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Ni-be-ni-me-ni-cucurigu
''Ni-be-ni-me-ni-cucurigu'' is an 1878 play by Abraham Goldfaden. The somewhat nonsensical Yiddish title is variously translated as ''Not Me, Not You, Not Cock-a-Doodle-Doo'' or ''Neither This, Nor That, nor Kukerikoo''; Lulla Rosenfeld says it had an alternate title ''The Struggle of Culture with Fanaticism''. The title comes from a Russian expression "ни бе, ни ме, ни кукареку", meaning to understand nothing on the subject. The play itself is lost. The plot centered on a cobbler who becomes a rabbi. Jacob Adler wrote of it that "this thin idea had been dressed out with so much stolen music that it was shameful to hear", but Lulla Rosenfeld, writing from a distance of over a century, argues that its combination of a "serious theme with an amusing nonsense plot" was emblematic of early Yiddish theater. "This emphasis on education, progress, enlightenment," she writes, "is found nowhere else in the popular comedy and melodrama A modern melodrama is a dra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abraham Goldfaden
Abraham Goldfaden (Yiddish: אַבֿרהם גאָלדפֿאַדען; born Avrum Goldnfoden; 24 July 1840 – 9 January 1908), also known as Avram Goldfaden, was a Russian-born Jewish poet, playwright, stage director and actor in the languages Yiddish and Hebrew, author of some 40 plays. Goldfaden is considered the father of modern Jewish theatre. In 1876 he founded in Romania what is generally credited as the world's first professional Yiddish-language theater troupe. He was also responsible for the first Hebrew-language play performed in the United States. The Avram Goldfaden Festival of Iaşi, Romania, is named and held in his honour. Jacob Sternberg called him "the Prince Charming who woke up the lethargic Romanian Jewish culture." Israil Bercovici wrote of his works: "we find points in common with what we now call 'total theater'. In many of his plays he alternates prose and verse, pantomime and dance, moments of acrobatics and some of ''jonglerie'', and even of spirituali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yiddish
Yiddish (, or , ''yidish'' or ''idish'', , ; , ''Yidish-Taytsh'', ) is a West Germanic language historically spoken by Ashkenazi Jews. It originated during the 9th century in Central Europe, providing the nascent Ashkenazi community with a vernacular based on High German fused with many elements taken from Hebrew (notably Mishnaic) and to some extent Aramaic. Most varieties of Yiddish include elements of Slavic languages and the vocabulary contains traces of Romance languages.Aram Yardumian"A Tale of Two Hypotheses: Genetics and the Ethnogenesis of Ashkenazi Jewry".University of Pennsylvania. 2013. Yiddish is primarily written in the Hebrew alphabet. Prior to World War II, its worldwide peak was 11 million, with the number of speakers in the United States and Canada then totaling 150,000. Eighty-five percent of the approximately six million Jews who were murdered in the Holocaust were Yiddish speakers,Solomon Birnbaum, ''Grammatik der jiddischen Sprache'' (4., erg. Aufl., Hambu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoemaking
Shoemaking is the process of making footwear. Originally, shoes were made one at a time by hand, often by groups of shoemakers, or cobblers (also known as '' cordwainers''). In the 18th century, dozens or even hundreds of masters, journeymen and apprentices (both men and women) would work together in a shop, dividing up the work into individual tasks. A customer could come into a shop, be individually measured, and return to pick up their new shoes in as little as a day. Everyone needed shoes, and the median price for a pair was about one day’s wages for an average journeyman. The shoemaking trade flourished in the eighteenth and early nineteenth centuries but began to be affected by industrialization in the later nineteenth century. Traditional handicraft shoemaking has now been largely superseded in volume of shoes produced by industrial mass production of footwear, but not necessarily in quality, attention to detail, or craftsmanship. Today, most shoes are made on a volum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rabbi
A rabbi () is a spiritual leader or religious teacher in Judaism. One becomes a rabbi by being ordained by another rabbi – known as '' semikha'' – following a course of study of Jewish history and texts such as the Talmud. The basic form of the rabbi developed in the Pharisaic (167 BCE–73 CE) and Talmudic (70–640 CE) eras, when learned teachers assembled to codify Judaism's written and oral laws. The title "rabbi" was first used in the first century CE. In more recent centuries, the duties of a rabbi became increasingly influenced by the duties of the Protestant Christian minister, hence the title " pulpit rabbis", and in 19th-century Germany and the United States rabbinic activities including sermons, pastoral counseling, and representing the community to the outside, all increased in importance. Within the various Jewish denominations, there are different requirements for rabbinic ordination, and differences in opinion regarding who is recognized as a rabbi. For ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Pavlovich Adler
