Norman Allin
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Norman Allin
Norman Allin (19 November 1884 – 27 October 1973) was a British bass singer of the early and mid twentieth century, and later a teacher of voice. Early studies Allin was born in Ashton-under-Lyne in 1884. He studied at the Royal Manchester College of Music under John Acton (singing) and Walter Carroll (theory). He married the teacher Edith Clegg in 1912 and went to London, where the conductor Sir Henry Wood heard him and planned to involve him in the 1914 Norwich Festival. The festival was interrupted by the outbreak of World War I. However, Allin did sing the Handel aria "O ruddier than the cherry", from '' Acis and Galatea'', at a Promenade Concert for Wood during the war.Wood 1946, 292. Operatic career Sir Thomas Beecham auditioned him and at once offered him the title role in Mussorgsky's ''Boris Godunov'', but Allin felt a less challenging debut was needed. So, his first appearance for Beecham was as the Old Hebrew in ''Samson et Dalila'' on 15 October 1916. With th ...
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Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ...
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Royal Choral Society
The Royal Choral Society (RCS) is an amateur choir, based in London. History Formed soon after the opening of the Royal Albert Hall in 1871, the choir gave its first performance as the Royal Albert Hall Choral Society on 8 May 1872 – the choir's first conductor Charles Gounod included the ''Hallelujah Chorus'' from ''Messiah'' in the inaugural concert. On 9 July 1891, the Royal Choral Society performed in a 'Grand Concert for the Visit of Their Imperial Majesties, The German Emperor and Empress', also attended by the Prince of Wales and the Duke and Duchess of Edinburgh. From the beginning, performing premieres of new choral works has been a feature of the choir's repertoire. Both Giuseppe Verdi and Antonín Dvořák conducted the choir in premières of their own works, as have Edward Roxborough, Ariel Ramírez, Raymond Premru and Geoffrey Burgon in more recent years. The choir continued to be conducted by the most eminent musicians of the day, most notably Sir Malcolm Sargen ...
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Royal Philharmonic Society
The Royal Philharmonic Society (RPS) is a British music society, formed in 1813. Its original purpose was to promote performances of instrumental music in London. Many composers and performers have taken part in its concerts. It is now a membership society, and while it no longer has its own orchestra, it continues a wide-ranging programme of activities which focus on composers and young musicians and aim to engage audiences so that future generations will enjoy a rich and vibrant musical life. Since 1989, the RPS has promoted the annual Royal Philharmonic Society Music Awards for live music-making in the United Kingdom. The RPS is a registered UK charity No. 213693, located at 48 Great Marlborough Street in London. The current chief executive of the RPS is James Murphy, and its current chairman is John Gilhooly. History In London, at a time when there were no permanent London orchestras, nor organised series of chamber music concerts, a group of thirty music professional ...
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Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ...
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The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ...
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Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court b ...
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Carl Ebert
Carl Anton Charles Ebert (20 February 1887 – 14 May 1980), was an actor, stage director and arts administrator. Ebert's early career was as an actor, training under Max Reinhardt and becoming one of the leading actors in his native Germany during the 1920s. During that decade he was also appointed to administrative posts, both theatrical and academic. In 1929 he directed opera for the first time, and during the 1930s established a reputation as an operatic director in Germany and beyond. A strong opponent of Nazism, he left Germany in 1933 and did not return until 1945. Together with John Christie and the conductor Fritz Busch, Ebert created the Glyndebourne Festival Opera in 1934. Ebert remained its artistic director until 1959, though productions were suspended during the Second World War. In the 1930s and 1940s Ebert helped establish a national conservatory in Turkey, where he and his family lived from 1940 to 1947. In his later years Ebert held administrative posts in L ...
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Fritz Busch
Fritz Busch (13 March 1890 – 14 September 1951) was a German conductor. Busch was born in Siegen, Westphalia, to a musical family, and studied at the Cologne Conservatory. After army service in the First World War, he was appointed to senior posts in two German opera houses. At the Stuttgart Opera (1918 to 1922) he modernised the repertory, and at the Dresden State Opera (1922 to 1933) he presented world premieres of operas by Richard Strauss, Ferruccio Busoni, Paul Hindemith and Kurt Weill among others. He also conducted at the Bayreuth and Salzburg Festivals. Being an ardent Anti-Nazi, Busch was dismissed from his post as director at Dresden in 1933 and made most of his later career outside Germany. He conducted in New York and London, but his main bases were Buenos Aires, where he was in charge at the Teatro Colón for several opera seasons in the 1930s and 1940s; Copenhagen and Stockholm, conducting the Danish Radio Symphony Orchestra and the Stockholm Philharmonic; ...
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Glyndebourne Festival
Glyndebourne Festival Opera is an annual opera festival held at Glyndebourne, an English country house near Lewes, in East Sussex, England. History Under the supervision of the Christie family, the festival has been held annually since 1934, except in 1941–45 during World War II and 1993 when the theatre was being rebuilt, for a 1994 reopening. Gus Christie, son of Sir George Christie and grandson of festival founder John Christie, became festival chairman in 2000. Since the company's inception, Glyndebourne has been particularly celebrated for its productions of Mozart operas. Recordings of Glyndebourne's past historic Mozart productions have been reissued. Other notable productions included their 1980s production of George Gershwin's ''Porgy and Bess'', directed by Trevor Nunn, and later expanded from the Glyndebourne stage and videotaped in 1993 for television, with Nunn again directing. While Mozart operas have continued to be the mainstay of its repertory, the co ...
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At The Boar's Head
''At the Boar's Head'' is an opera in one act by the English composer Gustav Holst, his op. 42. Holst himself described the work as "A Musical Interlude in One Act". The libretto, by the composer himself, is based on Shakespeare's '' Henry IV, Part 1'' and '' Henry IV, Part 2''. Development Holst devised the idea for this opera in 1924, whilst convalescing from an illness. During this period, he alternated between reading ''Henry IV, Part I'' and an edition of John Playford's ''The English Dancing Master'', as well as folk melodies collected by Cecil Sharp and others. Holst noticed that the rhythm and metre of Shakespeare's lines matched the tunes in the Playford, as well as the tunes that Sharp and others had collected. He then decided to set a number of those melodies to a story assembled from episodes set at the Boar's Head Inn from the two parts of ''Henry IV''. Three of the melodic passages are original, including a recitative for Prince Hal and a setting for the sonnets. J ...
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