugue
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short m ...
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Fughetta
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short main ...
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Toccata
Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments (the opening of Claudio Monteverdi's opera ''L'Orfeo'' being a notable example). History Renaissance The form first appeared in the late Renaissance period. It originated in northern Italy. Several publications of the 1590s include toccatas, by composers such as Claudio Merulo, Andrea and Giovanni Gabrieli, Adriano Banchieri, and Luzzasco Luzzaschi. These are keyboard compositions in which one hand, and then the other, performs virtuosic runs and brilliant cascading passages against a chordal accompaniment in the other hand. Among the ...
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Gagaku
is a type of Japanese classical music that was historically used for imperial court music and dances. was developed as court music of the Kyoto Imperial Palace, and its near-current form was established in the Heian period (794-1185) around the 10th century.History of gagaku
Nihon gagakukai
Today, it is performed by the in the . Gagaku consists of three primary repertoires: #Native
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Shō (instrument)
The is a Japanese free reed aerophone, free reed musical instrument that was introduced from China during the Nara period (AD 710 to 794). It is descended from the Chinese ''Sheng (instrument), sheng'', of the Tang Dynasty era, although the ''shō'' tends to be smaller in size than its contemporary sheng relatives. It consists of 17 slender bamboo pipes, each of which is fitted in its base with a metal free reed. Two of the pipes are silent, although research suggests that they were used in some music during the Heian period. It is speculated that even though the pipes are silent, they were kept as part of the instrument to keep the symmetrical shape. The instrument's sound is said to imitate the call of a Phoenix (mythology), phoenix, and it is for this reason that the two silent pipes of the ''shō'' are kept—as an aesthetic element, making two symmetrical "wings". Similar to the Chinese Sheng (instrument), sheng, the pipes are tuned carefully with a drop of a dense resin ...
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Mindanao
Mindanao ( ) ( Jawi: مينداناو) is the second-largest island in the Philippines, after Luzon, and seventh-most populous island in the world. Located in the southern region of the archipelago, the island is part of an island group of the same name that also includes its adjacent islands, notably the Sulu Archipelago. According to the 2020 census, Mindanao has a population of 26,252,442 people, while the entire island group has an estimated population of 27,021,036 according to the 2021 census. Mindanao is divided into six administrative regions: the Zamboanga Peninsula, Northern Mindanao, the Caraga region, the Davao region, Soccsksargen, and the autonomous region of Bangsamoro. According to the 2020 census, Davao City is the most populous city on the island, with 1,776,949 people, followed by Zamboanga City (pop. 977,234), Cagayan de Oro (pop. 728,402), General Santos (pop. 697,315), Butuan (pop. 372,910), Iligan (pop. 363,115) and Cotabato City (pop. 325,079). ...
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Chinese Name
Chinese names or Chinese personal names are names used by individuals from Greater China and other parts of the Chinese-speaking world throughout East and Southeast Asia (ESEA). In addition, many names used in Japan, Korea and Vietnam are often ancient adaptations of Chinese characters (from Kanji, Hancha, and Chữ Hán respectively) in respect to the influences they have garnered geographically or have historical roots in Chinese, due to China's historic cultural influence in ESEA. Modern Chinese names consist of a monosymbolic (single-symbol) surname (''xìngshì''; ), which comes first, followed by a given name (''míng''; ), which is almost always disyllabic, consisting of two characters. Prior to the 21st century, most educated Chinese men also used a "courtesy name" or "style name" (''zì''; ) by which they were known among those outside their family and closest friends. Respected artists or poets will sometimes also use a professional "art name" (''hào''; ) among the ...
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