Noel Rawsthorne
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Noel Rawsthorne
Christopher Noel Rawsthorne (24 December 1929 – 28 January 2019) was a British liturgical and concert organist and composer of music for his own instrument, as well as choral music. Biography Rawsthorne was born in Birkenhead. At the age of eight he became a chorister at Liverpool Parish Church which started his interest in the pipe organ. Two years later, he became a chorister at Liverpool Cathedral (while also studying at Liverpool Institute High School) and started organ lessons under Caleb Jarvis at the nearby St George's Hall. In six years time later pursued organ studies under Harold Dawber at the Royal Manchester College of Music, after receiving a coveted exhibition. In 1949, he later became the Assistant Organist of the cathedral, and also received Associateship of the Royal College of Organists (''ARCO'') and was later elected a fellow (''FRCO'') in 1953. In 1958, he received an education grant to study in Italy with Fernando Germani and later in Paris with Marc ...
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Choral Music
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'chorus' ...
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Rushworth And Dreaper
Rushworth and Dreaper was a firm of organ builders, and later general instrument suppliers associated with Paul McCartney based in Liverpool. The manufacturer was founded in 1828 by William Rushworth, operating until 2002. Upon its liquidation, its archives were mostly destroyed, and the Victorian clock in the works tower was removed. The premises are now occupied by Henry Willis & Sons. Organs built by the company (in date order) * St Oswald's Church, Winwick, 1838. *All Saints' Church, Bradbourne Derbyshire 1866 *St Mary's Church, Knowsley, 1913. *Liverpool Collegiate School, 1913. *Eastcliffe Congregational Church, Bournemouth, 1914. * Our Lady & St Alphege, Bath, 1915. *St Anne's Church, Stanley, 1916 *St Barnabas' Church, Bromborough, 1923. * St Hildeburgh's Church, Hoylake, 1924 (?) * St Andrew's Church, West Kirby, 1925. * St. Laurence and All Saints Church, Eastwood, Essex, 1925 *St Michael's & All Angels Church, Windmill Hill, Bedminster, Bristol, 1927 - Opening recita ...
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Gordon Stewart (organist)
Gordon Brodie Stewart (born 1952) is a British organist, conductor, and teacher. Biography Stewart was born in Dundee, Scotland. His first appointment as an organist was at Dundee Methodist Church at the age of 14, followed by St. James' Church in Dundee. Stewart studied at the Royal Northern College of Music and the Geneva Conservatoire. Among his organ teachers were Eric Chadwick, Gillian Weir, and Lionel Rogg. He also studied piano with Kathleen McGrath, flute with Vivienne Leigh, harpsichord with Robert Elliott of the Alfred Deller Consort, and choir-training with John Bertalot. While in Geneva, Stewart was the organist and choirmaster of the American Church and assistant organist at the Anglican Church. On returning to the UK, Stewart was Director of Music at the Parish Church of St Mary the Virgin, Bowdon for four years. Stewart made regular appearances as Musical Director for BBC Radio 4's The Daily Service and the BBC's Songs of Praise over a period of fifteen years u ...
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Symphony For Organ No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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Charles Marie Widor
Charles-Marie-Jean-Albert Widor (21 February 1844 – 12 March 1937) was a French organist, composer and teacher of the mid-Romantic era, most notable for his ten organ symphonies. His Toccata from the fifth organ symphony has become one of the best known and most often performed works for organ. As of 2022, he is the longest-serving organist of Saint-Sulpice in Paris, a role he held for 63 years (January 1870 – 31 December 1933). He also was organ professor at the Paris Conservatory from 1890 to 1896 (following César Franck) and then he became professor of composition at the same institution, following Théodore Dubois. Widor was a prolific composer, writing music for organ, piano, voice and ensembles. Apart from his ten organ symphonies, he also wrote three symphonies for orchestra and organ, several songs for piano and voice, four operas and a ballet. He was one of the first composers to use the term "symphony" for some of his organ compositions, helped in this by the o ...
