Not Alone Any More
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Not Alone Any More
"Not Alone Any More" is a song by the British–American supergroup the Traveling Wilburys from their 1988 album '' Traveling Wilburys Vol. 1''. It was sung by Roy Orbison and serves as his main contribution to the album. The song was written mainly by Jeff Lynne, although all five members of the Wilburys are credited as songwriters. A longtime admirer of Orbison, Lynne wrote "Not Alone Any More" as a vehicle for the singer's operatic vocal style. The song's lyrical theme of loneliness similarly recalls Orbison's dark ballads of the early 1960s. On release, the song was much admired by music critics. With the commercial success of the Wilburys, and the recognition afforded Orbison following his death in December 1988, it marked his full return from the career downturn he had experienced since the mid 1960s. Background George Harrison and Jeff Lynne first discussed the idea for the Traveling Wilburys in early 1987 when they were recording Harrison's album '' Cloud Nine''. Lynne ...
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Traveling Wilburys
The Traveling Wilburys were a British-American supergroup consisting of Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison and Tom Petty. Originating from an idea discussed by Harrison and Lynne during the sessions for Harrison's 1987 album '' Cloud Nine'', the band formed in April 1988 after the five members united to record a bonus track for Harrison's next European single. When this collaboration, " Handle with Care", was deemed too good for such a limited release, the group agreed to record a full album, titled '' Traveling Wilburys Vol. 1''. Following Orbison's death in December 1988, the Wilburys released a second album, which they titled '' Traveling Wilburys Vol. 3'', in 1990. The project's work received much anticipation given the diverse nature of the singer-songwriters. The band members adopted tongue-in-cheek pseudonyms as half-brothers from the fictional Wilbury family of travelling musicians. ''Vol. 1'' was a critical and commercial success, helping to revitalis ...
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Never Ending Tour
The Never Ending Tour is the popular name for Bob Dylan's ongoing touring schedule which began on June 7, 1988. During the course of the tour, musicians have come and gone as the band has continued to evolve. The tour amassed a huge fan base with some fans traveling from around the world to attend as many Dylan shows as possible. Dylan himself has been dismissive of the Never Ending Tour tag. In the sleeve notes to his album ''World Gone Wrong'' (1993), Dylan wrote: His subsequent touring schedule has continued to be referred to as the "Never Ending Tour" by most media outlets. According to Swedish researcher Olof Björner, Dylan played his 2,000th show of the Never Ending Tour on October 16, 2007, in Dayton, Ohio. He played his 3,000th show of the Never Ending Tour on April 19, 2019, in Innsbruck, Austria. Dylan has attributed much of the versatility of his live shows to the talent of his backing band, with whom he recorded each of his 21st-century studio albums: '' Love and ...
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David A
David (; , "beloved one") (traditional spelling), , ''Dāwūd''; grc-koi, Δαυΐδ, Dauíd; la, Davidus, David; gez , ዳዊት, ''Dawit''; xcl, Դաւիթ, ''Dawitʿ''; cu, Давíдъ, ''Davidŭ''; possibly meaning "beloved one". was, according to the Hebrew Bible, the third king of the United Kingdom of Israel. In the Books of Samuel, he is described as a young shepherd and harpist who gains fame by slaying Goliath, a champion of the Philistines, in southern Canaan. David becomes a favourite of Saul, the first king of Israel; he also forges a notably close friendship with Jonathan, a son of Saul. However, under the paranoia that David is seeking to usurp the throne, Saul attempts to kill David, forcing the latter to go into hiding and effectively operate as a fugitive for several years. After Saul and Jonathan are both killed in battle against the Philistines, a 30-year-old David is anointed king over all of Israel and Judah. Following his rise to power, David ...
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Blue Angel (song)
"Blue Angel" is a song by Roy Orbison, released as a single in August 1960. Released as the follow-up to the international hit " Only the Lonely (Know the Way I Feel)", "Blue Angel" peaked at number nine on the ''Billboard'' Hot 100 and number eleven on the UK's ''Record Retailer'' Top 50. Background and release "Blue Angel" followed its predecessor, "Only the Lonely (Know the Way I Feel)", in very much the same style with Orbison once again able to show off his falsetto and semi-operatic vocals and also followed its theme of lost love. However, whilst "Only the Lonely" was a gloomy song of self-pity, "Blue Angel" was, according to musician and writer John Kruth, "a dollop of commercial fluff… nd thatlyrically, it was rather sappy, a trite knock-off about teen love, all too typical of its time. Its power lay in its simple but insidious melody." Co-written with collaborator Joe Melson, Orbison recorded "Blue Angel" in early August 1960 at RCA Victor Studio B in Nashville, T ...
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Ellis Amburn
Ellis Edward Amburn (2 August 1933 – 18 August 2018) was an American book editor and biographer. Life A 1954 graduate of Texas Christian University, Ellis Amburn worked as a reporter for ''Newsweek'' before going into the book publishing industry where he rose to the position of editor, working for such well-known publishers as Delacorte Press, Coward-McCann, William Morrow. During his career, Amburn was an editor for authors such John le Carré, Belva Plain, Muriel Spark, Joshua Logan and for Jack Kerouac, who would be the subject of Amburn's 1998 book on which Leonardo DiCaprio has optioned film rights. Amburn served as editorial director for G. P. Putnam's Sons and in addition worked as a ghostwriter for Priscilla Presley, Shelley Winters, Peggy Lee and Zsa Zsa Gabor. In 1990, he produced his first biography on fellow Texan Roy Orbison that led to further such books. He is noted for his exhaustive research, even going so far as to live for several weeks at the home ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ...
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Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ...
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D Major
D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has two sharps. Its relative minor is B minor and its parallel minor is D minor. The D major scale is: : Characteristics According to Paolo Pietropaolo, D major is Miss Congeniality: it is persistent, sunny, and energetic. D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant. This is also the case with all other orchestral strings. Thus, it is no coincidence that many classical composers throughout the centuries have chosen to write violin concertos in D major, including those by Mozart ( No. 2, 1775, No. 4, 1775); Ludwig van Beethoven (1806); Paganini ( No. 1, 1817); Brahms (1878); Tchaikovsky (1878); Prokofiev ( No. 1, 1917); Stravinsky (1931); and Korngold ( 1945). The k ...
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Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ...
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BBC Four
BBC Four is a British free-to-air public broadcast television channel owned and operated by the BBC. It was launched on 2 March 2002"Culture, controversy and cutting edge documentary: BBC FOUR prepares to launch"
BBC Press Office, 14 February 2002. Retrieved 2 April 2010.
and shows a wide variety of programmes including arts, documentaries, music, international film and drama, and current affairs. It is required by its licence to air at least 100 hours of new arts and music programmes, 110 hours of new factual programmes, and to premiere twenty foreign films each year.
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