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No Money Needed
''No Money Needed'' (german: Man braucht kein Geld) is a 1932 German comedy film directed by Carl Boese and starring Hedy Lamarr, Heinz Rühmann, and Hans Moser. It was shot at the Babelsberg Studios in Berlin with sets designed by the art director Julius von Borsody. It premiered on 5 February 1932. It was based on a play by Ferdinand Alternkirch and was shot during November 1931. A French remake (''Pas besoin d'argent'') and an Italian remake (''Non c'è bisogno di denaro'') were made in 1933. Boese himself remade the story in 1953 under the title ''The Uncle from America''. Synopsis A virtually bankrupt businessman in a small town manages to convince people that his newly arrived cousin, who is equally impoverished, is a millionaire. Cast *Hedy Lamarr as Käthe Brandt *Heinz Rühmann as Heinz Schmidt * Hans Moser as Thomas Theodor Hoffmann *Ida Wüst as Frau Brandt *Hans Junkermann as Herrmann Brandt *Kurt Gerron as Bank President Binder *Paul Henckels as The Mayor *Hans He ...
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Carl Boese
Carl Eduard Hermann Boese (; 26 August 1887 – 6 July 1958) was a German film director, screenwriter, and film producer, producer. He directed 158 films between 1917 and 1957. Selected filmography * ''Farmer Borchardt'' (1917) * ''Donna Lucia'' (1918) * ''The Stolen Sole'' (1918) - Director * ''Nuri's Curse / Nissami's Song'' (1918) - Director * ''The Geisha and the Samurai'' (1919) * ''The Devil and the Madonna'' (1919) * ''Nocturne of Love (1919 film), Nocturne of Love'' (1919)-Direct. * ''The Golem: How He Came into the World'' (1920) * ''The Dancer Barberina'' (1920) * ''Three Nights'' (1920) * ''The Song of the Puszta'' (1920) * ''Blackmailed (1920 film), Blackmailed'' (1920) * ''The Raft of the Dead'' (1921) * ''The Shadow of Gaby Leed'' (1921) * ''The Terror of the Red Mill'' (1921) * Dolores (1922) - Director * ''The Unwritten Law (1922 film), The Unwritten Law'' (1922) * ''Slave for Life'', director, producer * ''Count Cohn'' (1923) * ''Maciste and the Chinese Chest'' ...
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Julius Von Borsody
Julius von Borsody (8 April 1892 in Vienna – 18 January 1960, also in Vienna) was an Austrian film architect and one of the most employed set designers in the Austrian and German cinemas of the late silent and early sound film periods. His younger brother, Eduard von Borsody, was a film director in Austria and Germany. He is also the great-uncle of German actress Suzanne von Borsody. Life Julius von Borsody attended the Munich Art Academy before he started in the film industry in 1917. He began his career with Sascha-Film in Vienna, but up to 1924 also worked with other film production companies. In 1920 he was the set designer for Paul Czinner's highly significant pre-Expressionist work, ''Inferno''. Together with Emil Stepanek and Artur Berger he was also responsible in Vienna, on the epics of Michael Curtiz and Alexander Korda, for the most spectacular sets ever constructed for an Austrian film, in particular the gigantic Temple of Sodom in ''Sodom und Gomorrha'' (1922), whi ...
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Hugo Fischer-Köppe
Hugo Fischer-Köppe (13 February 1890, in Bielefeld – 31 December 1937, in Berlin) was an early German film actor. Fischer-Köppe entered film in 1917 and appeared in some 80 different films between 1913 and his premature death in 1937 in films such as '' Achtung! Auto-Diebe!'' in 1930 in which he worked with actor and director Harry Piel and Charly Berger. Selected filmography * ''The Men of Frau Clarissa'' (1922) * ''The Queen of Whitechapel'' (1922) * '' The Shadows of That Night'' (1922) * '' The Big Shot'' (1922) * '' The Morals of the Alley'' (1925) * ''Three Waiting Maids'' (1925) * '' Oh Those Glorious Old Student Days'' (1925) * ''War in Peace'' (1925) * ''Ash Wednesday'' (1925) * ''The Trumpets are Blowing'' (1926) * '' The Captain from Koepenick'' (1926) * ''The Last Horse Carriage in Berlin'' (1926) * ''Countess Ironing-Maid'' (1926) * '' The Armoured Vault'' (1926) * ''The Man Without Sleep'' (1926) * '' Maytime'' (1926) * ''I Stand in the Dark Midnight'' (1927) * ...
