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Nollywood
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in ''The New York Times''. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject of several controversies. Etymology The origin of the term "Nollywood" remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in ''the New York Times'', where it was used to describe Nigerian cinema. Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for ''the New York Times''. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words "Nigeria" and "Hollywood", the American major film hub. Definition of which films are considered Nollywood has always been a subject of deb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Nigeria
The cinema of Nigeria Nigeria ( ), , ig, Naìjíríyà, yo, Nàìjíríà, pcm, Naijá , ff, Naajeeriya, kcg, Naijeriya officially the Federal Republic of Nigeria, is a country in West Africa. It is situated between the Sahel to the north and the Gulf o ..., often referred to informally as Nollywood, consists of films produced in Nigeria; its history dates back to as early as the late 19th century and into the Colonial Nigeria, colonial era in the early 20th century. The history and development of the Nigerian motion picture industry is sometimes generally classified in four main eras: the Filmmaking in Colonial Nigeria, Colonial era, Golden Age of Nigerian cinema, Golden Age era, Video film era and the emerging New Nigerian cinema. Film as a medium first arrived in Nigeria in the late 19th century, in the form of Kinetoscope, peephole viewing of motion picture devices. These were soon replaced in the early 20th century with improved motion picture exhibiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigerian Cinema
The cinema of Nigeria, often referred to informally as Nollywood, consists of films produced in Nigeria; its history dates back to as early as the late 19th century and into the colonial era in the early 20th century. The history and development of the Nigerian motion picture industry is sometimes generally classified in four main eras: the Colonial era, Golden Age era, Video film era and the emerging New Nigerian cinema. Film as a medium first arrived in Nigeria in the late 19th century, in the form of peephole viewing of motion picture devices. These were soon replaced in the early 20th century with improved motion picture exhibition devices, with the first set of films screened at the Glover Memorial Hall in Lagos from 12 to 22 August 1903. The earliest feature film made in Nigeria is 1926's '' Palaver'' directed by Geoffrey Barkas, which was also the first to feature Nigerian actors in substantial roles. As of 1954, mobile cinema vans played to at least 3.5 million ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigeria
Nigeria ( ), , ig, Naìjíríyà, yo, Nàìjíríà, pcm, Naijá , ff, Naajeeriya, kcg, Naijeriya officially the Federal Republic of Nigeria, is a country in West Africa. It is situated between the Sahel to the north and the Gulf of Guinea to the south in the Atlantic Ocean. It covers an area of , and with a population of over 225 million, it is the most populous country in Africa, and the world's sixth-most populous country. Nigeria borders Niger in the north, Chad in the northeast, Cameroon in the east, and Benin in the west. Nigeria is a federal republic comprising of 36 states and the Federal Capital Territory, where the capital, Abuja, is located. The largest city in Nigeria is Lagos, one of the largest metropolitan areas in the world and the second-largest in Africa. Nigeria has been home to several indigenous pre-colonial states and kingdoms since the second millennium BC, with the Nok civilization in the 15th century BC, marking the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moses Olaiya
Moses Olaiya (18 May 1936 – 7 October 2018), better known by his stage name "Baba Sala", was a Nigerian comedian, dramatist, and actor. A Yoruba from Ijesha, Baba Sala, regarded as the father of modern Nigerian comedy, alongside other dramatists like Hubert Ogunde, Kola Ogunmola, Oyin Adejobi and Duro Ladipo popularized theater and television acting in Nigeria. He was a prolific filmmaker. Significantly, Baba Sala started his career in show business as a Highlife musician, fronting in 1964 a group known as the Federal Rhythm Dandies where he tutored and guided the jùjú music maestro King Sunny Adé who was his lead guitar player. Life Olaiya was born in Ilesha, Southwest Nigeria, he was raised in colonial Nigeria and grew up in the Northern provinces. His father worked as a teacher and later as an accountant and the family moved quite often, living in Jos and Kano. As a young boy, Olaiya played the class clown and sometimes dressed outlandishly to please people. While ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hausa-language Cinema
Hausa-language cinema, known informally as Kannywood, is the Hausa-language film industry of Northern Nigeria. It is based in Kano. Kannywood Kannywood is the sobriquet for Hausa-language cinema. It is a part of the larger Nigerian cinema, known as Nollywood, which includes other production centres producing films in many other Nigerian languages. The name "Kannywood" is a portmanteau derived from Kano and Hollywood, the center of the American film industry. "Kannywood" has origins in the late 1990s, when Sunusi Shehu of ''Tauraruwa Magazine'' created the term Kannywood and then it became the popular reference term for the industry in the Northern Nigeria. The term "Kannywood" was coined in 1999, three years before the term Nollywood came about. History The Hausa language cinema slowly evolved from the productions of RTV Kaduna and Radio Kaduna in the 1960s. Veterans like Dalhatu Bawa and Kasimu Yero pioneered drama productions that became popular with the Northern audience. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmmaking In Colonial Nigeria
Filmmaking in Colonial Nigeria generally refers to an era in Nigerian cinema, usually spanning the 1900s through to the 1950s, when film production and exhibition or distribution were controlled by the British colonial Government. The history of cinema in Nigeria dates back to as early as the history of film itself; notably in the late 19th century, with the use of peephole viewing of motion picture devices. These were soon replaced in the early 20th century with improved motion picture exhibition devices, with the first set of films screened at the Glover Memorial Hall in Lagos from 12 to 22 August 1903. Filmmakers started producing films for local audiences within Nigeria since the 1920s, mostly employing the mobile cinema as a means of exhibition; the earliest feature film made in Nigeria is the 1926's '' Palaver'' produced by Geoffrey Barkas. The film was also the first film ever to feature Nigerian actors in a speaking role The Colonial Government largely utilized the cinemas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kongi's Harvest (film)
