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Niccolò Jommelli
Niccolò Jommelli (; 10 September 1714 – 25 August 1774) was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers somewhat. Biographical information Early life Jommelli was born to Francesco Antonio Jommelli and Margarita Cristiano in Aversa, a town some north of Naples. He had one brother, Ignazio, who became a Dominican friar and was of some help to him in his elder years, and three sisters. His father was a prosperous linen merchant, who entrusted him for musical instruction to Canon Muzzillo, the director of the choir of Aversa Cathedral. When this proved successful, he was enrolled in 1725 at the Conservatorio di Santo Onofrio a Capuana in Naples, where he studied under Ignazio Prota alongside Tomaso Prota and Francesco Feo. Three years later he was transferred to the Conserva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Jommelli
Niccolò Jommelli (; 10 September 1714 – 25 August 1774) was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers somewhat. Biographical information Early life Jommelli was born to Francesco Antonio Jommelli and Margarita Cristiano in Aversa, a town some north of Naples. He had one brother, Ignazio, who became a Dominican friar and was of some help to him in his elder years, and three sisters. His father was a prosperous linen merchant, who entrusted him for musical instruction to Canon Muzzillo, the director of the choir of Aversa Cathedral. When this proved successful, he was enrolled in 1725 at the Conservatorio di Santo Onofrio a Capuana in Naples, where he studied under Ignazio Prota alongside Tomaso Prota and Francesco Feo. Three years later he was transferred to the Conserva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Feo
Francesco Feo (1691 – 28 January 1761) was an Italian composer, known chiefly for his operas. He was born and died in Naples, where most of his operas were premièred. Life Feo studied music at the '' Conservatorio di Santa Maria della Pietà'' in Naples, starting on 3 September 1704. Among the other composers he met there were Leonardo Leo, Giuseppe de Majo (who would later marry his niece), and Niccolò Jommelli. His first teacher was Andrea Basso, and after 1705 Nicola Fago, who had only just been appointed. Feo remained at the conservatory until some time around 1712. In 1713 he presented his first opera, ''L’amor tirannico, ossia Zenobia'' (''Tyrannical Love, or Zenobia''), and for carnival 1714 ''Il martirio di Santa Caterina'' (The Martyrdom of Saint Catherine of Egypt), an oratorio. His fame began to increase with sacred works for local churches, such as his ''Missa defunctorum'' (Requiem Mass) in 1718, and with his recitatives, arias and comic scenes for performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Münster
Münster (; nds, Mönster) is an independent city (''Kreisfreie Stadt'') in North Rhine-Westphalia, Germany. It is in the northern part of the state and is considered to be the cultural centre of the Westphalia region. It is also a state district capital. Münster was the location of the Anabaptist rebellion during the Protestant Reformation and the site of the signing of the Treaty of Westphalia ending the Thirty Years' War in 1648. Today it is known as the bicycle capital of Germany. Münster gained the status of a ''Großstadt'' (major city) with more than 100,000 inhabitants in 1915. , there are 300,000 people living in the city, with about 61,500 students, only some of whom are recorded in the official population statistics as having their primary residence in Münster. Münster is a part of the international Euregio region with more than 1,000,000 inhabitants (Enschede, Hengelo, Gronau, Osnabrück). History Early history In 793, Charlemagne sent out Ludger as a miss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Gustav Fellerer
Karl Gustav Fellerer (7 July 1902 – 7 January 1984) was a German musicologist. His works include more than 600 scientific publications on catholic church music, Italian music from 1600 to the beginning of the 20th century, and music history of the 19th century. He wrote monographs on Palestrina, Handel, Mozart, and Max Bruch and was editor of several musical journals. He published the ''Kirchenmusikalisches Jahrbuch'' (Church Music Almanac) for 46 years, from 1930 until 1976. Fellerer was president of several musicology societies, including 16 years of the Joseph Haas Society. Career Fellerer was born on 7 July 1902 in Freising, Bavaria. He studied in Regensburg, then in Munich, where Joseph Haas was among his teachers, and in Berlin where in 1925 he gained a Ph.D. Following his habilitation, he then taught as Privatdozent at the University of Münster and the University of Fribourg where he gained full professorship in 1934. In 1939, he received a call to the University of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philharmonic Academy Of Bologna
The Accademia Filarmonica di Bologna ("philharmonic academy of Bologna"; sometimes known in English as the Bologna Academy of Music) is a music education institution in Bologna, Italy. The Accademia de' Filarmonici was founded as an association of musicians in Bologna in 1666 by Vincenzo Maria Carrati. Saint Anthony of Padua was chosen as the patron saint, and an organ with the motto ''Unitate melos'' as the emblem. Through the influence of Pietro Ottoboni, the statute of the academy was approved by Clement XI in 1716. In 1749 the Benedict XIV decreed that the Accademia could award the title of Maestro di cappella. Among the early members of the academy were Giovanni Paolo Colonna (one of the founders of 1666), Arcangelo Corelli (1670), Giacomo Antonio Perti (1688), Giuseppe Maria Jacchini (1688), Giuseppe Maria Orlandini, Antonio Maria Bernacchi (1722), Giovanni Carestini (1726) and the celebrated castrato singer Carlo Farinelli (1730). The composer and teacher Giovanni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saverio Mattei
