Nick Zangwill
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Nick Zangwill
Nick Zangwill (born 1957) is a British philosopher and honorary research professor at University College London and Lincoln University. He is known for his expertise on moral philosophy (especially metaethics), and aesthetics (especially the philosophy of music and visual art). He has also written on metaphysics, epistemology, the philosophy of mind, and logic. Background In metaethics, Zangwill has defended non-naturalism, with a special attention to dependence of morality on natural properties. He has defended externalism about moral motivation, developed aspects of expressivism, and defended non-consequentialist theory. In aesthetics, Zangwill has defined his position as 'moderate formalism' in art as referring to those properties "that are determined solely by sensory or physical properties—so long as the physical properties in question are not relations to other things and other times." The philosopher and architect Branko Mitrovic has defined formalism in art ...
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Western Philosophy
Western philosophy encompasses the philosophical thought and work of the Western world. Historically, the term refers to the philosophical thinking of Western culture, beginning with the ancient Greek philosophy of the pre-Socratics. The word ''philosophy'' itself originated from the Ancient Greek (φιλοσοφία), literally, "the love of wisdom" grc, φιλεῖν , "to love" and σοφία '' sophía'', "wisdom"). History Ancient The scope of ancient Western philosophy included the problems of philosophy as they are understood today; but it also included many other disciplines, such as pure mathematics and natural sciences such as physics, astronomy, and biology (Aristotle, for example, wrote on all of these topics). Pre-Socratics The pre-Socratic philosophers were interested in cosmology; the nature and origin of the universe, while rejecting mythical answers to such questions. They were specifically interested in the (the cause or first principle) of the ...
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Honorary Title (academic)
Honorary titles (professor, reader, lecturer) in academia may be conferred on persons in recognition of contributions by a non-employee or by an employee beyond regular duties. This practice primarily exists in the UK and Germany, as well as in many of the universities and colleges of the United States, Australia, Hong Kong, Taiwan, China, New Zealand, Japan, Denmark, and Canada. Examples of such titles are Honorary Professor, Honorary Fellow, Honorary Senior Research Fellow, Honorary Reader, Honorary Lecturer (normally applies to non-teaching staff, who give occasional lectures), Visiting Fellow (normally applies to students carrying out further studies and research programmes), Industrial Fellow. Honorary Professor In the UK, this is the highest title to be awarded to individuals whom the university wish to appoint, honor, and to work with. These individuals are not university staff nor employees. An external person is usually recommended by an internal university academic ...
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Branko Mitrovic
Branko Mitrovic is a Serbian-Norwegian architectural historian and theorist who has backgrounds in both philosophy and architecture. Currently, he teaches history and theory of architecture at the Department of Architecture and Technology in the Norwegian University of Science and Technology. His main concern is the relationship between philosophical views and architectural theory focusing on visuality and philosophy of history He had achieved many honors and fellowships including Humboldt Research Award (2008), Harvard University research fellowship, Senior Fellowship of National Gallery of Art in Washington. Education He completed his Bachelor degrees in both architecture (1988) and philosophy (1992) from the University of Belgrade in Serbia. Then he moved to the University of Pennsylvania to continue his education in master of architecture. After that he received two PhDs, one from the University of Pennsylvania in Architecture (1996) and another from the University of Auckl ...
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Formalism (art)
In art history, formalism is the study of art by analyzing and comparing form and style. Its discussion also includes the way objects are made and their purely visual or material aspects. In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content, meaning, or the historical and social context. At its extreme, formalism in art history posits that everything necessary to comprehending a work of art is contained within the work of art. The context of the work, including the reason for its creation, the historical background, and the life of the artist, that is, its conceptual aspect is considered to be external to the artistic medium itself, and therefore of secondary importance. History The historical origin of the modern form of the question of aesthetic formalism is usually dated to Immanuel Kant and the writing of his third Critique where Kant states: "Every form of the objects of sense is either ...
