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Nigredo
In alchemy, nigredo, or blackness, means putrefaction or decomposition. Many alchemists believed that as a first step in the pathway to the philosopher's stone, all alchemical ingredients had to be cleansed and cooked extensively to a uniform black matter. In analytical psychology, the term became a metaphor for "the dark night of the soul, when an individual confronts the shadow within." Jung For Carl Jung, "the rediscovery of the principles of alchemy came to be an important part of my work as a pioneer of psychology". As a student of alchemy, he (and his followers) "compared the 'black work' of the alchemists (the nigredo) with the often highly critical involvement experienced by the ego, until it accepts the new equilibrium brought about by the creation of the self." Jungians interpreted nigredo in two main psychological senses. The first sense represented a subject's initial state of undifferentiated unawareness, "the first nigredo, that of the ''unio naturalis'', is an obje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albedo (alchemy)
In alchemy, albedo is the second of the four major stages of the Magnum Opus, along with nigredo, citrinitas and rubedo. It is a Latinicized term meaning "whiteness". Following the chaos or ''massa confusa'' of the nigredo stage, the alchemist undertakes a purification in albedo, which is literally referred to as ''ablutio'' – the washing away of impurities. This phase is concerned with "bringing light and clarity to the prima materia (the First Matter)". In this process, the subject is divided into two opposing principles to be later coagulated to form a unity of opposites or ''coincidentia oppositorum'' during rubedo. Alchemists also applied it to an individual's soul after the first phase is completed, which entailed the decay of matter. In Medieval literature, which developed an intricate system of images and symbols for alchemy, the dove often represented this stage while the raven symbolized nigredo. Titus Burckhardt interprets the albedo as the end of the lesser wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albedo (alchemy)
In alchemy, albedo is the second of the four major stages of the Magnum Opus, along with nigredo, citrinitas and rubedo. It is a Latinicized term meaning "whiteness". Following the chaos or ''massa confusa'' of the nigredo stage, the alchemist undertakes a purification in albedo, which is literally referred to as ''ablutio'' – the washing away of impurities. This phase is concerned with "bringing light and clarity to the prima materia (the First Matter)". In this process, the subject is divided into two opposing principles to be later coagulated to form a unity of opposites or ''coincidentia oppositorum'' during rubedo. Alchemists also applied it to an individual's soul after the first phase is completed, which entailed the decay of matter. In Medieval literature, which developed an intricate system of images and symbols for alchemy, the dove often represented this stage while the raven symbolized nigredo. Titus Burckhardt interprets the albedo as the end of the lesser wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Citrinitas
Citrinitas, or sometimes xanthosis,Joseph Needham. ''Science & Civilisation in China: Chemistry and chemical technology. Spagyrical discovery and invention : magisteries of gold and immortality.'' Cambridge. 1974. p.23 is a term given by alchemists to "yellowness." It is one of the four major stages of the alchemical magnum opus. In alchemical philosophy, citrinitas stood for the dawning of the "solar light" inherent in one's being, and that the reflective "lunar or soul light" was no longer necessary. The other three alchemical stages were nigredo (blackness), albedo (whiteness), and rubedo (redness). Psychologist Carl Jung is credited with interpreting the alchemical process as analogous to modern-day psychoanalysis. In the Jungian archetypal schema, nigredo is the Shadow; albedo refers to the anima and animus (contrasexual soul images); citrinitas is the wise old man (or woman) archetype The concept of an archetype (; ) appears in areas relating to behavior, historical psych ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnum Opus (alchemy)
The Great Work (Latin: ''Magnum opus'') is an alchemical term for the process of working with the prima materia to create the philosopher's stone. It has been used to describe personal and spiritual transmutation in the Hermetic tradition, attached to laboratory processes and chemical color changes, used as a model for the individuation process, and as a device in art and literature. The magnum opus has been carried forward in New Age and neo-Hermetic movements which sometimes attached new symbolism and significance to the processes. The original process philosophy has four stages: *''nigredo'', the blackening or melanosis *''albedo'', the whitening or leucosis *''citrinitas'', the yellowing or xanthosis *''rubedo'', the reddening, purpling, or iosis The origin of these four phases can be traced at least as far back as the first century. Zosimus of Panopolis wrote that it was known to Mary the Jewess. The development of black, white, yellow, and red can also be found in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alchemy
Alchemy (from Arabic: ''al-kīmiyā''; from Ancient Greek: χυμεία, ''khumeía'') is an ancient branch of natural philosophy, a philosophical and protoscientific tradition that was historically practiced in China, India, the Muslim world, and Europe. In its Western form, alchemy is first attested in a number of pseudepigraphical texts written in Greco-Roman Egypt during the first few centuries AD.Principe, Lawrence M. The secrets of alchemy'. University of Chicago Press, 2012, pp. 9–14. Alchemists attempted to purify, mature, and perfect certain materials. Common aims were chrysopoeia, the transmutation of "base metals" (e.g., lead) into "noble metals" (particularly gold); the creation of an elixir of immortality; and the creation of panaceas able to cure any disease. The perfection of the human body and soul was thought to result from the alchemical ''magnum opus'' ("Great Work"). The concept of creating the philosophers' stone was variously connected with all of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubedo
