Night Time (album)
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Night Time (album)
''Night Time'' is the fifth studio album by English post-punk band Killing Joke, released in February 1985 by E.G. through Polydor Records and produced by Chris Kimsey. Release ''Night Time'' was released in late February 1985 by E.G. Records. It was an international hit, reaching number 11 in the United Kingdom in its first week on 9 March, number 8 in New Zealand and number 50 in Sweden. The album was remastered and reissued in 2008 with nine bonus tracks, including 1984 Kid Jensen BBC radio sessions, the non-album single " A New Day" and the previously-unreleased complete version of "Blue Feather" (previously only available as an instrumental remix on the B-side to "Love Like Blood"). Critical Reception The album generally received favourable response. In retrospective reviews, PopMatters opined that the band "perfected" their "balance between antagonism and accessibility", commenting "the band are simply on fire on this record". AllMusic commented that the album ...
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Killing Joke
Killing Joke are an English rock music, rock band from Notting Hill, London, England, formed in 1979 by Jaz Coleman (vocals, keyboards), Paul Ferguson (drums), Geordie Walker (guitar) and Youth (musician), Youth (bass). Their first album, ''Killing Joke (1980 album), Killing Joke'', was released in 1980. After the release of ''Revelations (Killing Joke), Revelations'' in 1982, bassist Youth was replaced by Paul Raven (musician), Paul Raven. The band achieved mainstream success in 1985 with both the album ''Night Time (album), Night Time'' and the single "Love Like Blood (song), Love Like Blood". The band's musical style emerged from the post-punk scene, but stood out due to their heavier approach, and has been cited as a key influence on industrial rock. Their style evolved over many years, at times incorporating elements of gothic rock, synth-pop and electronic music, often baring Walker's prominent guitar and Coleman's "savagely strident vocals". Killing Joke have influenced ...
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Sweden
Sweden, formally the Kingdom of Sweden,The United Nations Group of Experts on Geographical Names states that the country's formal name is the Kingdom of SwedenUNGEGN World Geographical Names, Sweden./ref> is a Nordic country located on the Scandinavian Peninsula in Northern Europe. It borders Norway to the west and north, Finland to the east, and is connected to Denmark in the southwest by a bridgetunnel across the Öresund. At , Sweden is the largest Nordic country, the third-largest country in the European Union, and the fifth-largest country in Europe. The capital and largest city is Stockholm. Sweden has a total population of 10.5 million, and a low population density of , with around 87% of Swedes residing in urban areas in the central and southern half of the country. Sweden has a nature dominated by forests and a large amount of lakes, including some of the largest in Europe. Many long rivers run from the Scandes range through the landscape, primarily ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ...
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Vocals
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Paul Raven (musician)
Paul Vincent Raven (16 January 1961 – 20 October 2007) was an English bassist best known for his work in the post-punk group Killing Joke. He later played in the industrial music bands Prong, Ministry, and Zilch. Biography Raven was born on 16 January 1961 in Wolverhampton, Staffordshire. He was the son of folk musician Jon Raven, and nephew of author Michael Raven. His early musical career included stints in Neon Hearts, who released three singles from 1977 to 1979 and the album ''Popular Music'' in 1979, and the short-lived 1982 glam rock band, Kitsch, which also included Rook Randle and Tyla, before he would go on to larger success with his band, Dogs D'Amour. In the summer of 1980 he played bass with the also short-lived Tony McPhee's Turbo. The band played a few gigs and recorded a three-track session for Capitol Radio. Turbo included Clive Brooks, the drummer with Tony McPhee's band the Groundhogs (1972–1975). Raven's big break came when he replaced original Ki ...
