No Dirty Names
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No Dirty Names
''No Dirty Names'' is a 1966 album by artist Dave Van Ronk. It features the first recorded version of Bob Dylan's song "The Old Man". Reception Writing for Allmusic, critic Richie Unterberger wrote about the album "While this is certainly among the more obscure of Dave Van Ronk's early LPs (none of which were exactly big sellers), it's one of the better ones. It's not radically different from most of the folk-blues albums he made in his early career. But there's a little more variety to the arrangements and repertoire than usual, with just as much of Van Ronk's growling gruff voice as always". Track listing #"One Meatball" (Josh White) – 3:04 #"One Of These Days" (Mose Allison) – 2:55 #" Song Of The Wandering Aengus" (words by William Butler Yeats, music by Travis Edmonson; mistakenly attributed to Judy Collins) – 5:25 #"Keep It Clean" (Charley Jordan; not credited on the album) – 2:27 #"Zen Koans Gonna Rise Again" (Dave Van Ronk) – 3:39 #"Freddie" (Mance Lipscomb) – ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Charley Jordan
Charley Jordan (July 11, 1890 – November 15, 1954) was an American St. Louis blues (music), St. Louis blues singing, singer, songwriter and guitarist, as well as a talent scout, originally from Mabelvale, Arkansas, Mabelvale, Arkansas, United States. He was known for a unique style that drew on his rural roots. The Killer Blues Headstone Project placed a headstone for Charley Jordan. Life and career Jordan sound recording and reproduction, recorded numerous single (music), singles for Vocalion Records, Vocalion and Decca Records, Decca between 1930 and 1937, and also performed with some well-regarded bluesmen from the 1920s to the 1940s. Jordan played with Peetie Wheatstraw, Roosevelt Sykes, Casey Bill Weldon and Memphis Minnie. Noted for his "crisply firm guitar", he had most of his biggest hits, including "Keep It Clean", in the early to mid-1930s. Later in that decade and into the 1940s, he worked frequently with Big Joe Williams. Spinal injury In 1928, Jordan was sho ...
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1966 Albums
Events January * January 1 – In a coup, Colonel Jean-Bédel Bokassa takes over as military ruler of the Central African Republic, ousting President David Dacko. * January 3 – 1966 Upper Voltan coup d'état: President Maurice Yaméogo is deposed by a military coup in the Republic of Upper Volta (modern-day Burkina Faso). * January 10 ** Pakistani–Indian peace negotiations end successfully with the signing of the Tashkent Declaration, a day before the sudden death of Indian prime minister Lal Bahadur Shastri. ** The House of Representatives of the US state of Georgia refuses to allow African-American representative Julian Bond to take his seat, because of his anti-war stance. ** A Commonwealth Prime Ministers' Conference convenes in Lagos, Nigeria, primarily to discuss Rhodesia. * January 12 – United States President Lyndon Johnson states that the United States should stay in South Vietnam until Communist aggression there is ended. * January 15 – 1966 Nigeria ...
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Chuck Stewart
Charles Stewart (May 21, 1927 – January 20, 2017) was an American photographer best known for his portraits of jazz singers and musicians such as Louis Armstrong, Count Basie, John Coltrane, Ella Fitzgerald, and Miles Davis, as well as artists in the R&B and salsa genres. Stewart's photographs have graced more than 2,000 album covers. Early life Stewart was born in Henrietta, Texas and grew up in Tucson, Arizona. His father, Hugh Paris Stewart, was a chef while his mother, Anne Harris, was a domestic worker. He received a Kodak Brownie camera as a present when he was 13 years old and used it that same day to take photos of Marian Anderson, who had come to visit his school Dunbar. After they were developed, he was able to sell his photos for two dollars, making him a professional photographer from his first day he took pictures. Stewart attended and graduated from Tucson Senior High School May 1945. He attended Ohio University as a photography major, one of the only two un ...
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Val Valentin
Luis Pastor "Val" Valentin (January 6, 1920 – March 24, 1999) was an American recording engineer with six decades of work in the music industry. Much of his work was done for MGM Records and Verve Records. His large discography includes Jazz albums such as ''Ella and Louis'', '' Night Train'', and ''Getz/Gilberto''. Career Valentin's earliest known engineering credits date from around 1951, when he was credited on records released by MGM. He was the Director of Engineering for MGM and Verve Records beginning in 1963 in New York City and in 1970 was instrumental in moving the MGM recording studios from NYC to Los Angeles. On the rear of the 1972 Mae West album, ''Great Balls of Fire'', (MGM 215207), the words say: " Engineered by Jerry Styner. Vocal accompaniment by The Mike Curb Congregation Michael Curb (born December 24, 1944) is an American musician, record company executive, motorsports car owner, philanthropist, and former politician. He is also the founder of Curb ...
