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NoBusiness Records
NoBusiness Records is an independent record label, based in Vilnius, Lithuania. History The label was founded in 2008 by Danas Mikailionis and Valerij Anosov. The latter is the owner of a jazz-oriented record store in Vilnius named ''Thelonious''; according to Mikailionis, it is "probably the only store in Vilnius where one can find non-commercial music." Prior to starting the label, Mikailionis and Anosov put on concerts that featured artists such as William Parker, Matthew Shipp, Howard Riley, Joe McPhee, and Barry Guy. However, it was saxophonist Mats Gustafsson who, after performing a solo set, as well as one with Lithuanian musicians, encouraged them to found their own record label. Gustafsson's performances were issued as ''The Vilnius Implosion'' (solo), the label's first CD release, and ''The Vilnius Explosion'' (ensemble), their first vinyl release. In 2010, NoBusiness began working with musicologist Ed Hazell on historical multiple-CD collections, such as ''The Complet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Margasak
Peter Margasak is a music critic, journalist, and artistic director of the annual Frequency Festival in Chicago, an event that grew out of his longstanding work programming the weekly Frequency Series for experimental music, experimental, improvised music, improvised, and contemporary classical music, contemporary classical music. Margasak wrote for the ''Chicago Reader'' for 25 years. Career Margasak writes about disparate musical times and communities within the broad field of late-20th and 21st-century music. His contributions to ''The New York Times'' include a piece about Algerian "pop Raï, rai" artist Khaled Brahim and another on the Avant-garde music, avant-garde artists of the Theatre of Eternal Music and their battles for proprietorship of drone music; a ''Pitchfork (website), Pitchfork'' feature on the year 1979 in Chicago touches on both power pop and the racial dimensions of anti-disco sentiment during "the Rise of House music, House Music"; he has written about tri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Halperin
Jimmy Halperin (born 1958 in Queens, New York City) is an American saxophonist (tenor and soprano) and composer in avant-garde jazz and new improvised music. Biography Halperin was influenced by Lennie Tristano, and he got lessons with Tristano and Sal Mosca at a young age. He did his first recordings in 1986 with the Warne Marsh Quintet (''Back Home'' at the label CrissCross). Since 1982, Halperin worked with bassist Dominic Duval and the first joint recordings were made until 2003. In 1997 Halperin released his debut album under his own name on the label Zinnia, a Tristano-dedicated duet with Sal Mosca (''Psalm''). In 1998 he joined the Thomas Andersen Quintet (NorCD), and in 2001, he participated in a trio with bassist Don Messina and drummer Bill Chattin on Cadence Jazz Records. At this time he also worked at CIMP as a session musician with Duval and Jay Rosen. In 2003 he released the album ''Joy And Gravitas'', also on CIMP, with interpretations of jazz standards ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dominic Duval
Dominic Duval (c. 1944 – July 22, 2016) was an American free jazz bassist. Since the 1990s, Duval was active principally on the New York City jazz scene. He did not begin recording regularly until the 1990s, but since then had appeared on a very large number of albums, particularly on the labels CIMP, Cadence Jazz, and Leo Records. As a result, Duval was described by Allmusic as "unquestionably...one of the most-recorded free jazz bassists on the planet". Todd Jenkins describes Duval and drummer Jay Rosen as the "house rhythm section" for CIMP, given the number of recordings on which they have jointly appeared. Duval's freedom of expression was paramount in his playing. Duval played his Hutchings bass more often like a violin, guitar or lead saxophone. He displayed fast lines and rich textures. Seldom did he play the bass in a traditional role low pitch rhythmic role. Instead he freely interacted with other members within the ensemble. Duval died on July 22, 2016. Discography ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deems Taylor Award
Joseph Deems Taylor (December 22, 1885 – July 3, 1966) was an American music critic, composer, and promoter of classical music. Nat Benchley, co-editor of ''The Lost Algonquin Roundtable'', referred to him as "the dean of American music." Early life and family Deems Taylor was born in New York City to JoJo and Katherine Taylor. He attended Ethical Culture Elementary School, followed by New York University. Taylor married three times. His first wife was Jane Anderson. They were married in 1910, but divorced in 1918. In 1921, he married Mary Kennedy, who was an actress and a writer. They had a daughter, Joan Kennedy Taylor, in 1926, and divorced in 1934. He was involved romantically with soprano Colette D'Arville after his divorce. Taylor married a third and last time in 1945, to costume designer Lucille Watson-Little. They were divorced eight years later. Taylor died on July 3, 1966 of leukemia at the age of 80. He is interred at Kensico Cemetery in Valhalla, New York. Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ASCAP
The American Society of Composers, Authors, and Publishers (ASCAP) () is an American not-for-profit performance-rights organization (PRO) that collectively licenses the public performance rights of its members' musical works to venues, broadcasters, and digital streaming services (music stores). ASCAP collects licensing fees from users of music created by ASCAP members, then distributes them back to its members as royalties. In effect, the arrangement is the product of a compromise: when a song is played, the user does not have to pay the copyright holder directly, nor does the music creator have to bill a radio station for use of a song. In 2021, ASCAP collected over US$1.335 billion in revenue and distributed $1.254 billion in royalties to its members. ASCAP membership included over 850,000 songwriters, composers and music publishers, with over 16 million registered works. History ASCAP was founded by Victor Herbert, together with composers George Botsford, Silvio Hein, I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence (magazine)