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Geordie Walker
Kevin "Geordie" Walker (born 18 December 1960) is an English rock musician, best known as the guitarist of post-punk group Killing Joke. His unorthodox style of electric guitar playing is widely acclaimed. Jimmy Page of Led Zeppelin hailed Walker's guitar sound as "really strong". Peer Kevin Shields of My Bloody Valentine praised Walker's guitar playing, which he described as "this effortless playing producing a monstrous sound". Life and career When he was eight years old, Walker was deeply marked by the guitar's sound in the song "Sabre Dance" by Love Sculpture. "I used to go mad when it came on the radio." When he was fourteen, Walker's family moved south from Newcastle to Milton Keynes in Buckinghamshire, 45 miles northwest of London. It was during this era that he acquired his nickname due to his northeastern "Geordie" accent (which he has subsequently lost). He decided to learn to play the guitar: "I used to run home from school at about four, lock myself in the bedroom, ...
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Paul Ferguson
Matthew Paul Ferguson (born 31 March 1958) is an English rock drummer, best known for his work in the post-punk/ industrial group Killing Joke and cult English punk band Pink Parts. Following a stint as the drummer with the London-based Matt Stagger Band in 1978, Ferguson became a founding member of Killing Joke and served as their drummer from 1979 to 1987. He was known as Big Paul Ferguson during this period. Ferguson is known for his tribal drum style. The last album he recorded with Killing Joke was the 1986 release '' Brighter than a Thousand Suns''. Following disagreements with lead singer Jaz Coleman about new material and the direction of the band, Ferguson and bassist Paul Raven departed the band in 1987 during the recording of their seventh studio album, '' Outside The Gate''. He subsequently worked on other musical projects, notably with rock outfits Warrior Soul (1987–1990), Murder, Inc. (1991–92) and Crush (1992–93) - the latter was mainly a collaboration ...
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Jaz Coleman
Jeremy "Jaz" Coleman (born 26 February 1960) is an English singer and musician. He came to prominence in the early 1980s as the lead vocalist and keyboardist of post-punk group Killing Joke. Coleman is known for his unique raspy baritone voice and intense stage presence (occasionally appearing wearing face makeup). Bill Janovitz, writer for the website Allmusic, described Coleman's stage presence and voice as "almost always full-on in his approach, with a terrifying growl of a voice that is similar to that of Motörhead's Lemmy". In the first part of their career, Coleman also played synth while singing, adding electronic atonal sounds to create a disturbing atmosphere to their music. He still continues to play keyboards and synths in studio recordings In addition, Coleman has composed orchestral and soundtrack pieces. Killing Joke have influenced numerous bands such as Nirvana, Foo Fighters, Jane's Addiction, My Bloody Valentine, Faith No More, Nine Inch Nails, Tool, Go ...
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MusicHound
MusicHound (sometimes stylized as musicHound) was a compiler of genre-specific music guides published in the United States by Visible Ink Press between 1996 and 2002. After publishing eleven album guides, the MusicHound series was sold to London-based Music Sales Group, whose company Omnibus Press had originally distributed the books outside America. The series' founding editor was Gary Graff, formerly a music critic with the ''Detroit Free Press''. Subtitled "''The Essential Album Guide''", each publication typically contained entries providing an overview of an artist's career and dividing their work into categories such as "what to buy", "what's next", "what to avoid" and "worth searching for". Among the MusicHound album guides were titles dedicated to rock, blues, classical, jazz, world music, swing, and soundtrack recordings. Further to the canine analogy in the series title, albums were graded according to a "bone" rating system: five bones constituting the highest score, ...
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PopMatters
''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, films, books, video games, comics, sports, theater, visual arts, travel, and the Internet. History ''PopMatters'' was founded by Sarah Zupko, who had previously established the cultural studies academic resource site PopCultures. ''PopMatters'' launched in late 1999 as a sister site providing original essays, reviews and criticism of various media products. Over time, the site went from a weekly publication schedule to a five-day-a-week magazine format, expanding into regular reviews, features, and columns. In the fall of 2005, monthly readership exceeded one million. From 2006 onward, ''PopMatters'' produced several syndicated newspaper columns for McClatchy-Tribune News Service. By 2009 there were four different pop culture related col ...
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Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ...
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The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise a ...
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