Nights From The Alhambra
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Nights From The Alhambra
''Nights from the Alhambra'' is a live album and DVD from the Canadian singer, songwriter, accordionist, harpist, and pianist, Loreena McKennitt and is her first live concert DVD.Quinlan Road - News and Views
Quinlanroad.com. It was recorded in September 2006, live at the , in the , , , and released commerciall ...
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Qanun (instrument)
The qanun, kanun, ganoun or kanoon ( ar, قانون, qānūn; hy, քանոն, k’anon; ckb, قانون, qānūn; el, κανονάκι, kanonáki; he, קָאנוּן, ''qanun''; fa, , ''qānūn''; tr, kanun; az, qanun; ) is a string instrument played either solo, or more often as part of an ensemble, in much of the Middle East, North Africa, West Africa, Central Asia, Armenia, and Greece. The name derives ultimately from Ancient Greek: κανών kanōn, meaning "rule, law, norm, principle". The qanun traces one of its origins to a stringed Assyrian instrument from the Old Assyrian Empire, specifically from the nineteenth century BC in Mesopotamia. This instrument came inscribed on a box of elephant ivory found in the old Assyrian capital Nimrud (ancient name: ''Caleh''). The instrument is a type of large zither with a thin trapezoidal soundboard that is famous for its unique melodramatic sound. Regional variants and technical specifications Arabic qanuns are usually ...
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Byzantine Lyra
The Byzantine lyra or lira ( gr, λύρα) was a medieval bowed string musical instrument in the Byzantine (Eastern Roman) Empire. In its popular form, the lyra was a pear-shaped instrument with three to five strings, held upright and played by stopping the strings from the side with fingernails. The first known depiction of the instrument is on a Byzantine ivory casket (900–1100 AD), preserved in the Bargello in Florence (''Museo Nazionale, Florence, Coll. Carrand, No.26''). Versions of the Byzantine lyra are still played throughout the former lands of the Byzantine Empire: Greece ( Politiki lyra, lit. "lyra of the City" i.e. Constantinople), Crete (Cretan lyra), Albania, Montenegro, Serbia, Bulgaria, North Macedonia, Croatia ( Dalmatian Lijerica), Italy (Calabrian lira) and Armenia. History The most likely origin is the pear-shaped pandura, however with the introduction of a bow. The first recorded reference to the bowed lyra was in the 9th century by the Persian geographer ...
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Viola
The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to scientific pitch notation, C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyd ...
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Donald Quan
Donald Quan (born 1962) is a Canadian composer of film and world music, best known for writing the scores to television shows '' Relic Hunter'' and '' Mutant X''. Career Born in Toronto, Ontario, and schooled at the Berklee College of Music in Boston, Quan was the recipient of the Joe Venuti scholarship for stringed instrument performance. After Quan left college, he ventured into pop/rock music with the Canadian rock band Lighthouse and played with them for three years. In 1988 Quan joined the Canadian rock group Eye Eye as a keyboardist and violist. He also performed as a multi-instrumentalist with the performance artist Meryn Cadell, the Celtic-rock band Enter the Haggis, alt-rock band Cliché Verre and Juno nominated Afro-Canadian pop ensemble Kaleefah. Quan has been a long-time band member of Canadian singer Loreena McKennitt and has assisted in the production of several studio albums and recordings including the acclaimed ''The Book of Secrets''. Quan collapsed on Sat ...
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Tim Landers
Timothy Gerard Landers (born November 1, 1956) is an American bassist best known for his contribution to the 1970s-80s jazz-fusion genre and his work with Al Di Meola, Billy Cobham, and Gil Evans. Landers is a session musician and was a member of Tom Scott's band on ''The Pat Sajak Show''. Born in Taunton, Massachusetts, Landers has worked with Tracy Chapman, Tori Amos, Crimson Jazz Trio, Lee Ritenour, Dave Grusin, and Loreena McKennitt. He is also known for his contribution to bass guitar design with the Pedulla Buzz bass and Peavey Dyna Bass as well as his Signature Series, the Peavey TL-5 and TL-6. Career Musical beginnings Landers was influenced to pursue music by his parents. His father played guitar, electric bass, and lap steel guitar professionally. His mother sang with church choirs and played piano. Landers took up the drums first, then guitar at 8 years old and by the time he was 11 had formed his first band in Brockton, Massachusetts called The Jordan Em ...
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Hugh Marsh
Hugh Marsh (born June 5, 1955) is a violinist from Toronto, known for his electric violin sound. Marsh was nominated for a 2007 Juno Award in the best contemporary jazz album category. Early days Marsh was born in Montreal, Quebec and brought up in Ottawa, Ontario, where he learned to play the violin from the age of five but it was when he tried playing the saxophone while at Canterbury high school that led to him exploring jazz, funk and rhythm and blues. With his father's encouragement, he transferred these improvisation skills to the electric violin. He is the brother of musician Fergus Marsh. Career In 1978, Marsh was invited by jazz musician Moe Koffman to perform with him in a concert series at the Art Gallery of Ontario in Toronto. This led to gigs at top Toronto jazz club George's Spaghetti House and to performances with Canadian jazz musicians Marsh had long admired such as Doug Riley, Claude Ranger, Sonny Greenwich and Don Thompson. After meeting Bruce Cockburn in ...
