New Zealand Literature
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New Zealand Literature
New Zealand literature is literature, both oral and written, produced by the people of New Zealand. It often deals with New Zealand themes, people or places, is written predominantly in New Zealand English, and features Māori culture and the use of the Māori language. Before the arrival and settlement of Europeans in New Zealand in the 19th century, Māori culture had a strong oral tradition. Early European settlers wrote about their experiences travelling and exploring New Zealand. The concept of a "New Zealand literature", as distinct from English literature, did not originate until the 20th century, when authors began exploring themes of landscape, isolation, and the emerging New Zealand national identity.. Māori writers became more prominent in the latter half of the 20th century, and Māori language and culture have become an increasingly important part of New Zealand literature. New Zealand literature has developed into a major part of modern New Zealand culture through ...
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Literature
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role. Literature, as an art form, can also include works in various non-fiction genres, such as biography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject.''OED'' Etymologically, the term derives from Latin ''literatura/litteratura'' "learning, a writing, grammar," originally "writing formed with letters," from ''litera/littera'' "letter". In spite of this, the term has also been applied to spoken or s ...
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Selina Tusitala Marsh
Selina Tusitala Marsh (born 21 April 1971) is a New Zealand poet and academic, and was the New Zealand Poet Laureate for 2017–2019. Early life Marsh was born in 1971 in Auckland, New Zealand. Through her mother, Sailigi Tusitala, Marsh is of Samoan and Tuvaluan ancestry and through her father James Crosbie she is of English, Scottish and French descent. Career Marsh grew up in Avondale, Auckland, New Zealand and resides on Waiheke Island. She gained her doctorate from the University of Auckland in 2004 after completing her thesis titled ''"Ancient banyans, flying foxes and white ginger": five Pacific women writers''. Marsh is a Professor in the English, Drama and Writing Studies Department at the University of Auckland where she teaches Creative Writing, and Pacific Literature. Marsh has edited the Pasifika poetry section of the New Zealand Electronic Poetry Centre. In 2015 Marsh won the Literary Death Match for poets at the Australia and New Zealand Literary Festiva ...
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Pōwhiri
A pōwhiri (called a pōhiri in eastern dialects, and pronounced in the Taranaki-Whanganui area) is a Māori welcoming ceremony involving speeches, cultural performance, singing and finally the '' hongi''. It is used to both welcome guests onto a marae or during other ceremonies, such as during a dedication of a building (where the owners or future users of the building might be welcomed). A pōwhiri may not be performed for every group of manuhiri (visitors); a ''mihi whakatau'' ("informal greeting to visitors") may be used instead. A pōwhiri is often used for special visitors or for ''tūpāpaku'' (the body of the deceased) for a tangihanga (funeral). However, a pōwhiri are also often performed for tourist groups as part of special events. For most non-Māori speakers the ''wero'', an aggressive challenge of the visitor at the beginning of the ceremony, is the most spectacular part of pōwhiri. During this part of the ceremony, three Māori warriors will advance cautiously t ...
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Karanga (Māori Culture)
A karanga (''call out, summon'') is an element of cultural protocol of the Māori people of Aotearoa New Zealand. It is an exchange of calls that forms part of the pōwhiri, a Māori welcoming ceremony. It takes place as a visiting group moves onto the marae or into the formal meeting area. Karanga are carried out almost exclusively by women and in Māori language, and are initiated by the tangata whenua or hosts, and responded to by the visitors. Karanga follow a particular format in keeping with protocol. This includes exchanging greetings, paying tribute to the dead (especially those who have most recently died), and referring to the reason for the groups' coming together. It has an important function in building connections between tangata whenua and manuhiri (guests), and setting the agenda for the gathering. See also *Karakia Karakia are Māori incantations and prayers, used to invoke spiritual guidance and protection. With the nineteenth-century introduction of ...
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Marae
A ' (in New Zealand Māori, Cook Islands Māori, Tahitian), ' (in Tongan), ' (in Marquesan) or ' (in Samoan) is a communal or sacred place that serves religious and social purposes in Polynesian societies. In all these languages, the term also means cleared and free of weeds or trees. generally consist of an area of cleared land roughly rectangular (the itself), bordered with stones or wooden posts (called ' in Tahitian and Cook Islands Māori) perhaps with ' (terraces) which were traditionally used for ceremonial purposes; and in some cases, a central stone ' or ''a'u''. In the Rapa Nui culture of Easter Island, the term ' has become a synonym for the whole marae complex. In some modern Polynesian societies, notably that of the Māori of New Zealand, the marae is still a vital part of everyday life. In tropical Polynesia, most marae were destroyed or abandoned with the arrival of Christianity in the 19th century, and some have become an attraction for tourists or archaeol ...
