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Ninsun
Ninsun (also called Ninsumun, cuneiform: dNIN.SUMUN2; Sumerian: ''Nin-sumun(ak)'' "lady of the wild cows") was a Mesopotamian goddess. She is best known as the mother of the hero Gilgamesh and wife of deified legendary king Lugalbanda, and appears in this role in most versions of the ''Epic of Gilgamesh''. She was associated with Uruk, where she lives in this composition, but she was also worshiped in other cities of ancient Mesopotamia, such as Nippur and Ur, and her main cult center was the settlement KI.KALki. The degree of Ninsun's involvement in Gilgamesh's life varies between various versions of the ''Epic''. She only plays an active role in the so-called "Standard Babylonian" version, in which she advises her son and interprets his dreams, petitions the sun god Shamash to protect him, and accepts Enkidu as a member of her family. In the Old Babylonian version her role is passive, with her actions being merely briefly discussed by Shamhat, while a Hittite translation of t ...
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Lugalbanda
Lugalbanda was a deified Sumerian king of Uruk who, according to various sources of Mesopotamian literature, was the father of Gilgamesh. Early sources mention his consort Ninsun and his heroic deeds in an expedition to Aratta by King Enmerkar. Lugalbanda is listed in the ''Sumerian King List'' as the second king of Uruk, saying he ruled for 1200 years, and providing him with the epithet of ''the Shepherd''. Lugalbanda's historicity is uncertain among scholars. Attempts to date him in the Early Dynastic Period of Sumer#Early Dynastic period, ED II period are based on an amalgamation of data from the epic traditions of the 2nd millennium with unclear archaeological observations. Mythology Lugalbanda appears in Sumerian literary sources as early as the mid-3rd millennium, as attested by the incomplete mythological text ''Lugalbanda and Ninsuna,'' found in Abu Salabikh, that describes a romantic relationship between Lugalbanda and Ninsun. In the earliest god-lists from Shuruppak, F ...
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Sirtur
Duttur (Sumerian language:𒀭𒁍𒁺, dBE-''du'') was a Mesopotamian goddess best known as the mother of Dumuzid. She frequently appears in texts mourning his death, either on her own or alongside Geshtinanna and Inanna. It is often assumed that she was associated with sheep. Name The name of Dumuzid's mother was usually written as dBE-''du''. The cuneiform sign BE has two possible readings, ''sír'' and ''dur7''. Duttur is the commonly accepted reading of the name in modern scholarship, though the variant Durtur is also in use. Other attested writings include the Emesal forms Zertu and Zertur and Akkadian Dutturru. A rare spelling only known from the Old Babylonian period is Turtur. However, dTUR.TUR is also attested as a name of an unrelated deity worshiped in the Ur III period, sometimes written with the plural morpheme -''ne'' and as a result interpreted as either "the small gods" (''Dingir''-TUR.TUR-''ne'') or "the divine children" (''ddumu-dumu-ne''). Duttur's name could ...
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Mesopotamian Goddess
Deities in ancient Mesopotamia were almost exclusively anthropomorphic. They were thought to possess extraordinary powers and were often envisioned as being of tremendous physical size. The deities typically wore ''melam'', an ambiguous substance which "covered them in terrifying splendor" and which could also be worn by heroes, kings, giants, and even demons. The effect that seeing a deity's ''melam'' has on a human is described as ''ni'', a word for the " physical creeping of the flesh". Both the Sumerian and Akkadian languages contain many words to express the sensation of ''ni'', including the word ''puluhtu'', meaning "fear". Deities were almost always depicted wearing horned caps, consisting of up to seven superimposed pairs of ox-horns. They were also sometimes depicted wearing clothes with elaborate decorative gold and silver ornaments sewn into them. The ancient Mesopotamians believed that their deities lived in Heaven, but that a god's statue was a physical embodiment ...