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Consequentialism
In ethical philosophy, consequentialism is a class of normative, teleological ethical theories that holds that the consequences of one's conduct are the ultimate basis for judgment about the rightness or wrongness of that conduct. Thus, from a consequentialist standpoint, a morally right act (or omission from acting) is one that will produce a good outcome. Consequentialism, along with eudaimonism, falls under the broader category of teleological ethics, a group of views which claim that the moral value of any act consists in its tendency to produce things of intrinsic value.Teleological Ethics
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Expressivism
In meta-ethics, expressivism is a theory about the meaning of moral language. According to expressivism, sentences that employ moral terms – for example, "It is wrong to torture an innocent human being" – are not descriptive or fact-stating; moral terms such as "wrong", "good", or "just" do not refer to real, in-the-world properties. The primary function of moral sentences, according to expressivism, is not to assert any matter of fact, but rather to express an evaluative attitude toward an object of evaluation. Because the function of moral language is non-descriptive, moral sentences do not have any truth conditions.Horgan & Timmons (2006b), p. 86 Hence, expressivists either do not allow that moral sentences have truth value, or rely on a notion of truth that does not appeal to any descriptive truth conditions being met for moral sentences. Overview Expressivism is a form of moral anti-realism or nonfactualism: the view that there are no moral facts that moral sentences ...
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Internalism And Externalism
Internalism and externalism are two opposite ways of integration of explaining various subjects in several areas of philosophy. These include human motivation, knowledge, justification, meaning, and truth. The distinction arises in many areas of debate with similar but distinct meanings. Internal–external distinction is a distinction used in philosophy to divide an ontology into two parts: an internal part concerning observation Observation is the active acquisition of information from a primary source. In living beings, observation employs the senses. In science, observation can also involve the perception and recording of data via the use of scientific instruments. The ... related to philosophy, and an external part concerning question related to philosophy. Internalism is the thesis that no fact about the world can provide reasons for action independently of desires and beliefs.Giuseppina D'Oro"Collingwood, psychologism and internalism,"''European Journal of Philosophy'' 12( ...
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Ethical Non-naturalism
Ethical non-naturalism (or moral non-naturalism) is the meta-ethical view which claims that: # Ethical sentences express propositions. # Some such propositions are true. # Those propositions are made true by objective features of the world, independent of human opinion. # These moral features of the world are ''not'' reducible to any set of non-moral features. This makes ethical non-naturalism a non-definist form of moral realism, which is in turn a form of cognitivism. Ethical non-naturalism stands in opposition to ethical naturalism, which claims that moral terms and properties are reducible to non-moral terms and properties, as well as to all forms of moral anti-realism, including ethical subjectivism (which denies that moral propositions refer to objective facts), error theory (which denies that any moral propositions are true), and non-cognitivism (which denies that moral sentences express propositions at all). Definitions and examples According to G. E. Moore, " Goodness ...
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Logic
Logic is the study of correct reasoning. It includes both formal and informal logic. Formal logic is the science of deductively valid inferences or of logical truths. It is a formal science investigating how conclusions follow from premises in a topic-neutral way. When used as a countable noun, the term "a logic" refers to a logical formal system that articulates a proof system. Formal logic contrasts with informal logic, which is associated with informal fallacies, critical thinking, and argumentation theory. While there is no general agreement on how formal and informal logic are to be distinguished, one prominent approach associates their difference with whether the studied arguments are expressed in formal or informal languages. Logic plays a central role in multiple fields, such as philosophy, mathematics, computer science, and linguistics. Logic studies arguments, which consist of a set of premises together with a conclusion. Premises and conclusions are usually un ...
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Visual Art
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts also involve aspects of visual arts as well as arts of other types. Also included within the visual arts are the applied arts such as industrial design, graphic design, fashion design, interior design and decorative art. Current usage of the term "visual arts" includes fine art as well as the applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, craft, or applied Visual arts media. The distinction was emphasized by artists of the Arts and Crafts Move ...
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Philosophy Of Music
Philosophy of music is the study of "fundamental questions about the nature of music and our experience of it".Andrew Kania,The Philosophy of Music, ''The Stanford Encyclopedia of Philosophy'', Spring 2014 edition, edited by Edward N. Zalta. The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics. The expression was born in the 19th century and has been used especially as the name of a discipline since the 1980s.Daniel Martín Sáez,The Expression »Philosophy of Music«. A Brief History and Some Philosophical Considerations, ''International Review of the Aesthetics and Sociology of Music'', vol. 52, nº 2 (December 2021), pp. 203-220. Some basic questions in the philosophy of music are: * What is the definition of music? (what are the necessary and sufficient conditions for classifying something as music?) * What is the relationship between music and mind? * What is the relationship between music and language? * What does mu ...
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Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exact ...
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