Nike Of Paionios
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Nike Of Paionios
The ''Nike of Paionios'' is an ancient statue of the Greek goddess of victory, Nike, made by sculptor Paionios 425-420 BC. Made of Parian marble, the medium gives the statue a translucent and pure white look to it. Found in pieces, the statue was restored from many fragments but is lacking face, neck, forearms, part of left leg, toes, and some fragments of drapery. It also had wings. The goddess is shown landing gently on her left foot, with the drapery blown against her body. The statue was installed to commemorate the victory of a land battle between Athens and Sparta in efforts to recapture the small island of Sphacteria from the Spartans in 425 BC, and then erected in 420 BC a few years after the victory. It was common for statues of Nike to be commissioned and put up after significant victories and achievements. The sculpture's location, on top of a tall plinth directly outside the Temple of Zeus would have ensured that it was seen by all Greeks who visited the sanctuary ...
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Nike (mythology)
In Greek mythology, Nike (; grc, Νίκη, lit=victory, ancient: , modern: ) was a goddess who personified victory in any field including art, music, war, and athletics. She is often portrayed in Greek art as Winged Victory in the motion of flight; however, she can also appear without wings as "Wingless Victory" when she is being portrayed as an attribute of another deity such as Athena.Suidas. ''The Suda on Line: Byzantine Lexicography''. Translated by Whitehead, David, et al. (2014). Accessed 9 December 2022. https://www.cs.uky.edu/~raphael/sol/sol-html/ In Greek literature Nike is described as both an attribute and attendant to the gods Zeus and Athena. Nike gained this honored role beside Zeus during the Titanomachy where she was one of the first gods to offer her allegiance to Zeus. At Athens, Nike became a servant to Athena as well as an attribute of her due to the prominent status Athena held in her patron city. The fusion of the two goddesses at Athens has contributed to ...
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Paionios
Paeonius ( grc-gre, Παιώνιος ''Paiṓnios'') of Mende, Chalkidiki was a Greek sculptor of the late 5th century BC. He most likely received his early training in Northern Greece and is thought to have later adapted Athenian stylistic elements into his own work, based upon his probable interaction with the Olympia workshop of Phidias. In any case, he was “attic-trained.” Paeonius won the commission to decorate the acroteria of the Temple of Zeus at Olympia, as described in the pedestal inscription on his Nike statue. An ancient account also references Paeonius' work at Olympia. Pausanias attributes the front (east) pedimental sculptures of the Temple of Olympian Zeus to Paeonius. The Nike Temple parapet at Athens is also often attributed to Paeonius, on the basis of similarities between the styles of drapery on both monuments. Despite this assertion, scholars continue to debate the reliability of these attributions based upon the various interpretations of the sca ...
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Ancient Greek Sculpture
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials. The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Seeing their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male nude of Apollo or Heracles had only slight differences in treatment to one of that year's Olympic boxing champion. The statue, originally single but by the Hellenistic period often in groups was the dominant form, though reliefs, often so ...
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Sculptures Of Nike
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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Marble Sculptures In Greece
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Marble is typically not foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. Marble is commonly used for sculpture and as a building material. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shining stone", perhaps from the verb (), "to flash, sparkle, gleam"; R. S. P. Beekes has suggested that a "Pre-Greek origin is probable". This stem is also the ancestor of the English word "marmoreal," meaning "marble-like." While the English term "marble" resembles the French , most other European languages (with words like "marmoreal") more closely resemble the original Ancient Greek. Physical origins Marble is a rock resulting from metamorphism of sedimentary carbonate rocks, mo ...
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5th-century BC Greek Sculptures
The 5th century is the time period from 401 ( CDI) through 500 ( D) ''Anno Domini'' (AD) or Common Era (CE) in the Julian calendar. The 5th century is noted for being a period of migration and political instability throughout Eurasia. It saw the collapse of the Western Roman Empire, which came to an end in 476 AD. This empire had been ruled by a succession of weak emperors, with the real political might being increasingly concentrated among military leaders. Internal instability allowed a Visigoth army to reach and ransack Rome in 410. Some recovery took place during the following decades, but the Western Empire received another serious blow when a second foreign group, the Vandals, occupied Carthage, capital of an extremely important province in Africa. Attempts to retake the province were interrupted by the invasion of the Huns under Attila. After Attila's defeat, both Eastern and Western empires joined forces for a final assault on Vandal North Africa, but this campaign was ...