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Caroline Lavelle
Caroline Lavelle is an English singer-songwriter and cellist who has created three solo albums and contributed vocals, music, and production help to many other artists and bands. Career Lavelle studied at the Royal College of Music in London. Throughout the early to mid-eighties she busked in the city, often outside Kensington Tube Station and Covent Garden, playing baroque music with Anne Stephenson and Virginia Astley (or Virginia Hewes; sources are confused) in a group called ''Humouresque''. She was spotted by Frankie Gavin, a member of Ireland's De Dannan band, who asked her to join. She was part of the band up to the early nineties, alongside Mary Black and Dolores Keane. In 1992, she contributed vocals and cello to the track "Home of the Whale" on the Massive Attack EP ''Hymn of the Big Wheel''. Producer William Orbit liked it, contacted her, and eventually produced, and mixed, her debut solo album, ''Spirit'', in 1995. Her version of the song "Moorlough Shore" wa ...
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Bouzouki
The bouzouki (, also ; el, μπουζούκι ; alt. pl. ''bouzoukia'', from Greek ), also spelled buzuki or buzuci, is a musical instrument popular in Greece. It is a member of the long-necked lute family, with a round body with a flat top and a long neck with a fretted fingerboard. It has steel strings and is played with a plectrum producing a sharp metallic sound, reminiscent of a mandolin but pitched lower. There are two main types of bouzouki: the ''trichordo'' (''three-course'') has three pairs of strings (known as courses) and the ''tetrachordo'' (''four-course'') has four pairs of strings. The instrument was brought to Greece in the early 1900s by Greek refugees from Anatolia, and quickly became the central instrument to the rebetiko genre and its music branches. It is now an important element of modern Laïko pop Greek music. Etymology The name ''bouzouki'' comes from the Turkish word , meaning "broken" or "modified", and comes from a particular re-entrant tuning ca ...
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Brian Hughes (musician)
Brian Hughes (born 5 May 1955) is a Canadian guitarist whose work draws from smooth jazz and Latin music (genre), Latin music. Hughes also plays oud, bouzouki, and balalaika. For over twenty years, he has worked in the studio with singer-songwriter Loreena McKennitt. He co-produced many of her recordings and leads her touring band. Music career Hughes grew up in Alberta, Canada and studied at Grant MacEwan College (now MacEwan University) in Edmonton and the Banff School of Fine Arts with jazz guitarists Ed Bickert and Gene Bertoncini. In 1981 he moved temporarily to Los Angeles where he studied at the Musicians Institute, Guitar Institute with Pat Martino, Joe Diorio, and Robben Ford. In 1987 Hughes moved to Toronto where he began working with harpist Loreena McKennitt. In 1990 he recorded ''Between Dusk...and Dreaming'', his first album as a leader, for Justin Time Records, followed by ''Under One Sky'', two years later. He started his label, Sylvan House Music, which was di ...
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Bodhrán
The bodhrán (, ; plural ''bodhráin'' or ''bodhráns'') is a frame drum used in Irish music ranging from in diameter, with most drums measuring . The sides of the drum are deep. A goatskin head is tacked to one side (synthetic heads or other animal skins are sometimes used). The other side is open-ended for one hand to be placed against the inside of the drum head to control the pitch and timbre. One or two crossbars, sometimes removable, may be inside the frame, but this is increasingly rare on modern instruments. Some professional modern bodhráns integrate mechanical tuning systems similar to those used on drums found in drum kits. It is usually with a hex key that the bodhrán skins are tightened or loosened depending on the atmospheric conditions. History Seán Ó Riada declared the bodhrán to be the native drum of the ancient Celts (as did bodhrán maker Paraic McNeela), suggesting that it was possibly used originally for winnowing or wool dying, with a musical hist ...
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Uilleann Pipes
The uilleann pipes ( or , ) are the characteristic national bagpipe of Ireland. Earlier known in English as "union pipes", their current name is a partial translation of the Irish language terms (literally, "pipes of the elbow"), from their method of inflation. There is no historical record of the name or use of the term ''uilleann pipes'' before the 20th century. It was an invention of Grattan Flood and the name stuck. People mistook the term 'union' to refer to the 1800 Act of Union; this is incorrect as Breandán Breathnach points out that a poem published in 1796 uses the term 'union'. The bag of the uilleann pipes is inflated by means of a small set of bellows strapped around the waist and the right arm (in the case of a right-handed player; in the case of a left-handed player the location and orientation of all components are reversed). The bellows not only relieve the player from the effort needed to blow into a bag to maintain pressure, they also allow relatively dry ...
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