''Kongi's Harvest'' is a 1970s Nigerian drama film directed by Ossie Davis. The film was adapted from a screenplay by Wole Soyinka adapted from his 1965 play of the same name.Gugler, Josef (1997)"Wole Soyinka's ''Kongi's Harvest'' from stage to screen: Four endings to tyranny" ''Canadian Journal of African Studies'', Vol. 31, No. 1, 1997.Gugler, Josef (1999). "African Writing Projected onto the Screen: ''Sambizanga'', ''Xala'', and ''Kongi's Harvest''", ''African Studies Review,'' Vol. 42, No. 1 April 1999. Soyinka, a Nigerian playwright, poet, and the first African to be awarded the Nobel Prize in Literature in 1986, also starred in the leading role as the dictator of an African nation. The film was produced by Francis Oladele's Calpenny Nigeria Films. The film revolved around the degeneration of personal rule in independent Africa and satirizes the resulting tyranny in terms of the confrontation between a populist politician and a traditional ruler. It is said that the film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religious
Religion is usually defined as a social system, social-cultural system of designated religious behaviour, behaviors and practices, morality, morals, beliefs, worldviews, religious text, texts, sacred site, sanctified places, prophecy, prophecies, ethics in religion, ethics, or religious organization, organizations, that generally relates humanity to supernatural, transcendence (religion), transcendental, and spirituality, spiritual elements; however, there is no scholarly consensus over what precisely constitutes a religion. Different religions may or may not contain various elements ranging from the Divinity, divine, Sacred, sacred things, faith,Tillich, P. (1957) ''Dynamics of faith''. Harper Perennial; (p. 1). a supernatural being or supernatural beings or "some sort of ultimacy and transcendence that will provide norms and power for the rest of life". Religious practices may include rituals, sermons, commemoration or veneration (of deities or saints), sacrifices, festivals, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethnic
An ethnic group or an ethnicity is a grouping of people who identify with each other on the basis of shared attributes that distinguish them from other groups. Those attributes can include common sets of traditions, ancestry, language, history, society, culture, nation, religion, or social treatment within their residing area. The term ethnicity is often times used interchangeably with the term nation, particularly in cases of ethnic nationalism, and is separate from the related concept of races. Ethnicity may be construed as an inherited or as a societally imposed construct. Ethnic membership tends to be defined by a shared cultural heritage, ancestry, origin myth, history, homeland, language, or dialect, symbolic systems such as religion, mythology and ritual, cuisine, dressing style, art, or physical appearance. Ethnic groups may share a narrow or broad spectrum of genetic ancestry, depending on group identification, with many groups having mixed genetic ancestry. Ethnic gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ade Love
Adeyemi Josiah Afolayan (1940–1996) was a Nigerian actor, filmmaker, dramatist, and producer. Early life Afolayan was born in 1940 in Kwara state Nigeria, he was a film actor, director, and producer. He is the brother of actress Toyin Afolayan as well as father to film actors, Kunle Afolayan, Tayo Afolayan, Gabriel Afolayan, Moji Afolayan , and Aremu Afolayan. Career In 1966, Afolayan joined Moses Olaiya's drama troupe, in 1971, he left to establish his own drama group which went on to stage comedic plays. In 1976, he appeared in Ola Balogun's ''Ajani Ogun'' and later produced and starred ''Ija Ominira'' (1979), also directed by Balogun. ''Kadara'', also called ''Destiny'' in English was the first movie he wrote, produced and also starred as leading actor. The movie was shown at the ninth Tashkent film festival for African and Asian cinema. Afolayan went on to produce and star in other productions such as ''Ija Orogun'', ''Taxi Driver'' and ''Iya ni Wura''. Selected fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ola Balogun
Ola Balogun (born 1 August 1945) is a Nigerian filmmaker and scriptwriter. He also ventured into the Nigerian music industry in 2001. Balogun, who has been making films for more than three decades, is part of the first generation of Nigerian filmmakers. Balogun studied cinematography at Institut des hautes études cinématographiques. Years after his graduation, he wrote his doctorate thesis on documentary films. On returning to Nigeria in 1968, he joined the staff of the Nigerian Film Unit, which was under the administration of the Ministry of Information, and later worked at the National Museum and Obafemi Awolowo University. Balogun's earliest films were short documentaries: ''One Nigeria'' released in 1969, ''Les Ponts de Paris'' (1971), ''Fire In the Afternoon'' (1971), ''Thundergod'' (1971), ''Nupe Masquerade'' (1972), ''In the Beginning'' (1972), and ''Owuama, A New Yam Festival'' (1973). His debut feature film was ''Alpha'', a semi-autobiographical low-budget film released ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Ogunde
Chief Hubert Adedeji Ogunde, D.Lit. (10 July 1916 – 4 April 1990) was a Nigerian actor, playwright, theatre manager, and musician who founded the first contemporary professional theatrical company in Nigeria, the African Music Research Party, in 1945. Hubert Ogunde changed the name to Ogunde Theater Party in 1947 and Ogunde Concert Party in 1950. Finally, in 1960, he changed it to Ogunde Theater, a name that remained until his death in 1990. He has been described as "the father of Nigerian theatre, or the father of contemporary Yoruba theatre"."Ogunde, Chief Hubert (1916–90)", in Martin Banham, Errol Hill, George Woodyard (eds), ''The Cambridge Guide to African and Caribbean Theatre'', Cambridge University Press, 1994, p. 76. In his career on stage, he wrote more than 50 plays, most of which incorporate dramatic action, dance, and music, with a story reflecting the political and social realities of the period. His first production was a church-financed play called ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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