Nine Short Pieces For Piano
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Nine Short Pieces For Piano
''Nine Short Pieces for Piano'' is a set of small-scale compositions by Douglas Lilburn. They were written around 1965 and published in 1969, chosen in 1967 with pianist Margaret Nielsen from a folder of similarly brief manuscripts labelled "crotchety at 51". They are about twelve minutes long in total. These pieces were among the last that Lilburn composed for Acoustic music, acoustic instruments; he began to focus on electronic experimentation in 1965. Each piece is constructed from one or two concise Motif (music), motifs. With a harmonic and rhythmic texture drawing from his electronic music, these pieces explore the full extent of the piano's range and dynamics; "looking as modern music should look". They are also notated in an unorthodox manner. References External linksThe score of the first piece
Compositions by Douglas Lilburn {{NewZealand-music-stub ...
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Douglas Lilburn
Douglas Gordon Lilburn (2 November 19156 June 2001) was a New Zealand composer. Early life Lilburn was born in Whanganui and spent his early years on the family sheep farm in the upper Turakina River valley at Drysdale. He attended Waitaki Boys' High School from 1930 to 1933, before moving to Christchurch to study journalism and music over the next three years at Canterbury University College, then part of the University of New Zealand. In 1936 his career in music was set when his tone poem ''Forest'' won visiting composer Percy Grainger's national composition competition. In 1937 he began studying at the Royal College of Music in London, tutored in composition by Ralph Vaughan Williams until 1939. The two men remained close: in later years Lilburn sent Vaughan Williams gifts of New Zealand honey, knowing that the older man was fond of it. Letters of thanks from Vaughan Williams in 1947 and 1948 confirm this. Lilburn's early works display the influence of Jean Sibelius; the s ...
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