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Gerhard Dammann
Gerhard Dammann (30 March 1883 – 21 February 1946) was a German film actor. Selected filmography * '' The Man in the Cellar'' (1914) * ''Under the Lantern'' (1928) * '' Eva in Silk'' (1928) * '' Lemke's Widow'' (1928) * ''When the Mother and the Daughter'' (1928) * ''The Strange Night of Helga Wangen'' (1928) * '' Death Drive for the World Record'' (1929) * ''Children of the Street'' (1929) * ''Zwei Brüder'' (1929) * ''Woman in the Moon'' (1929) * '' Roses Bloom on the Moorland'' (1929) * ''Sin and Morality'' (1929) * '' Giftgas'' (1929) * ''Masks'' (1929) * ''Painted Youth'' (1929) * ''The Cabinet of Doctor Larifari'' (1930) * ''Rag Ball'' (1930) * '' Marriage Strike'' (1930) * '' My Leopold'' (1931) * ''Grock'' (1931) * '' Without Meyer, No Celebration is Complete'' (1931) * ''Marriage with Limited Liability'' (1931) * '' Different Morals'' (1931) * '' Crime Reporter Holm'' (1932) * '' Between Night and Dawn'' (1931) * '' A Crafty Youth'' (1931) * '' Bobby Gets Going'' (1931 ...
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Fritz Odemar
Fritz Odemar (13 January 1890 – 6 June 1955) was a German film actor. He appeared in more than 150 films between 1927 and 1955. He was born in Hannover, Germany and died in Munich, Germany. Odemar's father was the actor Fritz Odemar Sr. (Karl Julius Friedrich Odemar; 1858–1926). Selected filmography * '' The Merry Vineyard'' (1927) - Knuzius, Klärchens Verlobter * ''The Devious Path'' (1928) - Möller, Regierungsrat * ''The Last Fort'' (1929) - Lieutenant Brand * ''Crucified Girl'' (1929) * ''Napoleon at Saint Helena'' (1929) - Lt. Nichols * ''Scandalous Eva'' (1930) - Lämmerberg * ''The Song Is Ended'' (1930) - Der Verlager / The Editor * ' (1930) * ''The Stolen Face'' (1930) - Hempel * ''Petit officier... Adieu!'' (1930) - Teschner * '' Wibbel the Tailor'' (1931) - Fitzke * ''Madame Pompadour'' (1931) - Minister Maurepas * '' 1914'' (1931) - Prince Lichnowsky * ''The Man in Search of His Murderer'' (1931) * ''Three Days of Love'' (1931) * ''The Merry Wives of Vienna' ...
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Albert Florath
Albert Peter Adam Florath (7 December 1888, Bielefeld – 11 March 1957, Gaildorf) was a German stage and film actor. Early life and education Born to Joseph Florath, a locksmith, and his wife Matilda, née Burkart, he attended school in Brakel and the Realgymnasium in Paderborn. He was bailiff candidate in Delbrück, where he was active in the welfare, church and school department and the police administration. Acting career Florath gained first stage experience in amateur dramatic groups of local clubs in Delbrück. In 1908, Florath gave up his career in office and went to Munich-Schwabing, to devote himself entirely to acting. He debuted in 1908 as a stage actor at the court theater in Munich. He took acting lessons with Alois Wohlmut and, as a sideline, wrote feuilleton contributions. When the First World War began, Florath interrupted his artistic career, volunteering as a reserve lieutenant and serving as an instructor of recruits. His wartime experiences caused him t ...
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Hans Hermann Schaufuß
Hans Hermann Schaufuß (13 July 1893 – 30 January 1982) was a German actor. He appeared in more than one hundred films from 1922 to 1969. His sons were actors Hans Joachim Schaufuß Hans Joachim Schaufuß (transliterated: Schaufuss) (28 December 1918 – 27 October 1941) was a German actor. Schaufuß began as a child actor, appearing in '' Emil and the Detectives'' (1931) and '' The White Demon'' (1932). From the mid-1930s he ... and Peter-Timm Schaufuß. Selected filmography References External links * 1893 births 1982 deaths German male film actors German male silent film actors 20th-century German male actors Male actors from Berlin {{Germany-actor-stub ...