''Cadence: The Independent Journal of Creative Improvised Music'' is a quarterly review of jazz, blues and improvised music. The magazine covers a range of styles, from early jazz and blues to the avant-garde. Critic and historian Bob Rusch founded the magazine as a monthly in 1976 and served as publisher and coordinating editor through 2011. Musician David Haney became editor and publisher in 2012. History and profile ''Cadence'' began publication in 1976. The magazine's original parent company, Cadnor, Ltd. (based in Redwood, New York), also owns a pair of jazz record labels (CIMP and Cadence Jazz), a record distributorship (Cadence/North Country), and an audio equipment retailer (Northcountry Audio). The magazine was published monthly until October 2007, when it switched to a quarterly schedule with an increase in pages. In January 2011, Bob Rusch announced that ''Cadence'' would cease publication with the October–December 2011 issue, while other endeavors, such as CIM ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
JazzTimes
''JazzTimes'' is an American magazine devoted to jazz. Published 10 times a year, it was founded in Washington, D.C. in 1970 by Ira Sabin as the newsletter ''Radio Free Jazz'' to complement his record store. Coverage After a decade of growth in subscriptions, deepening of writer pools, and internationalization, ''Radio Free Jazz'' expanded its focus and, at the suggestion of jazz critic Leonard Feather, changed its name to ''JazzTimes'' in 1980. Sabin's Glenn joined the magazine staff in 1984. In 1990, ''JazzTimes'' incorporated exclusive cover photography and higher quality art and graphic design. The magazine reviews audio and video releases concerts, instruments, music supplies, and books. It also includes a guide to musicians, events, record labels, and music schools. David Fricke, whose writing credits include ''Rolling Stone'', '' Melody Maker'' and ''Mojo'', also contributes to the magazine. Web traffic JazzTimes.com was redesigned in 2019. Among its most popular s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Hull (critic)
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', ''The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York City Jazz Record
''The New York City Jazz Record'' is a monthly New York City based publication that includes features, reviews and concert announcements regarding jazz music. It is available in print form (black and white hardcopy) as well as online at www.nycjazzrecord.com (in full color). It was launched in May 2002 by co-founders Laurence Donohue-Greene (Managing Editor) and Andrey Henkin (Editorial Director/Production Manager) under the name ''AllAboutJazz-New York''. The gazette’s name change switched permanently to ''The New York City Jazz Record'' as of March 2011. Saxophonist Joe Lovano says of ''The New York City Jazz Record'': "Simply the hippest journal about jazz in New York that has ever been published.” It has been nominated on many occasions as “Best Jazz Periodical” by the Jazz Journalists Association The Jazz Journalists Association (JJA) is an international organization of all types of media professionals who document, promulgate, or appreciate jazz. As of 2016, it has app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wire (magazine)
''The Wire'' (or simply ''Wire'') is a British music magazine publishing out of London, which has been issued monthly in print since 1982. Its website launched in 1997, and an online archive of its entire back catalog became available to subscribers in 2013. Since 1985, the magazine's annual year-in-review issue, Rewind, has named an album or release of the year based on critics' ballots. Originally, ''The Wire'' covered the British jazz scene with an emphasis on avant-garde and free jazz. It was marketed as a more adventurous alternative to its conservative competitor ''Jazz Journal'', and targeted younger readers at a time when ''Melody Maker'' had abandoned jazz coverage. In the late 1980s and 1990s, the magazine expanded its scope until it included a broad range of musical genres under the umbrella of non-mainstream or experimental music. Since then, ''The Wire''s coverage has included experimental rock, electronica, alternative hip hop, modern classical, free improvisat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DownBeat
' (styled in all caps) is an American music magazine devoted to "jazz, blues and beyond", the last word indicating its expansion beyond the jazz realm which it covered exclusively in previous years. The publication was established in 1934 in Chicago, Illinois. It is named after the " downbeat" in music, also called "beat one", or the first beat of a musical measure. ''DownBeat'' publishes results of annual surveys of both its readers and critics in a variety of categories. The ''DownBeat'' Jazz Hall of Fame includes winners from both the readers' and critics' poll. The results of the readers' poll are published in the December issue, those of the critics' poll in the August issue. Popular features of ''DownBeat'' magazine include its "Reviews" section where jazz critics, using a '1-Star to 5-Star' maximum rating system, rate the latest musical recordings, vintage recordings, and books; articles on individual musicians and music forms; and its famous "Blindfold Test" column, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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