Rubedo is a Latin word meaning "redness" that was adopted by alchemists to define the fourth and final major stage in their magnum opus. Both gold and the philosopher's stone were associated with the color red, as rubedo signaled alchemical success, and the end of the great work. Rubedo is also known by the Greek word ''iosis''. Interpretation The three alchemical stages preceding rubedo were nigredo (blackness), which represented putrefaction and spiritual death; albedo (whiteness), which represented purification; and citrinitas (yellowness), the solar dawn or awakening. Some sources describe the alchemical process as three-phased with citrinitas serving as mere extension and takes place between albedo and rubedo. The rubedo stage entails the attempt of the alchemist to integrate the psychospiritual outcomes of the process into a coherent sense of self before its re-entry to the world. The stage can take some time or years to complete due to the required synthesis and substantia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alchemical Processes
Alchemy (from Arabic: ''al-kīmiyā''; from Ancient Greek: χυμεία, ''khumeía'') is an ancient branch of natural philosophy, a philosophical and protoscientific tradition that was historically practiced in China, India, the Muslim world, and Europe. In its Western form, alchemy is first attested in a number of pseudepigraphical texts written in Greco-Roman Egypt during the first few centuries AD.Principe, Lawrence M. The secrets of alchemy'. University of Chicago Press, 2012, pp. 9–14. Alchemists attempted to purify, mature, and perfect certain materials. Common aims were chrysopoeia, the transmutation of "base metals" (e.g., lead) into "noble metals" (particularly gold); the creation of an elixir of immortality; and the creation of panaceas able to cure any disease. The perfection of the human body and soul was thought to result from the alchemical ''magnum opus'' ("Great Work"). The concept of creating the philosophers' stone was variously connected with all of these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philosopher's Stone
The philosopher's stone or more properly philosophers' stone (Arabic: حجر الفلاسفة, , la, lapis philosophorum), is a mythic alchemical substance capable of turning base metals such as mercury into gold (, from the Greek , "gold", and , "to make") or silver. It is also called the elixir of life, useful for rejuvenation and for achieving immortality; for many centuries, it was the most sought-after goal in alchemy. The philosopher's stone was the central symbol of the mystical terminology of alchemy, symbolizing perfection at its finest, enlightenment, and heavenly bliss. Efforts to discover the philosopher's stone were known as the Magnum Opus ("Great Work"). History Antiquity The earliest known written mention of the philosopher's stone is in the ''Cheirokmeta'' by Zosimos of Panopolis (c. 300 AD). Alchemical writers assign a longer history. Elias Ashmole and the anonymous author of ''Gloria Mundi'' (1620) claim that its history goes back to Adam, who acquired t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shadow (psychology)
In analytical psychology, the shadow (also known as ego-dystonic complex, repressed id, shadow aspect, or shadow archetype) is an unconscious aspect of the personality that does not correspond with the ego ideal, leading the ego to resist and project the shadow. In short, the shadow is the self's emotional blind spot, projected (as archetypes—''or'', metaphoral sense-image complexes, personified within the collective unconscious); e.g., trickster. Overview The shadow is conceptually the blind spot of the psyche; the repression of one's id, while maladaptive, prevents shadow integration. While they are regarded as differing on their theories of the function of repression of id in civilization, Freud and Jung coalesced at Platonism, wherein id rejects the '' nomos''. Persona is contradistinct to shadow. Jung regarded the shadow as unconscious—id and biography—suppressed under the superego's ego-ideal. The shadow is projected onto one's social environment as cogn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Jung
Carl Gustav Jung ( ; ; 26 July 1875 – 6 June 1961) was a Swiss psychiatrist and psychoanalyst who founded analytical psychology. Jung's work has been influential in the fields of psychiatry, anthropology, archaeology, literature, philosophy, psychology, and religious studies. Jung worked as a research scientist at the Burghölzli psychiatric hospital, in Zurich, under Eugen Bleuler. During this time, he came to the attention of Sigmund Freud, the founder of psychoanalysis. The two men conducted a The Freud/Jung Letters, lengthy correspondence and collaborated, for a while, on a joint vision of human psychology. Freud saw the younger Jung as the heir he had been seeking to take forward his "new science" of psychoanalysis and to this end secured his appointment as president of his newly founded International Psychoanalytical Association. Jung's research and personal vision, however, made it difficult for him to follow his older colleague's doctrine and they parted ways. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nekyia
In ancient Greek cult-practice and literature, a ''nekyia'' or ''nekya'' ( grc, νέκυια, νεκυία; νεκύα ) is a "rite by which ghosts were called up and questioned about the future," i.e., necromancy. A ''nekyia'' is not necessarily the same thing as a ''katabasis''. While they both afford the opportunity to converse with the dead, only a ''katabasis'' is the actual, physical journey to the underworld undertaken by several heroes in Greek and Roman myth. In common parlance, however, the term "nekyia" is often used to subsume both types of event, so that by Late Antiquity for example " Olympiodorus ... claimed that three latonicmyths were classified as nekyia (an underworld story, as in Homer's ''Odyssey'' book 11)". Questioning ghosts A number of sites in Greece and Italy were dedicated wholly or in part to this practice. "The Underworld communicated with the earth by direct channels. These were caverns whose depths were unplumbed, like that of Heraclea Pontic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