Jacob Pavlovich Adler (Yiddish: יעקבֿ פּאַװלאָװיטש אַדלער; born Yankev P. Adler; February 12, 1855 – April 1, 1926)IMDB biography was a Jewish actor and star of Yiddish theater, first in Odessa, and later in London and in New York City's Yiddish Theater District. Nicknamed "''nesher hagodol''",Nahshon 2001 osenfeld 1977/ref> ("''the Great Eagle''", ''Adler'' being the German for "eagle"), he achieved his first theatrical success in Odessa, but his career there was rapidly cut short when Yiddish theater was banned in Russia in 1883. He became a star in Yiddish theater in London, and in 1889, on his second voyage to the United States, he settled in New York City. Adler soon started a company of his own, ushering in a new, more serious Yiddish theater, most notably by recruiting the Yiddish theater's first realistic playwright, Jacob Gordin. Adler scored a great triumph in the title role of Gordin's ''Der Yiddisher King Lear'' (''The Jewish King Lear''), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yiddish Theater
Yiddish theatre consists of plays written and performed primarily by Jews in Yiddish, the language of the Central European Ashkenazi Jewish community. The range of Yiddish theatre is broad: operetta, musical comedy, and satiric or nostalgic revues; melodrama; naturalist drama; expressionist and modernist plays. At its height, its geographical scope was comparably broad: from the late 19th century until just before World War II, professional Yiddish theatre could be found throughout the heavily Jewish areas of Eastern and East Central Europe, but also in Berlin, London, Paris, Buenos Aires and New York City. Yiddish theatre's roots include the often satiric plays traditionally performed during religious holiday of Purim (known as Purimshpils); other masquerades such as the Dance of Death; the singing of cantors in the synagogues; Jewish secular song and dramatic improvisation; exposure to the theatre traditions of various European countries, and the Jewish literary culture t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing '' agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Israil Bercovici
Israil Bercovici (, yi, ישראל בערקאָװיטש; 1921–1988) was a Jewish Romanian dramaturg, playwright, director, biographer, and memoirist, who served the State Jewish Theater of Romania between 1955 and 1982; he also wrote Yiddish-language poetry. Biography Bercovici was born into a poor working-class family in Botoşani, Romania, and received a traditional Jewish education. During World War II he served time at hard labor until the arrival of the Soviet Army in Romania. After the war, he began his career in Yiddish-language newspapers and radio, notably the weekly ''IKUF-Bleter'' (1946–1953), and the ''Revista Cultului Mozaic din R.P.R.'' (''Journal of Jewish Culture in the People's Republic of Romania'', also known as ''Tsaytshrift''). The ''Journal'' was launched in 1956 and had sections in Romanian, Yiddish and Hebrew. Bercovici edited the Yiddish section from 1970 to 1972. As a literature student after the war at a secular secondary school in Buchare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yiddish Plays
Yiddish (, or , ''yidish'' or ''idish'', , ; , ''Yidish-Taytsh'', ) is a West Germanic language historically spoken by Ashkenazi Jews. It originated during the 9th century in Central Europe, providing the nascent Ashkenazi community with a vernacular based on High German fused with many elements taken from Hebrew (notably Mishnaic) and to some extent Aramaic. Most varieties of Yiddish include elements of Slavic languages and the vocabulary contains traces of Romance languages.Aram Yardumian"A Tale of Two Hypotheses: Genetics and the Ethnogenesis of Ashkenazi Jewry".University of Pennsylvania. 2013. Yiddish is primarily written in the Hebrew alphabet. Prior to World War II, its worldwide peak was 11 million, with the number of speakers in the United States and Canada then totaling 150,000. Eighty-five percent of the approximately six million Jews who were murdered in the Holocaust were Yiddish speakers,Solomon Birnbaum, ''Grammatik der jiddischen Sprache'' (4., erg. Aufl., Hambu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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