Ninja Tune Artists
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Ninja Tune Artists
A or was a covert agent or mercenary in feudal Japan. The functions of a ninja included reconnaissance, espionage, infiltration, deception, ambush, bodyguarding and their fighting skills in martial arts, including ninjutsu.Kawakami, pp. 21–22 Their covert methods of waging irregular warfare were deemed dishonorable and beneath the honor of the samurai. Though ''shinobi'' proper, as specially trained spies and mercenaries, appeared in the 15th century during the Sengoku period, antecedents may have existed as early as the 12th century. In the unrest of the Sengoku period, mercenaries and spies for hire became active in Iga Province and the adjacent area around the village of Kōga. It is from these areas that much of the knowledge regarding the ninja is drawn. Following the unification of Japan under the Tokugawa shogunate in the 17th century, the ninja faded into obscurity. A number of ''shinobi'' manuals, often based on Chinese military philosophy, were written in the 17t ...
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Philosophy Of War
The philosophy of war is the area of philosophy devoted to examining issues such as the causes of war, the relationship between war and human nature, and the ethics of war. Certain aspects of the philosophy of war overlap with the philosophy of history, political philosophy, international relations and the philosophy of law. Works about the philosophy of war Perhaps the greatest and most influential work in the philosophy of war is Carl von Clausewitz's ''On War'', published in 1832. It combines observations on strategy with questions about human nature and the purpose of war. Clausewitz especially examines the teleology of war: whether war is a means to an end outside itself or whether it can be an end in itself. He concludes that the latter cannot be so, and that war is "politics by different means"; i.e. that war must not exist only for its own sake. It must serve some purpose for the state. Leo Tolstoy's 1869 novel ''War and Peace'' contains frequent philosophical digressio ...
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Man'yōgana
is an ancient writing system that uses Chinese characters to represent the Japanese language. It was the first known kana system to be developed as a means to represent the Japanese language phonetically. The date of the earliest usage of this type of kana is not clear, but it was in use since at least the mid-7th century. The name "man'yōgana" derives from the '' Man'yōshū'', a Japanese poetry anthology from the Nara period written with ''man'yōgana.'' Texts using the system also often use Chinese characters for their meaning, but ''man'yōgana'' refers to such characters only when used to represent a phonetic value. The values were derived from the contemporary Chinese pronunciation, but native Japanese readings of the character were also sometimes used. For example, (whose character means 'tree') could represent either (based on Middle Chinese ) or or (meaning 'tree' in Old Japanese). Simplified versions of ''man'yōgana'' eventually gave rise to both the hiragana ...
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Man'yōshū
The is the oldest extant collection of Japanese (poetry in Classical Japanese), compiled sometime after AD 759 during the Nara period. The anthology is one of the most revered of Japan's poetic compilations. The compiler, or the last in a series of compilers, is today widely believed to be Ōtomo no Yakamochi, although numerous other theories have been proposed. The chronologically last datable poem in the collection is from AD 759 ( 4516). It contains many poems from a much earlier period, with the bulk of the collection representing the period between AD 600 and 759. The precise significance of the title is not known with certainty. The contains 20 volumes and more than 4,500 poems, and is divided into three genres: , songs at banquets and trips; , songs about love between men and women; and songs to mourn the death of people. These songs were written by people of various statuses, such as the Emperor, aristocrats, junior officials, soldiers ( songs), ...
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Kanji
are the logographic Chinese characters taken from the Chinese family of scripts, Chinese script and used in the writing of Japanese language, Japanese. They were made a major part of the Japanese writing system during the time of Old Japanese and are still used, along with the subsequently-derived syllabic scripts of ''hiragana'' and ''katakana''. The characters have Japanese pronunciation, pronunciations; most have two, with one based on the Chinese sound. A few characters were invented in Japan by constructing character components derived from other Chinese characters. After World War II, Japan made its own efforts to simplify the characters, now known as shinjitai, by a process similar to China's simplified Chinese characters, simplification efforts, with the intention to increase literacy among the common folk. Since the 1920s, the Japanese government has published character lists periodically to help direct the education of its citizenry through the myriad Chinese characte ...
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Sino-Japanese Vocabulary
Sino-Japanese vocabulary, also known as refers to Japanese vocabulary that had originated in Chinese or were created from elements borrowed from Chinese. Some grammatical structures and sentence patterns can also be identified as Sino-Japanese. Sino-Japanese vocabulary is referred to in Japanese as , meaning 'Chinese words'. ''Kango'' is one of three broad categories into which the Japanese vocabulary is divided. The others are native Japanese vocabulary (''yamato kotoba'') and borrowings from other, mainly Western languages (''gairaigo''). It is estimated that approximately 60% of the words contained in the modern written Japanese dictionary are ''kango'', with about 18%–20% of words being used in common speech. The usage of such ''Kango'' words also increases when they are used in formal or literary contexts, or to express abstract or complex ideas. ''Kango'', the use of Chinese-derived words in Japanese, is to be distinguished from ''kanbun'', which is historical Literary Ch ...
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Kanji
are the logographic Chinese characters taken from the Chinese family of scripts, Chinese script and used in the writing of Japanese language, Japanese. They were made a major part of the Japanese writing system during the time of Old Japanese and are still used, along with the subsequently-derived syllabic scripts of ''hiragana'' and ''katakana''. The characters have Japanese pronunciation, pronunciations; most have two, with one based on the Chinese sound. A few characters were invented in Japan by constructing character components derived from other Chinese characters. After World War II, Japan made its own efforts to simplify the characters, now known as shinjitai, by a process similar to China's simplified Chinese characters, simplification efforts, with the intention to increase literacy among the common folk. Since the 1920s, the Japanese government has published character lists periodically to help direct the education of its citizenry through the myriad Chinese characte ...
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Ninjas In Popular Culture
In the history of Japan, ninja (also known as shinobi) operated as espionage, spies, assassins, or thieves; they formed their own caste outside the usual Economics of feudal Japan, feudal social categories such as lords, samurai, and serfdom, serfs. Ninja often appear as stock characters in Japanese popular culture and in global popular culture. History The ninja first entered popular culture in the Edo period. In modern Japan, ninja are a national myth that stems from Folklore, folk tales and continues through modern day popular culture. Though many Japanese warriors performed amazing feats, there is no evidence that any of them were supernatural. Some of the folk tales are based on historical figures, such as a ''daimyō'' (lord) challenging a ninja to prove his worth by stealing his pillow or weapon while he slept. Legendary abilities Superhuman or supernatural powers were sometimes associated with the ninja. Such powers include flight, invisibility, shapeshifting, the a ...
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Classical Element
Classical elements typically refer to earth, water, air, fire, and (later) aether which were proposed to explain the nature and complexity of all matter in terms of simpler substances. Ancient cultures in Greece, Tibet, and India had similar lists which sometimes referred, in local languages, to "air" as "wind" and the fifth element as "void". These different cultures and even individual philosophers had widely varying explanations concerning their attributes and how they related to observable phenomena as well as cosmology. Sometimes these theories overlapped with mythology and were personified in deities. Some of these interpretations included atomism (the idea of very small, indivisible portions of matter), but other interpretations considered the elements to be divisible into infinitely small pieces without changing their nature. While the classification of the material world in ancient Indian, Hellenistic Egypt, and ancient Greece into Air, Earth, Fire and Water was ...
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