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Night And Dream
''Night and Dream'' is a small jazz combo album recorded by pianist Toshiko Akiyoshi in 1994 and released by Nippon Crown Records. Track listing #"Night Waltz" (Akiyoshi) – 6:16 #"Darn That Dream" ( DeLange, Van Heusen) – 8:24 #"Elusive Dream" (Akiyoshi) – 7:26 #" Get Out and Get Under the Moon" (Jerome, Shay, Tobias) – 8:35 #" When You Wish upon a Star" ( Harline, Washington) – 6:23 #"Dream" (Mercer) – 6:09 #" The Night Has a Thousand Eyes" (Bernier, Brainin) – 8:18 #"Round About Midnight" ( Hanighen, Monk, Williams) – 6:31 Personnel *Toshiko Akiyoshi – piano *Mickey Roker – drums *Peter Washington – bass *Joe Magnarelli – trumpet, flugelhorn (tracks 1, 2, 3, 6, 7) *Walt Weiskopf – tenor saxophone (tracks 1, 2, 3, 6, 7) *Scott Robinson – alto saxophone, baritone saxophone, bass clarinet (tracks 1, 2, 3, 4, 6) References *Nippon Crown CRCJ-91006 *''Night & Dream'' at Allmusic.com AllMusic (previously known as All Music Guide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ned Washington
Ned Washington (born Edward Michael Washington, August 15, 1901 – December 20, 1976) was an American lyricist born in Scranton, Pennsylvania. Life and career Washington was nominated for eleven Academy Awards from 1940 to 1962. He won the Best Original Song award twice: in 1940 for " When You Wish Upon a Star" in ''Pinocchio'' and in 1952 for " High Noon (Do Not Forsake Me, Oh My Darlin')" in '' High Noon''. Washington had his roots in vaudeville as a master of ceremonies. Having started his songwriting career with ''Earl Carroll's Vanities'' on Broadway in the late 1920s, he joined the ASCAP in 1930. In 1934, he was signed by MGM and relocated to Hollywood, eventually writing full scores for feature films. During the 1940s, he worked for a number of studios, including Paramount, Warner Brothers, Disney, and Republic. During these tenures, he collaborated with many of the great composers of the era, including Hoagy Carmichael, Victor Young, Max Steiner, and Dimitri Tiomkin. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Magnarelli
Joseph Anthony Magnarelli (born January 19, 1960) is an American jazz trumpeter and flugelhornist. Early life and education Magnarelli was born in Syracuse, New York. He received a bachelor's degree from the State University of New York at Fredonia in 1982 and began playing in New York City in 1986. Career Magnarelli was a member of Lionel Hampton's ensemble (1987–1989) and worked with Brother Jack McDuff from 1989 to 1994. He cofounded the New York Hard Bop Quintet in 1991 and led his own ensembles in the 1990s, often with John Swana and Jerry Weldon. He also worked as a sideman with Toshiko Akiyoshi, Laverne Butler, Harry Connick, Jr., the Buddy Rich band (after Rich's death), Maria Schneider, Gary Smulyan, Grant Stewart, the Vanguard Jazz Orchestra, Walt Weiskopf, and Ben Wolfe. Since 2017 Magnarelli has frequently performed with the Sant Andreu Jazz Band in Barcelona under the direction of Joan Chamorro. Discography * ''Why Not'' (Criss Cross Jazz Criss Cros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Washington
Peter Washington (born in Los Angeles on August 28, 1964) is a jazz double bassist. He played with the Westchester Community Symphony at the age of 14. Later he played electric bass in rock bands. He attended the University of California, Berkeley, where he majored in English Literature, and performed with the San Francisco Youth Symphony and the UC Symphony Orchestra. His growing interest in jazz led him to play with John Handy, Bobby Hutcherson, Harold Land, Frank Morgan, Ernestine Anderson, Chris Connor and other Bay Area luminaries. In 1986 he joined Art Blakey and The Jazz Messengers and moved to New York City. Beginning in the 1990s, he toured with the Tommy Flanagan trio until Flanagan's death in 2001, and has played with the Bill Charlap trio since then. He was a founding member of the collective hard bop sextet One for All and is a visiting artist with the Chicago Symphony Orchestra. In 2008, Washington played with The Blue Note 7, an all-star septet formed in honor o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching Drum stick, drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by a foot-operated pedal * One or more Tom drum, tom-toms, including Rack tom, rack toms and/or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music, rock and pop music, pop to blues and jazz. __TOC__ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mickey Roker