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Chuck Israels
Charles H. Israels (born August 10, 1936) is an American jazz composer, music arranger, arranger, and double bass, bassist who is best known for his work with the Bill Evans#After LaFaro's death, Bill Evans Trio. He has also worked with Billie Holiday, Benny Goodman, Coleman Hawkins, Stan Getz, Herbie Hancock, J. J. Johnson, John Coltrane, and Judy Collins. Biography Born in New York City,Yanow, S. (2015)Chuck Israels: Biography. ''AllMusic'', Retrieved August 31, 2015. Chuck Israels was raised in a musical family which moved to Cleveland, Ohio, when he was 10. His stepfather Mordecai Bauman was a singer who performed extensively with composer Hanns Eisler. He, along with Israels' mother, Irma Commanday, created a home environment in which music was a part of normal daily activity. Paul Robeson, Pete Seeger, and The Weavers were visitors to the Bauman home. In 1948, the appearance of Louis Armstrong's All Stars in a concert series produced by his parents gave him his first opportu ...
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Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill
Cjschuler.net. Retrieved on August 22, 2011.
''''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943.



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Bertold Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time collaborator ...
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Alabama Song
The "Alabama Song"—also known as "Moon of Alabama", "Moon over Alabama", and "Whisky Bar"—is an English version of a song written by Bertolt Brecht and translated from German by his close collaborator Elisabeth Hauptmann in 1925 and set to music by Kurt Weill for the 1927 play '' Little Mahagonny''. It was reused for the 1930 opera ''Rise and Fall of the City of Mahagonny'' and has been recorded by the Doors and David Bowie. Original version The "Alabama Song" was written as a German poem and translated into idiosyncratic English for the author Bertolt Brecht by his close collaborator Elisabeth Hauptmann in 1925 and published in Brecht's 1927 '' Home Devotions'' (german: Hauspostille), a parody of Martin Luther's collection of sermons. It was set to music by Kurt Weill for the 1927 play '' Little Mahagonny'' (') and reused for Brecht and Weill's 1930 opera ''Rise and Fall of the City of Mahagonny'' ('), where it is sung by Jenny and her fellow prostitutes in Act I. Although ...
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Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but adding layers of harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality provided one of bebop's most prominent symbols. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote, "Dizzy ...
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Reverend Gary Davis
Reverend Gary Davis, also Blind Gary Davis (born Gary D. Davis, April 30, 1896 – May 5, 1972), was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina and blind since infancy, Davis first performed professionally in the Piedmont blues scene of Durham, North Carolina in the 1930s, before converting to Christianity and becoming a minister. After relocating to New York in the 1940s, Davis experienced a career rebirth as part of the American folk music revival that peaked during the 1960s. Davis' most notable recordings include "Samson and Delilah" and "Death Don't Have No Mercy". Davis' fingerpicking guitar style influenced many other artists. His students included Stefan Grossman, David Bromberg, Steve Katz, Roy Book Binder, Larry Johnson, Nick Katzman, Dave Van Ronk, Rory Block, Ernie Hawkins, Larry Campbell, Bob Weir, Woody Mann, and Tom Winslow. He also influenced Bob Dylan, the Grateful Dead, Wizz ...
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Leroy Carr
Leroy Carr (March 27, 1904 or 1905 – April 29, 1935) was an American blues singer, songwriter and pianist who developed a laid-back, crooning technique and whose popularity and style influenced such artists as Nat King Cole and Ray Charles. Music historian Elijah Wald has called him "the most influential male blues singer and songwriter of the first half of the 20th century". He first became famous for "How Long, How Long Blues", his debut recording released by Vocalion Records in 1928. Life and career Leroy Carr was born in Nashville, Tennessee on March 27, 1904 or 1905, and was raised in Indianapolis, Indiana. Carr was a self-taught piano player. After dropping out of high school, Carr travelled with a circus, and in the early 1920s served in the U.S. Army. Carr returned to Indianapolis and worked in a meat-packing plant. He was married in 1922. Carr worked as a bootlegger during prohibition, and became a known musician at parties. Carr had a longtime partnership with th ...
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