Saverio is a given name of Italian origin. It is a cognate of Xavier and Javier, both of which originate from ''Xabier'', the Basque name for the Spanish town Javier. ''Xabier'' is itself the romanization of ''etxe berri'' meaning "new house" or "new home". Retrieved 28 October 2015 People ; Given name *Sav Rocca (Saverio Giovanni Rocca) (born 1973), Australian professional American football player in the USA *Saverio Bettinelli (1718–1808), Italian writer *Saverio Costanzo (born 1975), Italian film director *Saverio Fava (1832–1913), first Italian ambassador to the USA *Saverio Gandini (1729–1796), Italian painter of the late-Baroque and Neoclassic periods *Saverio Mammoliti (born 1942), Italian 'Ndrangheta boss from Oppido Mamertina and Castellace in Calabria *Saverio Mercadante (1795–1870), Italian composer ; Middle name *Francesco Saverio Romano Francesco Saverio Romano (born 24 December 1964) is an Italian politician and lawyer. He served as the minister of agricult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Martini
Giovanni Battista or Giambattista Martini, O.F.M. Conv. (24 April 1706 – 3 August 1784), also known as Padre Martini, was an Italian Conventual Franciscan friar, who was a leading musician, composer, and music historian of the period and a mentor to Mozart. Biography Giovanni Battista Martini was born in Bologna, in that era part of the Papal States. His father, Antonio Maria Martini, a violinist, taught him the elements of music and the violin and he later learned singing and harpsichord playing from Padre Pradieri, and counterpoint from Antonio Riccieri and Giacomo Antonio Perti. Having received his education in classics from the priests of the Oratory of Saint Philip Neri, he afterwards entered the novitiate of the Conventual Franciscans at their friary in Lago, at the close of which he professed religious vows and received the religious habit of the Order on 11 September 1722. In 1725, though only nineteen years old, he received the appointment of chapel-maste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista D'Avalos
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * ''Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * *Geovani *Giovanni Battista *San Giovanni (other) *San Giovanni Battista (other) San Giovanni Battista is the Italian translation of Saint John the Baptist. It may also refer to: Italian churches * San Giovanni Battista, Highway A11, a church in Florence, Italy * San Giovanni Battista, Pra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles De Brosses
Charles de Brosses (), comte de Tournay, baron de Montfalcon, seigneur de Vezins et de Prevessin (7 February 1709 – 7 May 1777), was a French writer of the 18th century. Life He was president of the parliament of his hometown Dijon from 1741, a member of the Académie des Inscriptions et Belles-Lettres from 1746, and a member of the ''Académie des Sciences, Arts et Belles-Lettres de Dijon'' from 1761. He was a close friend of Georges-Louis Leclerc de Buffon, the naturalist who wrote the ''Histoire Naturelle'', and a personal enemy of Voltaire, the famous philosopher, who barred his entry in the ''Académie française'' in 1770. Because he opposed the absolute power of the king, he was exiled twice, in 1744 and 1771. He wrote numerous academic papers on topics concerning ancient history and language, some of which were used by Denis Diderot and D'Alembert in the ''Encyclopédie'' (1751-1765). Publications De Brosses published five books: *''Lettres sur l'état actuel de la vil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Benedict Stuart
Henry Benedict Thomas Edward Maria Clement Francis Xavier Stuart, Cardinal Duke of York (6 March 1725 – 13 July 1807) was a Roman Catholic cardinal, as well as the fourth and final Jacobite heir to publicly claim the thrones of Great Britain and Ireland. Unlike his father, James Francis Edward Stuart, and brother, Charles Edward Stuart, Henry made no effort to seize the thrones. After Charles's death in January 1788 the Papacy did not recognise Henry as the lawful ruler of Great Britain and Ireland, but referred to him as the Cardinal Duke of York. He spent his life in the Papal States and had a long career in the clergy of the Roman Catholic Church, rising to become the Dean of the College of Cardinals and Cardinal-Bishop of Ostia and Velletri. At the time of his death he was (and still is) one of the longest-serving cardinals in the Church's history. In his youth, Henry's father made him Duke of York (in the Jacobite Peerage), and it was by this title that he was bes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Buffa
''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramma bernesco'', ''dramma comico'', ''divertimento giocoso''. Especially associated with developments in Naples in the first half of the 18th century, whence its popularity spread to Rome and northern Italy, ''buffa'' was at first characterized by everyday settings, local dialects, and simple vocal writing (the basso buffo is the associated voice type), the main requirement being clear diction and facility with patter. ''The New Grove Dictionary of Opera'' considers ''La Cilla'' (music by Michelangelo Faggioli, text by , 1706) and Luigi and Federico Ricci's'' Crispino e la comare'' (1850) to be the first and last appearances of the genre, although the term is still occasionally applied to newer work (for example Ernst Krenek's ''Zeitoper'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_1927_©_Georg_Fayer_(1892–1950)_OeNB_10453273.jpg "Click for more on -> Karl Gustav Fellerer")
