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New York Film Critics Circle Award For Best Foreign Language Film
The New York Film Critics Circle Award for Best Foreign Language Film is one of the annual awards given by the New York Film Critics Circle. Winners 1930s 1940s 1950s 1960s 1970s 1980s 1990s 2000s 2010s 2020s Multiple winners 10 directors have won the award multiple times. See also * Golden Globe for Best Foreign Language Film * Independent Spirit Award for Best International Film * World cinema World cinema is a term in film theory that refers to films made outside of the American motion picture industry, particularly those in opposition to the aesthetics and values of commercial American cinema.Nagib, Lúcia. "Towards a positive de ... References External links * {{NYFCC Awards Chron New York Film Critics Circle Awards Film awards for Best Foreign Language Film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Film Critics Circle
The New York Film Critics Circle (NYFCC) is an American film critic organization founded in 1935 by Wanda Hale from the New York ''Daily News''. Its membership includes over 30 film critics from New York-based daily and weekly newspapers, magazines, and online publications. In December of each year, the organization meets to vote on the New York Film Critics Circle Awards, given annually to honor excellence in cinema worldwide of the calendar year. The NYFCC also gives special stand-alone awards to individuals and organizations that have made significant contributions to the art of cinema, including writers, directors, producers, film critics, film restorers, historians and service organizations. The NYFCC Awards are the oldest given by film critics in the country, and one of the most prestigious. Award ceremonies Note: Dates listed are those of when the awards were actually given. Announcement dates are earlier. Award categories Current categories * Best Actor * Best Actre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forbidden Games
''Forbidden Games'' (french: Jeux interdits) is a 1952 French war drama film directed by René Clément and based on François Boyer's novel ''Jeux Interdits''. While not initially successful in France, the film was a hit elsewhere. It won the Golden Lion at the Venice Film Festival, a Special Award as Best Foreign Language Film in the United States, and a Best Film from any Source at the British Academy Film Awards. Plot It is June 1940, during the Battle of France. After five-year-old Paulette's parents and pet dog die in a German air attack on a column of refugees fleeing Paris, the traumatized child meets 10-year-old Michel Dollé whose peasant family takes her in. She quickly becomes attached to Michel. The two attempt to cope with the death and destruction that surrounds them by secretly building a small cemetery among the ruins of an abandoned watermill, where they bury her dog and start to bury other animals, marking their graves with crosses stolen from a local grav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Truffaut
François Roland Truffaut ( , ; ; 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic. He is widely regarded as one of the founders of the French New Wave. After a career of more than 25 years, he remains an icon of the Cinema of France, French film industry, having worked on over 25 films. Truffaut's film ''The 400 Blows'' (1959) is a defining film of the French New Wave movement, and has four sequels, ''Antoine et Colette'' (1962), ''Stolen Kisses'' (1968), ''Bed and Board (1970 film), Bed and Board'' (1970), and ''Love on the Run (1979 film), Love on the Run'' (1979). Truffaut's 1973 film ''Day for Night (film), Day for Night'' earned him critical acclaim and several awards, including the BAFTA Award for Best Film and the Academy Award for Best Foreign Language Film. His other notable films include ''Shoot the Piano Player'' (1960), ''Jules and Jim'' (1962), ''The Soft Skin'' (1964), ''The Wild Child'' (1970), ''T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The 400 Blows
