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Noha
A noha ( fa, نوحه, ur, نوحہ; translit. ''nūḥa/nawḥa''; az, Növhə/Нөвһә/نؤوحه), when interpreted in light of Shia views, is an elegy about the tragedy of Husayn ibn Ali in the Battle of Karbala. Marsiya and Noha have the historical and social milieu of pre-Islamic Arabic and Persian culture. The sub-parts of Marsiya are called Noha and Soaz which means lamentation. It is usually a poem of mourning. Lamentation has a central part in the literature of the followers and devotees of the Shia sect and its offshoots. The tradition of elegizing Hussain and the Karbala tragedy is not limited to Arabic speaking poets. Poets from different languages have also contributed significant poetic literature in their language. In Urdu language, a number of poets like, Mir Anis and Mirza Dabeer have contributed a treasure in Marsiya and its sub-branch Noha. In like manner, English-speaking poets, whether Muslim, Christian, have also made significant contributions to pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mourning Of Muharram
The Mourning of Muharram (also known as Azadari, Remembrance of Muharram or Muharram Observances) is a set of commemoration rituals observed primarily by Shia people. The commemoration falls in Muharram, the first month of the Islamic calendar. Many of the events associated with the ritual take place in congregation halls known as '' Hussainia or Imambargah''. The event marks the anniversary of the Battle of Karbala (AD 680/AH 61), when Imam Hussain ibn Ali, a grandson of Prophet Muhammad, was martyred by the forces of Ubayd Allah ibn Ziyad, on the orders of Yazid I. Family members and companions accompanying him were either killed or subjected to humiliation. The commemoration of this event during the yearly mourning season, with the Day of Ashura as the focal date, serves to define Shia communal identity. Muharram observances are carried out in countries with a sizable Shia Muslim population. Storytelling, weeping and chest beating, wearing black, partial fasting, street proc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marsiya
A marsiya ( fa, مرثیه) is an elegiac poem written to commemorate the martyrdom and valour of Hussain ibn Ali and his comrades of the Karbala. Marsiyas are essentially religious. Background The word ''Marsiya'' is derived from the Arabic word ''marthiyya'' (root R-TH-Y), meaning a great tragedy or lamentation for a departed soul. Marsiya is a poem written to commemorate the martyrdom of Ahl al-Bayt, Imam Hussain and Battle of Karbala. It is usually a poem of mourning. Marsiyas in Urdu first appeared in the sixteenth century in the Deccan kingdoms of India. They were written either in the two-line unit form, ''qasida'', or the four-line unit form, ''murabba''. Over time, the ''musaddas'' became the most suitable form for a marsiya. In this form, the first four lines of each stanza referred to as the ''band'' have one rhyme scheme while the remaining two line referred to as the ''tip'' have another. This form found a specially congenial soil in Lucknow, an important Shia Muslim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marsiyah
A marsiya ( fa, مرثیه) is an elegiac poem written to commemorate the martyrdom and valour of Hussain ibn Ali and his comrades of the Karbala. Marsiyas are essentially religious. Background The word ''Marsiya'' is derived from the Arabic word ''marthiyya'' (root R-TH-Y), meaning a great tragedy or lamentation for a departed soul. Marsiya is a poem written to commemorate the martyrdom of Ahl al-Bayt, Imam Hussain and Battle of Karbala. It is usually a poem of mourning. Marsiyas in Urdu first appeared in the sixteenth century in the Deccan kingdoms of India. They were written either in the two-line unit form, ''qasida'', or the four-line unit form, ''murabba''. Over time, the ''musaddas'' became the most suitable form for a marsiya. In this form, the first four lines of each stanza referred to as the ''band'' have one rhyme scheme while the remaining two line referred to as the ''tip'' have another. This form found a specially congenial soil in Lucknow, an important Shia Muslim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nuha (other) , a Shia lament.
{{disambig ...