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Paul Henckels
Paul Henckels (9 September 1885 – 27 May 1967) was a German film and stage actor. He appeared in more than 230 films between 1921 and 1965. Paul Henckels had started his acting career on the stage in the 1900s. He was well known for his eccentric, colourful roles and his trademark Rhineland accent. Among his most popular roles were the school teacher Professor Bömmel in ''Die Feuerzangenbowle'' (1944) and the veterinarian Dr. Pudlich in the "Immenhof film series" during the 1950s. He was also notable as a stage actor and appeared at the Schauspielhaus Berlin for many years. His most popular stage role was '' Wibbel the Tailor'', which he played more than 1000 times. Henckel's father was Jewish, and he was thus a "half-Jew" by the rules of the Nazis. As a rare exception, Henckels was nonetheless allowed to work during the Third Reich. He apparently owed this exception to the intervention of his friend Gustaf Gründgens and to his continuing popularity as a character actor. ...
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Kurt Gerron
Kurt Gerron (11 May 1897 – 28 October 1944) was a German History of the Jews in Germany, Jewish actor and film director. He and his wife, Olga were murdered in the Holocaust. Life Born Kurt Gerson into a well-off merchant family in Berlin, he studied medicine before being called up for military service in World War I. After being seriously wounded, he was qualified as a military doctor in the German Army (German Empire), German Army, despite having been only in his second year at university. After the war Gerron turned to a stage career, becoming a theatre actor under director Max Reinhardt in 1920. He appeared in secondary roles in several silent films and began directing film shorts in 1926. Gerron's popular cinema breakthrough came with ''The Blue Angel'' (''Der Blaue Engel'', 1930) opposite Marlene Dietrich. Two years before, Gerron originated the role of "Tiger" Brown in the 1928 premiere production of ''The Threepenny Opera'' (''Die Dreigroschenoper'') at the Berlin Theat ...
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Hans Junkermann (actor)
Hans Ferdinand Junkermann (24 February 1872 – 12 June 1943) was a German actor. He was married to the Austrian actress Julia Serda. Selected filmography * ''Where Is Coletti?'' (1913) * ''The Seeds of Life'' (1918) * ''The Girl from Acker Street'' (1920) * ''The Love Affairs of Hector Dalmore'' (1921) * ''Hamlet'' (1921) * ''Hazard'' (1921) * '' The Eternal Struggle'' (1921) * '' Playing with Fire'' (1921) * ''Lola Montez, the King's Dancer'' (1922) * ''Miss Rockefeller Is Filming'' (1922) * ''Maciste and the Silver King's Daughter'' (1922) * ''The Girl with the Mask'' (1922) * ''The Flight into Marriage'' (1922) * '' The Lady and Her Hairdresser'' (1922) * '' The Woman on the Panther'' (1923) * ''Das Milliardensouper'' (1923) * '' Nanon'' (1924) * ''The Stolen Professor'' (1924) * ''Darling of the King'' (1924) * '' The Great Unknown'' (1924) *'' Dancing Mad'' (1925) * ''The Girl with a Patron'' (1925) * ''Express Train of Love'' (1925) * ''The Salesgirl from the Fashion Stor ...
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Millionaire
A millionaire is an individual whose net worth or wealth is equal to or exceeds one million units of currency. Depending on the currency, a certain level of prestige is associated with being a millionaire. In countries that use the short scale number naming system, a billionaire is someone who has at least a thousand times a million dollars, euros or the currency of the given country. Many national currencies have, or have had at various times, a low unit value, in many cases due to past inflation. It is obviously much easier and less significant to be a millionaire in those currencies, thus a millionaire (in the local currency) in Hong Kong or Taiwan, for example, may be merely averagely wealthy, or perhaps less wealthy than average. A millionaire in Zimbabwe in 2007 could have been extremely poor. Because of this, the term 'millionaire' generally refers to those whose assets total at least one million units of a high-value currency, such as the United States dollar, Euro, o ...
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Bankrupt
Bankruptcy is a legal process through which people or other entities who cannot repay debts to creditors may seek relief from some or all of their debts. In most jurisdictions, bankruptcy is imposed by a court order, often initiated by the debtor. Bankrupt is not the only legal status that an insolvent person may have, and the term ''bankruptcy'' is therefore not a synonym for insolvency. Etymology The word ''bankruptcy'' is derived from Italian ''banca rotta'', literally meaning "broken bank". The term is often described as having originated in renaissance Italy, where there allegedly existed the tradition of smashing a banker's bench if he defaulted on payment so that the public could see that the banker, the owner of the bench, was no longer in a condition to continue his business, although some dismiss this as a false etymology. History In Ancient Greece, bankruptcy did not exist. If a man owed and he could not pay, he and his wife, children or servants were forced into ...
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