''The 400 Blows'' (french: Les Quatre Cents Coups) is a 1959 French coming-of-age drama film, and the directorial debut of François Truffaut. The film, shot in DyaliScope, stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. One of the defining films of the French New Wave, it displays many of the characteristic traits of the movement. Written by Truffaut and Marcel Moussy, the film is about Antoine Doinel, a misunderstood adolescent in Paris who struggles with his parents and teachers due to his rebellious behavior. Filmed on location in Paris and Honfleur, it is the first in a series of five films in which Léaud plays the semi-autobiographical character. ''The 400 Blows'' received numerous awards and nominations, including the Cannes Film Festival Award for Best Director, the OCIC Award, and a Palme d'Or nomination in 1959, and was also nominated for an Academy Award for Best Original Screenplay in 1960. The film had 4.1 million admissions in France, making i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Tati
Jacques Tati (; born Jacques Tatischeff, ; 9 October 1907 – 5 November 1982) was a French mime, film-maker, actor and screenwriter. In an ''Entertainment Weekly'' poll of the Greatest Movie Directors, he was voted the 46th greatest of all time (out of 50), although he directed only six feature-length films. Tati's '' Playtime'' (1967) ranked 43rd in the 2012 ''Sight & Sound'' critics' poll of the greatest films ever made. As David Bellos puts it, "Tati, from ''l'Ecole des facteurs'' to ''Playtime'', is the epitome of what an ''auteur'' is (in film theory) supposed to be: the controlling mind behind a vision of the world on film". Family origins Tati was of Russian, Dutch, and Italian ancestry. His father, Georges-Emmanuel Tatischeff (1875-1957), was born in Paris, the son of Dmitry Tatishcheff (Дмитрий Татищев; also spelled Tatishchev), General of the Imperial Russian Army and military attaché to the Russian embassy in Paris. The Tatischeffs were a Russian nobl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mon Oncle
''Mon Oncle'' (; ''My Uncle'') is a 1958 comedy film by French filmmaker Jacques Tati. The first of Tati's films to be released in colour, ''Mon Oncle'' won the Academy Award for Best Foreign Language Film, a Special Prize at the 1958 Cannes Film Festival, and the New York Film Critics Circle Award for Best Foreign Language Film, receiving more honors than any of Tati's other cinematic works. The film centers on the socially awkward yet lovable character of Monsieur Hulot and his quixotic struggle with postwar France's infatuation with modern architecture, mechanical efficiency and consumerism. As with most Tati films, ''Mon Oncle'' is largely a visual comedy; color and lighting are employed to help tell the story. The dialogue in ''Mon Oncle'' is barely audible, and largely subordinated to the role of a sound effect. The drifting noises of heated arguments and idle banter complement other sounds and the physical movements of the characters, intensifying comedic effect. The co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gervaise (film)
''Gervaise'' is a 1956 French film directed by René Clément based on the 1877 novel ''L'Assommoir'' by Émile Zola. It depicts a working-class woman in the mid-nineteenth century (played by Maria Schell) trying to cope with the descent of her husband (played by François Périer) into alcoholism. The film was nominated for the Best Foreign Language Film at the 29th Academy Awards. Schell won the Volpi Cup for Best Actress at the 1956 Venice Film Festival for her performance. It won the 1957 BAFTA for Best Film and Best Actor. Cast * Maria Schell: Gervaise Macquart Coupeau, a patient and courageous laundrywoman * François Périer: Coupeau, Gervaise's husband, a roofer * Suzy Delair: Virginie Poisson, an old rival who hates Gervaise * Armand Mestral: Lantier, Gervaise's former lover * Jany Holt: Mme Lorilleux, Coupeau's ill-tempered sister * Mathilde Casadesus: Mme Boche, the concierge * Florelle: Maman Coupeau, Coupeau's aged mother * Micheline Luccioni: Clémence, a laundrywo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico Fellini
Federico Fellini (; 20 January 1920 – 31 October 1993) was an Italian film director and screenwriter known for his distinctive style, which blends fantasy and baroque images with earthiness. He is recognized as one of the greatest and most influential filmmakers of all time. His films have ranked highly in critical polls such as that of ''Cahiers du Cinéma'' and ''Sight & Sound'', which lists his 1963 film '' '' as the 10th-greatest film. Fellini's best-known films include ''La Strada'' (1954), ''Nights of Cabiria'' (1957), ''La Dolce Vita'' (1960), ''8½'' (1963), ''Juliet of the Spirits'' (1965), the "Toby Dammit" segment of ''Spirits of the Dead'' (1968), ''Fellini Satyricon'' (1969), ''Roma'' (1972), '' Amarcord'' (1973), and ''Fellini's Casanova'' (1976). Fellini was nominated for 16 Academy Awards over the course of his career, winning a total of four in the category of Best Foreign Language Film (the most for any director in the history of the award). He received an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Strada