*Nuha (deity), a deity worshipped among the Northern Arabian tribes of pre-Islamic Arabia *Shaki, Azerbaijan, a city in northwestern Azerbaijan also known as ''Nukha'' *Noha A noha ( fa, نوحه, ur, نوحہ; translit. ''nūḥa/nawḥa''; az, Növhə/Нөвһә/نؤوحه), when interpreted in light of Shia views, is an elegy about the tragedy of Husayn ibn Ali in the Battle of Karbala. Marsiya and Noha have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shia Literature
Shīʿa Islam or Shīʿīsm is the second-largest branch of Islam. It holds that the Islamic prophet Muhammad designated ʿAlī ibn Abī Ṭālib as his successor (''khalīfa'') and the Imam (spiritual and political leader) after him, most notably at the event of Ghadir Khumm, but was prevented from succeeding Muhammad as the leader of the Muslims as a result of the choice made by some of Muhammad's other companions (''ṣaḥāba'') at Saqifah. This view primarily contrasts with that of Sunnī Islam, whose adherents believe that Muhammad did not appoint a successor before his death and consider Abū Bakr, who was appointed caliph by a group of senior Muslims at Saqifah, to be the first rightful (''rāshidūn'') caliph after Muhammad. Adherents of Shīʿa Islam are called Shīʿa Muslims, Shīʿītes, or simply Shīʿa or Shia. Shīʿa Islam is based on a ''ḥadīth'' report concerning Muhammad's pronouncement at Ghadir Khumm.Esposito, John. "What Everyone Needs to Kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Poetry
Arabic poetry ( ar, الشعر العربي ''ash-shi‘ru al-‘Arabīyyu'') is the earliest form of Arabic literature. Present knowledge of poetry in Arabic dates from the 6th century, but oral poetry is believed to predate that. Arabic poetry is categorized into two main types, rhymed or measured, and prose, with the former greatly preceding the latter. The rhymed poetry falls within fifteen different meters collected and explained by al-Farahidi in ''The Science of ‘ Arud''. Al-Akhfash, a student of al-Farahidi, later added one more meter to make them sixteen. The meters of the rhythmical poetry are known in Arabic as "seas" (''buḥūr''). The measuring unit of seas is known as "''taf‘īlah''," and every sea contains a certain number of taf'ilas which the poet has to observe in every verse (''bayt'') of the poem. The measuring procedure of a poem is very rigorous. Sometimes adding or removing a consonant or a vowel can shift the ''bayt'' from one meter to another. Also, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Majalis
( ar, المجلس, pl. ') is an Arabic term meaning "sitting room", used to describe various types of special gatherings among common interest groups of administrative, social or religious nature in countries with linguistic or cultural connections to Islamic countries. The ''Majlis'' can refer to a legislature as well and is used in the name of legislative councils or assemblies in some of the states where Islamic culture dominates.The Majlis Of The Future Today — Leading UAE Interior Designers Set To Reveal Their Visions At Index Dubai City Guide 9 November 2009. Etymology ''Majlis'' is the |
Rawda Khwani
Rozeh Khani or Rawda khwani ( fa , روضه خوانی, "reading the Rozeh") is the Shia Iranian Muslim ritual of the Mourning of Muharram. It is held every day of the year to commemorate the death of Husayn ibn Ali and his followers during the Battle of Karbala. Performance Rawda khwani as public lamentation is held to commemorating the death of Husayn ibn Ali and his follower, suffering of his family during the Battle of Karbala especially by Iranian Shia Muslims. During this ritual mourning, the Rawda khwan (story teller) recites loudly chapters of the Garden of the Martyrs with innovative skills to mourners. The ritual of Rawda khwani can be held anywhere, such as public squares of cities and villages, yards of mosque or privet house, Hussainiya and the Tekyeh that were built from the eighteenth century for performing the Mourning of Muharram. At first, this ritual mourning was held through the first ten days of the month of Muḥarram and then Rawda was commemorated in Mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juloos
''Juloos''Juloos at Google books is a novel by acclaimed Hindi writer . It was first published by in 1966. Juloos is a novel based on the change in the social paradigm of Goriyar village in Bihar when a group of arrive from |
Mir Anis
Mir Babar Ali Anees ( ur, مير ببر على انيس) (1800–1874), also known as Mir Anees was an Indian Urdu poet. He used his pen-name (takhallus) of Anees (Urdu: , ''Anees'' means "close friend, companion") in poetry. Anees used Persian, Urdu, Arabic, and Sanskrit words in his poetry. Anis wrote prolonged Marsias, which was a custom of his times, but nowadays only selected sections are narrated even in religious ceremonies. He died in 1291 Hijra, corresponding with 1874 CE. Family Mir Babar Ali Anis was born in 1803 CE at Faizabad. In his book ''Khandaan- e-Mir Anees ke Naamwar Sho’ara'' (Famous Poets from the family of Mir Anis), Zameer Naqvi lists 22 poets from Mir Anis’ family and their poetry. A researcher in Urdu Literature, Syed Taqi Abedi, has shown that Mir Anis's family has written poetic literature for three centuries, first in Persian and later in Urdu. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mirza Dabeer
Mirza Salaamat Ali Dabeer ( ur, ), (29 August 1803 – 6 March 1875) was an Urdu poet who excelled and perfected the art of Marsiya writing. He is considered the leading exponent of Marsiya Nigari or marsiya writing along with Mir Anees. Mirza Dabeer was born in 1803 in Delhi. He started reciting marsiya since childhood during muharram ceremonial gatherings called majalis (singular-majlis). He started writing poetry under the tutelage of Mir Muzaffar Husain Zameer. Dabeer himself was an erudite scholar of his time. He migrated from Delhi to Lucknow, where he found suitable environment to develop and demonstrate his skills in marsiya writing. According to Maulana Muhammad Husain Azad in Aab-e-Hayat quoting Tazkira-e-Sarapa Sukhan, there is confusion regarding his father's name because of two different names mentioned in Tazkira-as-Ghulam Husain /Mirza Agha Jan Kaghazfarosh. Mirza Dabeer died in Lucknow in 1875 and is buried there. Works According to Muhammad Husain Azad in Aa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