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Gula (goddess)
Gula ( Sumerian: "the great") was a Mesopotamian goddess of medicine, portrayed as a divine physician and midwife. Over the course of the second and first millennia BCE, she became one of the main deities of the Mesopotamian pantheon, and eventually started to be viewed as the second highest ranked goddess after Ishtar. She was associated with dogs, and could be depicted alongside these animals, for example on ''kudurru'' (inscribed boundary stones), and receive figurines representing them as votive offerings. While Gula was initially regarded as unmarried, in the Kassite period she came to be associated with Ninurta. In Babylon his role could also be fulfilled by Mandanu, while the god list ''An = Anum'' links Gula with Pabilsag and Abu. The circle of deities closely associated with her also included Damu and Gunura, who eventually started to be regarded as her children, as well as her sukkal (divine vizier) Urmašum, who might have been imagined as a dog-like being. Through vari ...
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Lammašaga
Lammašaga was a Mesopotamian goddess who functioned as the sukkal (divine vizier) of Bau. She belonged to a class of protective deities known as Lamma. She was originally worshiped in Lagash and Girsu, though attestations are also available from other cities. A hymn focused on her was copied in scribal schools in the Old Babylonian period. Name and character The name Lammašaga can be translated as "the good protective spirit" or "the good Lamma," with the element Lamma referring to a type of female protective deity. The name Lamma itself sometimes could be used to refer to the specific goddess too. Irene Sibbing-Plantholt notes that the addition of the element ''šaga'' to a theonym also finds a parallel in Memešaga, a variant form of the name of the goddess Meme. Lammašaga functioned as the divine vizier (sukkal) of Bau. She was believed to intercede between her and worshipers. Her role might be reflected by the personal name Lamma-sukkal. The association between her and ...
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Epic Of Gilgamesh
The ''Epic of Gilgamesh'' () is an epic poetry, epic poem from ancient Mesopotamia, and is regarded as the earliest surviving notable literature and the second oldest religious text, after the Pyramid Texts. The literary history of Gilgamesh begins with five Sumerian language, Sumerian poems about Bilgamesh (Sumerian for "Gilgamesh"), king of Uruk, dating from the Third Dynasty of Ur (). These independent stories were later used as source material for a combined epic in Akkadian language, Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BC and is titled after its incipit, ''Shūtur eli sharrī'' ("Surpassing All Other Kings"). Only a few clay tablet, tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates from the 13th to the 10th centuries BC and bears the incipit ''Sha naqba īmuru'' ("He who Saw the Abyss", in unmetaphoric terms: "He who Sees the ...
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Shamash
Utu (dUD "Sun"), also known under the Akkadian name Shamash, ''šmš'', syc, ܫܡܫܐ ''šemša'', he, שֶׁמֶשׁ ''šemeš'', ar, شمس ''šams'', Ashurian Aramaic: 𐣴𐣬𐣴 ''š'meš(ā)'' was the ancient Mesopotamian sun god. He was believed to see everything that happened in the world every day, and was therefore responsible for justice and protection of travelers. As a divine judge, he could be associated with the underworld. Additionally, he could serve as the god of divination, typically alongside the weather god Adad. While he was universally regarded as one of the primary gods, he was particularly venerated in Sippar and Larsa. The moon god Nanna (Sin) and his wife Ningal were regarded as his parents, while his twin sister was Inanna (Ishtar). Occasionally other goddesses, such as Manzat and Pinikir, could be regarded as his sisters too. The dawn goddess Aya (Sherida) was his wife, and multiple texts describe their daily reunions taking place on a mount ...
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Enkidu
Enkidu ( sux, ''EN.KI.DU10'') was a legendary figure in ancient Mesopotamian mythology, wartime comrade and friend of Gilgamesh, king of Uruk. Their exploits were composed in Sumerian poems and in the Akkadian ''Epic of Gilgamesh'', written during the 2nd millennium BC. He is the oldest literary representation of the wild man, a recurrent motif in artistic representations in Mesopotamia and in Ancient Near East literature. The apparition of Enkidu as a primitive man seems to be a potential parallel of the Old Babylonian version (1300–1000 BC), in which he was depicted as a servant-warrior in the Sumerian poems. There have been suggestions that he may be the "bull-man" shown in Mesopotamian art, having the head, arms, and body of a man, and the horns, ears, tail and legs of a bull. Thereafter a series of interactions with humans and human ways bring him closer to civilization, culminating in a wrestling match with Gilgamesh, king of Uruk. Enkidu embodies the wild or natura ...