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Māori Music
Traditional Māori music, or pūoro Māori, is composed or performed by Māori people, Māori, the indigenous people of New Zealand, and includes a wide variety of folk music styles, often integrated with poetry and dance. In addition to these traditions and musical heritage, since the 19th-century European colonisation of New Zealand Māori musicians and performers have adopted and interpreted many of the imported Western musical styles. Contemporary rock and roll, soul music, soul, reggae, and hip hop music, hip hop all feature a variety of notable Māori performers. Traditional forms Waiata Songs (''waiata'') are sung solo, in unison, or at the octave. Types of songs include lullabies (''oriori''), love songs (''waiata aroha''), and Lament, laments (''waiata tangi''). Traditionally all formal speeches are followed by a waiata sung by the speaker and their group of supporters. Some of the smaller wind instruments are also sung into, and the sound of the ''poi'' (Typha orientalis ...
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Māori People
The Māori (, ) are the indigenous Polynesian people of mainland New Zealand (). Māori originated with settlers from East Polynesia, who arrived in New Zealand in several waves of canoe voyages between roughly 1320 and 1350. Over several centuries in isolation, these settlers developed their own distinctive culture, whose language, mythology, crafts, and performing arts evolved independently from those of other eastern Polynesian cultures. Some early Māori moved to the Chatham Islands, where their descendants became New Zealand's other indigenous Polynesian ethnic group, the Moriori. Initial contact between Māori and Europeans, starting in the 18th century, ranged from beneficial trade to lethal violence; Māori actively adopted many technologies from the newcomers. With the signing of the Treaty of Waitangi in 1840, the two cultures coexisted for a generation. Rising tensions over disputed land sales led to conflict in the 1860s, and massive land confiscations, to which ...
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Polynesia
Polynesia () "many" and νῆσος () "island"), to, Polinisia; mi, Porinihia; haw, Polenekia; fj, Polinisia; sm, Polenisia; rar, Porinetia; ty, Pōrīnetia; tvl, Polenisia; tkl, Polenihia (, ) is a subregion of Oceania, made up of more than 1,000 islands scattered over the central and southern Pacific Ocean. The indigenous people who inhabit the islands of Polynesia are called Polynesians. They have many things in common, including language relatedness, cultural practices, and traditional beliefs. In centuries past, they had a strong shared tradition of sailing and using stars to navigate at night. The largest country in Polynesia is New Zealand. The term was first used in 1756 by the French writer Charles de Brosses, who originally applied it to all the islands of the Pacific. In 1831, Jules Dumont d'Urville proposed a narrower definition during a lecture at the Geographical Society of Paris. By tradition, the islands located in the southern Pacific have also ...
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Roger Hall (playwright)
Sir Roger Leighton Hall (born 17 January 1939) is one of New Zealand's most successful playwrights, arguably best known for comedies that carry a vein of social criticism and feelings of pathos. Biography Early years Hall was born in Woodford, Essex, England, and educated at London's University College School from 1952 until 1955, when he embarked on a career in insurance. He emigrated to New Zealand in 1957 and continued to work in insurance, also performing in amateur theatre in the city of Wellington. He continued to act while attending Wellington Teachers’ College and Victoria University of Wellington; fellow actor John Clarke praised his impression of then Prime Minister Keith Holyoake as the template for all others. Hall began writing plays for children while teaching, which included a spell at Berhampore School, Wellington. He became a naturalised New Zealander in 1980. Career Hall began writing for television in the 1960s – over the next four decades his televi ...
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Judith Binney
Dame Judith Mary Caroline Binney (née Musgrove, 1 July 1940 – 15 February 2011) was a New Zealand historian, writer and Emerita Professor of History at the University of Auckland. Her work focussed on religion in New Zealand, especially the Māori Ringatū religion founded by Te Kooti Arikirangi Te Turuki and continued by Rua Kenana. She also wrote extensively on the history of Ngāi Tūhoe. Biography Binney was born in Australia in 1940, the daughter of Sydney Musgrove, who was appointed professor of English at Auckland University College in 1947. She graduated with a first-class honours degree in history from the University of Auckland in 1965, and started work at the university as a lecturer in the History Department the next year. She retired as professor of history in 2004. She wrote biographies of both Te Kooti and Kenana, as well as a book on Kenana's followers, and another on Pākehā missionary Thomas Kendall. With Judith Bassett and Erik Olssen she wrote ''Pe ...
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Michael King (historian)
Michael King (15 December 1945 – 30 March 2004) was a New Zealand historian, author, and biographer. He wrote or edited over 30 books on New Zealand topics, including the best-selling ''Penguin History of New Zealand'', which was the most popular New Zealand book of 2004. Life King was born in Wellington, one of four children to Eleanor and Lewis King, and grew up at Paremata. His Glasgow-born father was an advertising executive who had left New Zealand to serve as a naval officer in World War II and had risen to the rank of lieutenant-commander. King's family moved to Auckland for a while, where he attended Sacred Heart College, then returned to Wellington, where he attended St Patrick's College, Silverstream in Upper Hutt. He studied history at Victoria University of Wellington, working part-time for the '' Evening Post'', and graduated with a BA in 1967. He married Ros Henry in 1967. They moved to Hamilton, where King worked full-time as a journalist at the ''Waikato Time ...
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