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1870s Archaeological Discoveries
Year 187 ( CLXXXVII) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Quintius and Aelianus (or, less frequently, year 940 ''Ab urbe condita''). The denomination 187 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Septimius Severus marries Julia Domna (age 17), a Syrian princess, at Lugdunum (modern-day Lyon). She is the youngest daughter of high-priest Julius Bassianus – a descendant of the Royal House of Emesa. Her elder sister is Julia Maesa. * Clodius Albinus defeats the Chatti, a highly organized German tribe that controlled the area that includes the Black Forest. By topic Religion * Olympianus succeeds Pertinax as bishop of Byzantium (until 198). Births * Cao Pi, Chinese emperor of the Cao Wei state (d. 226) * Gu ...
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Wikipedia Student Program
Wikipedia is a multilingual free online encyclopedia written and maintained by a community of volunteers, known as Wikipedians, through open collaboration and using a wiki-based editing system. Wikipedia is the largest and most-read reference work in history. It is consistently one of the 10 most popular websites ranked by Similarweb and formerly Alexa; Wikipedia was ranked the 5th most popular site in the world. It is hosted by the Wikimedia Foundation, an American non-profit organization funded mainly through donations. Wikipedia was launched by Jimmy Wales and Larry Sanger on January 15, 2001. Sanger coined its name as a blend of ''wiki'' and ''encyclopedia''. Wales was influenced by the "spontaneous order" ideas associated with Friedrich Hayek and the Austrian School of economics after being exposed to these ideas by the libertarian economist Mark Thornton. Initially available only in English, versions in other languages were quickly developed. Its combined editions com ...
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Athena Nike
Athena or Athene, often given the epithet Pallas, is an ancient Greek religion, ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretism, syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include Owl of Athena, owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear. From her origin as an Aegean tutelary deity, palace goddess, Athena was closely associated with the city. She was known as ''Polias'' and ''Poliouchos'' (both derived from ''polis'', meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous ...
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Winged Victory Of Samothrace
The ''Winged Victory of Samothrace'', or the ''Nike of Samothrace'', is a votive monument originally found on the island of Samothrace, north of the Aegean Sea. It is a masterpiece of Greek sculpture from the Hellenistic era, dating from the beginning of the 2nd century BC. It is composed of a statue representing the goddess Niké (Victory), whose head and arms are missing, and its base in the shape of a ship's bow. The total height of the monument is 5.57 meters including the socle; the statue alone measures 2.75 meters. The sculpture is one of a small number of major Hellenistic statues surviving in the original, rather than Roman copies. ''Winged Victory'' has been exhibited at the Louvre Museum in Paris, at the top of the main staircase, since 1884. Discovery and restorations In the 19th century In 1863, Charles Champoiseau (1830–1909), acting in charge of the Consulate of France in Adrianopolis (now Edirne in Turkey), undertook from March 6 to May 7 the exploration o ...
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Panionios F
Panionios G.S.S. Football Club (Greek: ΠΑΕ Πανιώνιος Γ.Σ.Σ.), the ''Pan-Ionian Gymnastics Club of Smyrna'' (Πανιώνιος Γυμναστικός Σύλλογος Σμύρνης, ''Panionios Gymnastikos Syllogos Smyrnis''), more commonly known as Panionios F.C. or simply Panionios, is a Greek amateur football club based in Nea Smyrni, Athens, Greece. Part of Panionios G.S.S. (founded in 1890 in Smyrna, Ottoman Empire), Panionios F.C. is the oldest Greek football club. In the wake of the Greco-Turkish War (1919–22) and the population exchange between Greece and Turkey, the multi-sport club Panionios G.S.S. was transferred to Athens. They have won two Greek Cups (in 1979 and 1998), while they were runners-up in the Greek Championship during the 1950–51 and 1970–71 seasons. They have won also the 1971 Balkans Cup and reached the quarter-finals of the UEFA Cup Winners' Cup in 1998–99 season. The team currently competes in the amateur third division of ...
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Verso Da Medalha De Prata Dos Jogos Olímpicos De Atenas, 2004, Acervo Do Museu Do Futebol
'''' is the "right" or "front" side and ''verso'' is the "left" or "back" side when text is written or printed on a leaf of paper () in a bound item such as a codex, book, broadsheet, or pamphlet. Etymology The terms are shortened from Latin: and ' (which translate as "on the right side of the leaf" and "on the back side of the leaf"). The two opposite pages themselves are called ' and ' in Latin, and the ablative ', ' already imply that the text on the page (and not the physical page itself) are referred to. Usage In codicology, each physical sheet (', abbreviated ''fol.'' or ''f.'') of a manuscript is numbered, and the sides are referred to as ' and ', abbreviated as ''r'' and ''v'' respectively. Editions of manuscripts will thus mark the position of text in the original manuscript in the form ''fol. 1r'', sometimes with the ''r'' and ''v'' in superscript, as in ''1r'', or with a superscript ''o'' indicating the ablative ', ', as in ''1ro''. This terminology has been sta ...
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