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Sukkal
Sukkal (conventionally translated from Sumerian as "vizier") was a term which could denote both a type of official and a class of deities in ancient Mesopotamia. The historical sukkals were responsible for overseeing the execution of various commands of the kings and acted as diplomatic envoys and translators for foreign dignitaties. The deities referred to as sukkals fulfilled a similar role in mythology, acting as servants, advisors and envoys of the main gods of the Mesopotamian pantheon, such as Enlil or Inanna. The best known sukkal is the goddess Ninshubur. In art, they were depicted carrying staffs, most likely understood as their attribute. They could function as intercessory deities, believed to mediate between worshipers and the major gods. The office sukkal is also known from various areas to the west and east of Mesopotamia, including the Hurrian kingdom Arrapha, Syrian Alalakh and Mari and Elam under the rule of the Sukkalmah Dynasty, while the concept of divine sukk ...
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NIN (cuneiform)
The Sumerian word NIN (from the Akkadian pronunciation of the sign EREŠ)( 𒎏) was used to denote a queen or a priestess, and is often translated as "lady". Other translations include "queen", "mistress", "proprietress", and "lord".J A Halloran LexiconRetrieved 2012-06-07 & Many goddesses are called NIN, such as D NIN.GAL ("great lady"), D É.NIN.GAL ("lady of the great temple"), D EREŠ.KI.GAL, and D NIN.TI. The compound form NIN.DINGIR ("divine lady" or "lady of god"), from the Akkadian ''entu'', denotes a priestess. In writing NIN originated as a ligature of the cuneiform glyphs of MUNUS () and TÚG (); the NIN sign was written as MUNUS.TÚG () in archaic cuneiform, notably in the Codex Hammurabi. The syllable ''nin'', on the other hand, was written as MUNUS.KA () in Assyrian cuneiform. MUNUS.KU = NIN9 () means "sister". File:MUNUS-SAL-sinnishtu Cuneiform.svg, Basic cuneiform MUNUS sign ("woman") File:TUG-subatu-ku Cuneiform.svg, Basic cuneiform TÚG sign (sy ...
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An = Anum
''An = Anum'', also known as the Great God List, is the longest preserved Mesopotamian god list, a type of lexical list cataloging the deities worshiped in the Ancient Near East, chiefly in modern Iraq. While god lists are already known from the Early Dynastic period, ''An = Anum'' has most likely only been composed in the Kassite period. While often mistakenly described as a list of Sumerian deities and their Akkadian equivalents, ''An = Anum'' is focused on presenting the familial relationships between deities, as well as their courts and spheres of influence. The first four tablets list the major gods and goddesses ( Anu, Enlil, Ninhursag, Enki, Sin, Shamash, Adad and Ishtar) and their courts, arranged according to theological principles, but tablets V and VI do not appear to follow a clear system, and tablet VII is a late appendix listing the names of Marduk and one of his courtiers. Many other works of ancient scholarship were influenced by ''An = Anum'', including a simila ...
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Third Dynasty Of Ur
The Third Dynasty of Ur, also called the Neo-Sumerian Empire, refers to a 22nd to 21st century Common Era, BC (middle chronology) Sumerian ruling dynasty based in the city of Ur and a short-lived territorial-political state which some historians consider to have been a nascent empire. The Third Dynasty of Ur is commonly abbreviated as Ur III by historians studying the period. It is numbered in reference to previous dynasties, such as the First Dynasty of Ur (26-25th century BC), but it seems the once supposed Second Dynasty of Ur was never recorded. The Third Dynasty of Ur was the last Sumerian dynasty which came to preeminent power in Mesopotamia. It began after several centuries of control by Akkadian Empire, Akkadian and Gutian dynasty of Sumer, Gutian kings. It controlled the cities of Isin, Larsa, and Eshnunna and extended as far north as Upper Mesopotamia. History The Third Dynasty of Ur arose some time after the fall of the Akkadian Empire, Akkad Dynasty. The period betwe ...
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