''La strada'' () is a 1954 Italian drama film directed by Federico Fellini and co-written by Fellini, Tullio Pinelli and Ennio Flaiano. The film tells the story of Gelsomina, a simple-minded young woman (Giulietta Masina) bought from her mother by Zampanò (Anthony Quinn), a brutish strongman who takes her with him on the road. Fellini described ''La Strada'' as "a complete catalogue of my entire mythological world, a dangerous representation of my identity that was undertaken with no precedent whatsoever." As a result, the film demanded more time and effort than any of his other works, before or later. The development process was long and tortuous; there were problems during production, including insecure financial backing, problematic casting, and numerous delays. Finally, just before the production completed shooting, Fellini suffered a nervous breakdown that required medical treatment so he could complete principal photography. Initial critical reaction was harsh, and the fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umberto D
''Umberto D.'' () is a 1952 Italian neorealist film directed by Vittorio De Sica. Most of the actors were non-professional, including Carlo Battisti who plays the title role of Umberto Domenico Ferrari, a poor elderly man in Rome who is desperately trying to keep his rented room. His landlady ( Lina Gennari) is evicting him and his only true friends, the housemaid (Maria-Pia Casilio) and his dog Flike (called 'Flag' in some subtitled versions of the film) are of no help. According to Robert Osborne of Turner Classic Movies, this was De Sica's favorite of all his films. The movie was included in ''TIME'' magazine's "All-TIME 100 Movies" in 2005. The film's sets were designed by Virgilio Marchi. Plot Police disperse an organized street demonstration of elderly men demanding a raise in their meager pensions. One of the marchers is Umberto D. Ferrari, a retired government worker. He returns to his room and finds that his landlady has rented it out for an hour to an amorous couple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teinosuke Kinugasa
was a Japanese filmmaker. He was born in Kameyama, Mie Prefecture and died in Kyoto. Kinugasa won the 1954 Palme d'or at the Cannes Film Festival for '' Gate of Hell''. Biography Kinugasa began his career as an onnagata (actor specializing in female roles) at the Nikkatsu studio. When Japanese cinema began using actresses in the early 1920s, he switched to directing and worked for producers such as Shozo Makino, before becoming independent to make his best-known film, '' A Page of Madness'' (1926). It was considered lost for 45 years until the director rediscovered it in his shed in 1971. A silent film, Kinugasa released it with a new print and score to world acclaim. He also directed the film ''Crossroads'' in 1928. He directed jidaigeki at the Shochiku studios, where he helped establish the career of Chōjirō Hayashi (later known as Kazuo Hasegawa). After the war, he helmed big-budget costume productions for Daiei studios. On February 26, 1982, Kinugasa died at the age of 86 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gate Of Hell (film)
is a 1953 Japanese ''jidaigeki'' film directed by Teinosuke Kinugasa. It tells the story of a samurai (Kazuo Hasegawa) who tries to marry a woman (Machiko Kyō) he rescues, only to discover that she is already married. Filmed using Eastmancolor, ''Gate of Hell'' was Daiei Film's first color film and the first Japanese color film to be released outside Japan. It was digitally restored in 2011 by the National Film Center of the National Museum of Modern Art, Tokyo and Kadokawa Shoten Co., LTD. in cooperation with NHK. Plot The film begins during the Heiji Rebellion in 1160. Lord Kiyomori "the Monk" of the Taira clan has taken his whole family on a pilgrimage to the Itsukushima Shrine. In his absence, the Cavalry Chief Yoshitomo of the Minamoto clan, and the Guard Chief, Nobuyori of the Fujiwara clan, attacked Sanjo Palace, the residence of former Emperor Go-Shirakawa in a coup. The samurai Endō Morito is assigned the duty of escorting lady-in-waiting Kesa away from the palace on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
