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New York Kouros
The New York Kouros is an early example of life-sized statuary in Greece. The marble statue of a Greek youth, ''kouros'', was carved in Attica, has an Egyptian pose, and is otherwise separated from the block of stone. It is named for its current location, at the Metropolitan Museum of Art in New York City. The Metropolitan Museum of Art said in "Marble statue of a kouros (youth)" that "The statue marked the grave of a young Athenian aristocrat." Style The statue is similar to the (near-contemporary) statue of Mentuemhet and represents an example of daedalic statuary style. The statue is stylized and not representational. It is highly geometric, and the body is idealized and abstracted, especially in the muscles and the areas of the joints. The eyes and face are not realistic to how a person would look; this statue is not attempting to be observational in nature. The motif of a male figure with his arms straight to his sides, standing upright, and facing forward is unmistakabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kouros
kouros ( grc, κοῦρος, , plural kouroi) is the modern term given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily. Such statues are found across the Greek-speaking world; the preponderance of these were found in sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoion, Boeotia, alone. These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early colossal examples are up to 3 meters tall. The female sculptural counterpart of the kouros is the kore. Etymology The Ancient Greek word kouros (κοῦρος) refers to "youth, boy, especially of noble rank." When a pubescent was received into the body of grown men, as a grown ''Kouros'', he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
6th Century BC
The 6th century BC started the first day of 600 BC and ended the last day of 501 BC. In Western Asia, the first half of this century was dominated by the Neo-Babylonian Empire, which had risen to power late in the previous century after successfully rebelling against Assyrian rule. The Kingdom of Judah came to an end in 586 BC when Babylonian forces under Nebuchadnezzar II captured Jerusalem, and removed most of its population to their own lands. Babylonian rule was ended in the 540s by Cyrus, who founded the Persian Empire in its stead. The Persian Empire continued to expand and grew into the greatest empire the world had known at the time. In Iron Age Europe, the Celtic expansion was in progress. China was in the Spring and Autumn period. *Mediterranean: Beginning of Greek philosophy, flourishes during the 5th century BC *The late Hallstatt culture period in Eastern and Central Europe, the late Bronze Age in Northern Europe *East Asia: the Spring and Autumn period. Confucia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kouroi
kouros ( grc, κοῦρος, , plural kouroi) is the modern term given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily. Such statues are found across the Greek-speaking world; the preponderance of these were found in sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoion, Boeotia, alone. These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early colossal examples are up to 3 meters tall. The female sculptural counterpart of the kouros is the kore. Etymology The Ancient Greek word kouros (κοῦρος) refers to "youth, boy, especially of noble rank." When a pubescent was received into the body of grown men, as a grown ''Kouros'', he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
7th-century BC Greek Sculptures
The 7th century is the period from 601 ( DCI) through 700 ( DCC) in accordance with the Julian calendar in the Common Era. The spread of Islam and the Muslim conquests began with the unification of Arabia by Muhammad starting in 622. After Muhammad's death in 632, Islam expanded beyond the Arabian Peninsula under the Rashidun Caliphate (632–661) and the Umayyad Caliphate (661–750). The Muslim conquest of Persia in the 7th century led to the downfall of the Sasanian Empire. Also conquered during the 7th century were Syria, Palestine, Armenia, Egypt, and North Africa. The Byzantine Empire suffered setbacks during the rapid expansion of the Caliphate, a mass incursion of Slavs in the Balkans which reduced its territorial limits. The decisive victory at the Siege of Constantinople in the 670s led the empire to retain Asia Minor which assured the existence of the empire. In the Iberian Peninsula, the 7th century was known as the ''Siglo de Concilios'' (century of councils) refe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dimitris Plantzos
Dimitris Plantzos (Greek: Δημήτρης Πλάντζος) is a classical archaeologist and writer, Professor of Classical Archaeology at the National and Kapodistrian University of Athens. He specializes in Greek art and archaeology, archaeological theory, and contemporary and modern receptions of classical culture. Career After receiving his BA in History and Archaeology from Athens in 1987, Plantzos got an MPhil (1990) and a DPhil (1993) in Classical Archaeology from the University of Oxford. He held a British Academy Post-doctoral Fellowship from 1994 to 1996, and was a curator for the Ilias Lalaounis Jewelry Museum (1997-1998) and the Museum of Cycladic Art (1998-2003) in Athens. Before taking up his current position at Athens, he was Assistant Professor of Classical Archaeology at the University of Ioannina. Dimitris Plantzos has published articles on a wide variety of topics, including the study of Greek gems and seal-impressions, Greek painting, nationalist uses of clas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Statue
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size; a sculpture that represents persons or animals in full figure but that is small enough to lift and carry is a statuette or figurine, whilst one more than twice life-size is a colossal statue. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, ''Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Color Ancient statues often show the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, but there is evidenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smarthistory
Smarthistory is a free resource for the study of art history created by art historians Beth Harris and Steven Zucker. Smarthistory is an independent not-for-profit organization and the official partner to Khan Academy for art history. Smarthistory started in 2005 as an audio guide series for use at the Metropolitan Museum of Art, The Museum of Modern Art in New York City, and as a resource for students taking introductory art history courses at the college level. In addition to its focus on college-level courses in art history, Smarthistory supports the art history Advanced Placement course and examination developed by The College Board. Smarthistory provides essays, video, photographs, and links to additional resources for each of the 250 works of art and architecture that comprised the 2017 AP art history curriculum. Smarthistory has published more than 880 videos and 2,000 essays on art and cultural history from the Paleolithic era to the 21st century that include the art of A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
City-state
A city-state is an independent sovereign city which serves as the center of political, economic, and cultural life over its contiguous territory. They have existed in many parts of the world since the dawn of history, including cities such as Rome, Athens, Sparta, Carthage, and the Italian city-states during the Middle Ages and Renaissance, such as Florence, Venice, Genoa and Milan. With the rise of nation states worldwide, only a few modern sovereign city-states exist, with some disagreement as to which qualify; Monaco, Singapore and Vatican City are most commonly accepted as such. Singapore is the clearest example, with full self-governance, its own currency, a robust military and a population of 5.5 million. Several non-sovereign cities enjoy a high degree of autonomy and are sometimes considered city-states. Hong Kong, Macau, and members of the United Arab Emirates—most notably Dubai and Abu Dhabi—are often cited as such. Historical background Ancient and medi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attica
Attica ( el, Αττική, Ancient Greek ''Attikḗ'' or , or ), or the Attic Peninsula, is a historical region that encompasses the city of Athens, the capital of Greece and its countryside. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, was an important mining region. The history of Attica is tightly linked with that of Athens, and specifically the Golden Age of Athens during the classical period. Ancient Attica ( Athens city-state) was divided into demoi or municipalities from the reform of Cleisthenes in 508/7 BC, grouped into three zones: urban (''astu'') in the region of Athens main city and Piraeus (port of Athens), coastal (''paralia'') along the coastline and inland (''mesogeia'') in the interior. The modern administrative region of Attica is more extensive than the historical region and includes Megaris as part of the regional unit West Attica, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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