Northwest School (art)
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Northwest School (art)
The Northwest School was an American art movement established in the Seattle area. It flourished in the 1930s–40s. The Big Four The movement's early participants, and its defining artists, have become known as "the big four": Guy Anderson, Kenneth Callahan, Morris Graves and Mark Tobey. Their work became recognized nationally from ''LIFE'' magazine's 1953 article ''Mystic Painters of the Northwest'', which featured biographies and works of the four artists. The article was the first such broad recognition of artists from this corner of the world beyond traditional Northwest Native American art forms, which had been long recognized as "northwest art." These artists combined natural elements of the Puget Sound area with traditional Asian aesthetics to create a novel and distinct regional style, particularly in painting and sculpture, with some drawing, printmaking and photography. Tobey, Callahan, Graves and Anderson were all immersed in and greatly influenced by the atmosphe ...
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Gouache
Gouache (; ), body color, or opaque watercolor is a water-medium paint consisting of natural pigment, water, a binding agent (usually gum arabic or dextrin), and sometimes additional inert material. Gouache is designed to be opaque. Gouache has a considerable history, having been used for at least twelve centuries. It is used most consistently by commercial artists for posters, illustrations, comics, and other design work. Gouache is similar to watercolor in that it can be re-wetted and dried to a matte finish, and the paint can become infused into its paper support. It is similar to acrylic or oil paints in that it is normally used in an opaque painting style and it can form a superficial layer. Many manufacturers of watercolor paints also produce gouache, and the two can easily be used together. Description Gouache paint is similar to watercolor, but is modified to make it opaque. Just as in watercolor, the binding agent has traditionally been gum arabic but since the l ...
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Mary Randlett
Mary Randlett (May 5, 1924 – January 17, 2019) was an American photographer who has created hundreds of photographs in five categories: architecture, nature, Northwest School (art), Northwest School artists, Northwest writers, and public art. Her work is notable for her documentation of the artists who created the Northwest School, such as Kenneth Callahan, Morris Graves, and Mark Tobey. Early years Born in 1924 at Seattle's Seattle General Hospital, General Hospital, her father Cecil Durand Willis ran a blueprint company while her mother Elizabeth Bayley was in the arts and crafts business. It was thanks to her mother that she developed an interest in Northwest artists from the 1930s and interacted with photographers including George Mantor, Minor White, Imogen Cunningham and Hans Jorgensen. She attended but did not graduate from Queen Anne High School (Seattle, Washington), Queen Anne High School, before receiving a B.A. degree at Whitman College in 1947. While at Whitman, she ...
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Kamekichi Tokita
Kamekichi Tokita (1897–1948) was a Japanese American painter and diarist. He immigrated to the United States from Japan in 1919, and lived in Seattle, Washington's Japantown/Nihonmachi district (later known as the Seattle Chinatown-International District, International District). He was a prominent figure in the Pacific Northwest art world of the 1930s, with paintings regularly included in major exhibitions.Smithsonian Archives of American Art,Kamekichi Tokita papers, [c.1900]-1948 During World War II, Tokita and his family were forced to move to the Minidoka Relocation Center in Idaho. His detailed, deeply expressive diary and sketches he made there were later published and recognized as important records of the Japanese American wartime experience. Tokita died in Seattle in 1948. Early life in Japan Tokita was born July 16, 1897, in the coastal city of Shizuoka, Shizuoka, Shizuoka, Shizuoka Prefecture, to Juhei Tokita and Shin Kato Tokita. He had an older brother, ...
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Kenjiro Nomura (artist)
Kenjiro Nomura (1896–1956) was a Japanese American painter. Immigrating to the United States from Japan as a boy, he became a well-known artist in the Pacific Northwest in the 1920s and 30s. In 1942, during the Second World War and after the signing of Executive Order 9066, Nomura and his family were incarcerated in the Minidoka Relocation Center. Sketches and paintings he made there over the next three years continue to be exhibited as an important record of the Japanese-American wartime experience. Nomura eventually moved into abstract painting. He died in Seattle, Washington, in 1956. Early life and education Kenjiro Nomura was born in 1896 in Gifu, Gifu Prefecture, Japan. In 1907 his family immigrated to the United States, settling in Tacoma, Washington. When he was sixteen his parents returned to Japan; Kenjiro opted to stay in the U.S. In 1916 Nomura moved to Seattle, working for a shopkeeper in the city's bustling Japantown / Nihonmachi neighborhood (later known as t ...