Granville William "Mickey" Roker (September 3, 1932 – May 22, 2017) was an American jazz drummer. Biography Roker was born into extreme poverty in Miami to Granville (Sr.) and Willie Mae Roker. After his mother died (his father never lived with them), when he was only ten, he was taken by his grandmother to live in Philadelphia with his uncle Walter, who gave him his first drum kit and communicated his love of jazz to his nephew. He also introduced the young Roker to the jazz scene in Philadelphia, where drummer Philly Joe Jones became Roker's idol. In the early 1950s, he began to gain recognition as a sensitive yet hard-driving big-band drummer. He was especially favored by Dizzy Gillespie, who remarked of him that "once he sets a groove, whatever it is, you can go to Paris and come back and it's right there. You never have to worry about it." Roker was soon in demand for his supportive skills in both big-band and small-group settings. While in Philadelphia he played with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cootie Williams
Charles Melvin "Cootie" Williams (July 10, 1911 – September 15, 1985) was an American jazz, jump blues, and rhythm and blues trumpeter. Biography Born in Mobile, Alabama, Williams began his professional career at the age of 14 with the Young Family band, which included saxophonist Lester Young. According to Williams he acquired his nickname as a boy when his father took him to a band concert. When it was over his father asked him what he'd heard and he replied, "Cootie, cootie, cootie." In 1928, he made his first recordings with pianist James P. Johnson in New York, where he also worked briefly in the bands of Chick Webb and Fletcher Henderson. Williams rose to prominence as a member of Duke Ellington's orchestra when the band was playing at the Cotton Club, with which he first performed from 1929 to 1940. He also recorded his own sessions during this time, both freelance and with other Ellington sidemen. Williams was renowned for his "jungle"-style trumpet playing (in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernie Hanighen
Bernard D. Hanighen (April 27, 1908 in Omaha, Nebraska – October 19, 1976 in New York City, New York) Attended Hackley School (Tarrytown, New York) - Class of 1926, also attended Harvard University - Class of 1930. He was an American songwriter and record producer best known for " When a Woman Loves a Man" and writing lyrics to the jazz composition " 'Round Midnight" which was composed by jazz musician Thelonious Monk. Hanighen also worked with Clarence Williams and Johnny Mercer. Songwriting career Hanighen composed lyrics for the 1946 Broadway musical ''Lute Song'', which starred Mary Martin and Yul Brynner, and which featured music by Raymond Scott. Bernie Hanighen and Cootie Williams collaborated to transform Thelonious Monk's bop masterpiece "'Round Midnight", creating what became a standard in the vocal canon thanks to performances by Mel Tormé, Ella Fitzgerald, Sarah Vaughan, Carmen McRae, Nancy Wilson, Chris Connor, and Julie London. Producing Billie Holiday From ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'Round Midnight (song)
"Round Midnight" (sometimes titled "Round About Midnight") is a 1943 composition by American jazz pianist Thelonious Monk that quickly became a jazz standard and has been recorded by a wide variety of artists. A version recorded by Monk's quintet was added to the Grammy Hall of Fame in 1993. It is one of the most recorded jazz standards composed by a jazz musician. Composition and Monk's first recording It is thought that Monk composed the song sometime in 1940 or 1941. However, Monk's longtime manager Harry Colomby claims the pianist may have written an early version around 1936 (at the age of 19). The song was copyrighted September 24, 1943 in C minor under the title "I Need You So", with lyrics by a friend of Monk's named Thelma Murray. The first recording was made by Cootie Williams on August 22, 1944, after the pianist Bud Powell persuaded Williams to record the tune. Monk first recorded the song on November 21, 1947. It later appeared on the Blue Note album '' Genius of Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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