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Nitétis
''Nitétis'' is an opera by the French composer Charles-Louis Mion, first performed at the Académie Royale de Musique (the Paris Opera) on 11 April 1741. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto, by Jean-Louis-Ignace de La Serre Jean-Louis-Ignace de La Serre, sieur de Langlade, was an 18th-century French novelist and playwright born in Cahors in 1662 and died 30 September 1756. Royal censor, he authored a biography of Molière. He was wrongly attributed some works by Ma ..., Sieur d'Anglade, is based on the mythological history of Ancient Egypt. The work was a failure at its premiere. Sources Libretto at "Livres baroques"Félix Clément and Pierre Larousse ''Dictionnaire des Opéras'', Paris, 1881 page 479. Operas Tragédies en musique French-language operas 1741 operas {{french-opera-stub ...
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Charles-Louis Mion
Charles-Louis Mion (17 December 1699 – 12 September 1775) was a French composer of the Baroque music, Baroque era. He was the grand-nephew of Michel Richard Delalande who also taught him music. Between 1710 and 1718 he was a choirboy at the Sainte-Chapelle du Palais (for the French royal family). Later in life he became music teacher to his patroness Madame de Pompadour. In 1755 he was appointed master of music to Les Enfants de France. He wrote motets and operas, one of which (''L'année galante'') earned him a royal pension of 2,000 livres. Stage works *''Nitétis'' (''tragédie en musique'', 1741) *''Les quatre parties du monde'' (ballet, 1745) *''L'année galante'' (''ballet héroïque'', 1747) *''Julie et Ovide'' (''ballet héroïque'', 1753) SourcesLe magazine de l'opéra baroque by Jean-Claude Brenac (in French)
{{DEFAULTSORT:Mion, Charles-Louis 1699 births 1775 deaths French Baroque composers French male classical composers French opera composers Male opera composer ...
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Tragédie En Musique
Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs'' ...
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Jean-Louis-Ignace De La Serre
Jean-Louis-Ignace de La Serre, sieur de Langlade, was an 18th-century French novelist and playwright born in Cahors in 1662 and died 30 September 1756. Royal censor, he authored a biography of Molière. He was wrongly attributed some works by Marguerite de Lussan. Works Librettos *1706: ''Polyxène et Pirrhus'' by Pascal Collasse *1710: '' Diomède'' by Toussaint Bertin de la Doué *1723: '' Pirithoüs'' by Jean-Joseph Mouret *1726: '' Pirame et Thisbé'' by François Francoeur and François Rebel *1735: ''Scanderberg'' by François Francoeur and François Rebel *1741: ''Nitétis'' by Charles-Louis Mion Other *1727: ''Hippalque, prince scythe'' *1728: ''Amosis, prince égyptien'' *1734: ''Mémoire sur la vie et les ouvrages de Molière'', in ''Œuvres'' de Molière, in-4°, tome VII Bibliography * Cardinal Georges Grente Georges-François-Xavier-Marie Grente (5 May 1872 – 5 May 1959) was a French Cardinal of the Roman Catholic Church. He served as Archbishop of ...
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France
France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of Overseas France, overseas regions and territories in the Americas and the Atlantic Ocean, Atlantic, Pacific Ocean, Pacific and Indian Oceans. Its Metropolitan France, metropolitan area extends from the Rhine to the Atlantic Ocean and from the Mediterranean Sea to the English Channel and the North Sea; overseas territories include French Guiana in South America, Saint Pierre and Miquelon in the North Atlantic, the French West Indies, and many islands in Oceania and the Indian Ocean. Due to its several coastal territories, France has the largest exclusive economic zone in the world. France borders Belgium, Luxembourg, Germany, Switzerland, Monaco, Italy, Andorra, and Spain in continental Europe, as well as the Kingdom of the Netherlands, Netherlands, Suriname, and Brazil in the Americas via its overseas territories in French Guiana and Saint Martin (island), ...
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Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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