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Helmi Juvonen
Helmi Dagmar Juvonen (January 17, 1903 – October 17, 1985) was an American artist active in Seattle, Washington. Although she worked in a wide variety of media, she is best known for her prints, paintings, and drawings. She is associated with the artists of the Northwest School. Background Helmi Dagmar Juvonen was born in Butte, Montana on January 17, 1903, the second daughter of Finnish immigrants (''Helmi'' is Finnish for ''Pearl''). When she was 15, her family moved to Seattle, Washington. She attended Queen Anne High School, and after graduating, worked various art and design-related jobs while studying illustration, portraiture, and life drawing with private teachers. In 1929 she received a scholarship to Cornish College of the Arts, where she studied illustration with Walter Reese, puppetry with Richard Odlin, and lithography with Emilio Amero.Wehr, Wesley; ''The Eighth Lively Art: Conversations with Painters, Poets, Musicians, and the Wicked Witch of the West'', Unive ...
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Jay Steensma
Jay Steensma (1941–1994), also known as J. Steensma, was an American artist, primarily a painter, sometimes described by reviewers as a later-day exponent of the Northwest School (art), Northwest School of artists. He was known for his extremely prolific output, and, at times, unusual media (such as latex house paint on brown paper shopping bags). Chalices, snakes, houses, clouds, birds, and fish were frequent subjects in his work. He was one of the more successful artists in the Pacific Northwest in the 1980s and 90s, but had longstanding health problems, and died in Seattle at age 52. Life and career John Jay Steensma (Frisian languages, Frisian; trans., 'stonemason') was born December 8, 1941, in Moscow, Idaho, the eldest son of John and Oliva Steensma, and was raised in nearby Belmont, Washington. He moved to Seattle in 1959 to attend the University of Washington School of Art, where influential teachers included Walter F. Isaacs, Spencer Moseley, Bob Jones, and Wendell Bra ...
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Elliot Dairy Farm1920
Elliot (also spelled Eliot, Elliotte, Elliott, Eliott and Elyot) is a personal name which can serve as either a surname or a given name. Although the given name has historically been given to males, females have increasingly been given the name as well in the United States. Surname origin Differences in spelling can be distinguished in this rhyme: The double L and single T / Descent from Minto and Wolflee, / The double T and single L / Mark the old race in Stobs that dwell. / The single L and single T / The Eliots of St Germans be, / But double T and double L, / Who they are nobody can tell. Scotland The origin of the Scottish surname is obscure, due to much of the genealogy of the Eliott clan being burnt in the destruction of the castle at Stobs in 1712. The clan society usually accepts that the name originated from the town and river Elliot in Angus, Scotland. Other sources claim that the Scottish surnames (Eliott, Elliot) originate from the Ellot Scottish border-clan, f ...
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Abstract Expressionism
Abstract expressionism is a post–World War II art movement in American painting, developed in New York City in the 1940s. It was the first specifically American movement to achieve international influence and put New York at the center of the Western art world, a role formerly filled by Art in Paris, Paris. Although the term "abstract expressionism" was first applied to American art in 1946 by the art critic Robert Coates (critic), Robert Coates, it had been first used in Germany in 1919 in the magazine ''Der Sturm'', regarding German Expressionism. In the United States, Alfred Barr was the first to use this term in 1929 in relation to works by Wassily Kandinsky. Style Technically, an important predecessor is surrealism, with its emphasis on spontaneous, Surrealist automatism, automatic, or subconscious creation. Jackson Pollock's dripping paint onto a canvas laid on the floor is a technique that has its roots in the work of André Masson, Max Ernst, and David Alfaro Siqu ...
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Cubism
Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form—instead of depicting objects from a single viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term is broadly used in association with a wide variety of art produced in Paris (Montmartre and Montparnasse) or near Paris ( Puteaux) during the 1910s and throughout the 1920s. The movement was pioneered by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. One primary influence that led to Cubism was the representation of three-dimensional form in the late works of Pau ...
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Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ...
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Zoe Dusanne
Zoë Dusanne (born Zola Maie Graves; March 24, 1884 - March 6, 1972) was an American art dealer, collector, and promoter who operated the Zoë Dusanne Gallery in Seattle, Washington from 1950 to 1964. Life and career Dusanne was born Zola Maie Graves on March 24, 1884, in Newton, Kansas. From the age of nine she was raised in Council Bluffs, Iowa. She briefly attended both Oberlin College and the University of Illinois. In 1912, she moved to Seattle, where she operated a beauty salon. In 1928, she moved to New York City and began collecting works by modern abstract artists such as Paul Klee, Piet Mondrian, Stuart Davis, Jean Arp, and Giorgio de Chirico. On her return to Seattle in 1942, she began promoting advanced contemporary art, which had not previously been widely exhibited in the Pacific Northwest. She loaned pieces from her growing collection to the Seattle Art Museum and the Henry Art Gallery, and in 1950, opened the Zoë Dusanne Gallery. She was an avid supporter of ...
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