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Rule Britannia
"Rule, Britannia!" is a British patriotic song, originating from the 1740 poem "Rule, Britannia" by James Thomson and set to music by Thomas Arne in the same year. It is most strongly associated with the Royal Navy, but is also used by the British Army. ''Alfred'' The song was originally the final musical number in Thomas Arne's ''Alfred'', a masque about Alfred the Great, co-written by James Thomson and David Mallet and first performed at Cliveden, the country home of Frederick, Prince of Wales, on 1 August 1740. Lyrics This version is taken from ''The Works of James Thomson'' by James Thomson, Published 1763, Vol II, p. 191, which includes the entire text of ''Alfred''. "Married to a Mermaid" In 1751 Mallet re-used the text of "Rule, Britannia!", omitting three of the original six stanzas and adding three new ones by Lord Bolingbroke, to form the repeated chorus of a comic song "Married to a Mermaid". This became extremely popular when Mallet produced his m ...
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Thomas Arne
Thomas Augustine Arne (; 12 March 17105 March 1778) was an English composer. He is best known for his patriotic song "Rule, Britannia!" and the song "A-Hunting We Will Go", the latter composed for a 1777 production of ''The Beggar's Opera'', which has since become popular as a folk song and a nursery rhyme. Arne was a leading British theatre composer of the 18th century, working at the West End's Drury Lane and Covent Garden. He wrote many operatic entertainments for the London theatres and pleasure gardens, as well as concertos, sinfonias, and sonatas. Early life Arne was born on March 12th, 1710 in Covent Garden and baptised at St Paul's, Covent Garden. Arne's father and grandfather were both upholsterers and both held office in the Worshipful Company of Upholders of the City of London. His grandfather fell on hard times and died in the debtors' prison of Marshalsea. His father earned enough money not only to rent 31 King Street, a large house in Covent Garden, but also t ...
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The Four Seasons (Vivaldi)
''The Four Seasons'' ( it, Le quattro stagioni) is a group of four violin concertos by Italian composer Antonio Vivaldi, each of which gives musical expression to a season of the year. These were composed around 1718−1720, when Vivaldi was the court chapel master in Mantua. They were published in 1725 in Amsterdam, together with eight additional concerti, as (''The Contest Between Harmony and Invention''). ''The Four Seasons'' is the best known of Vivaldi's works. Though three of the concerti are wholly original, the first, "Spring", borrows patterns from a sinfonia in the first act of Vivaldi's contemporaneous opera ''Il Giustino''. The inspiration for the concertos is not the countryside around Mantua, as initially supposed, where Vivaldi was living at the time, since according to Karl Heller they could have been written as early as 1716–1717, while Vivaldi was engaged with the court of Mantua only in 1718. They were a revolution in musical conception: in them Vivaldi repr ...
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Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and more than List of operas by Antonio Vivaldi, fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale ...
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Brandenburg Concerto
The ''Brandenburg Concertos'' by Johann Sebastian Bach (BWV 1046–1051), are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, MacDonogh, Giles. ''Frederick the Great: A Life in Deed and Letters''. St. Martin's Griffin. New York. 2001. in 1721 (though probably composed earlier). The original French title is ''Six Concerts à plusieurs instruments,'' meaning "Six Concertos for several instruments". Some of them feature several solo instruments in combination. They are widely regarded as some of the best orchestral compositions of the Baroque era. History In 1721, Johann Sebastian Bach compiled a collection of six concertos and presented it to Christian Ludwig, Margrave of Brandenburg-Schwedt, titled ''Six Concerts à plusieurs instruments'' (Six Concertos for several instruments).Johann Sebastian Bach's Werke, vol. 19: Kammermusik, dritter band, Bach-Gesellschaft, Leipzig; ed. Wilhelm Rust, 1871 Bach wrote out th ...
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ...
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The Sailor's Hornpipe
The Sailor's Hornpipe (also known as The College Hornpipe and Jack's the Lad) is a traditional hornpipe melody and linked dance with origins in the Royal Navy. History The tune was first printed as the "College Hornpipe" in 1797 or 1798 by J. Dale of London. However, versions of the tune are found in earlier manuscript collections – for example, a syncopated version in the William Vickers manuscript, written on Tyneside, dated 1770. The hornpipe dance imitates the life of sailors and their duties aboard ship. Due to the small space that the dance required, and no need for a partner, the dance was popular on-board ship. Samuel Pepys referred to this tune in his diary as "The Jig of the Ship" and James Cook, Captain Cook, who took a piper on at least one voyage, is noted to have ordered his men to dance the hornpipe in order to keep them in good health. The dance on-ship became less common when fiddlers ceased to be included in ships' crew members. In dramatic stage productions, ...
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