|
New York Dolls (album)
''New York Dolls'' is the debut album by the American hard rock band New York Dolls. It was released on July 27, 1973, by Mercury Records. In the years leading up to the album, the Dolls had developed a local fanbase by playing regularly in lower Manhattan after forming in 1971. However, most music producers and record companies were reluctant to work with them because of their vulgarity and onstage fashion as well as homophobia in New York; the group later appeared in exaggerated drag on the album cover for shock value. After signing a contract with Mercury, the Dolls recorded their first album at The Record Plant in New York City with producer Todd Rundgren, who was known for his sophisticated pop tastes and held a lukewarm opinion of the band. Despite stories of conflicts during the recording sessions, lead singer David Johansen and guitarist Sylvain Sylvain later said Rundgren successfully captured how the band sounded live. The resulting music on the album – a mix of care ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Dolls
New York Dolls were an American rock band formed in New York City in 1971. Along with the Velvet Underground and the Stooges, they were one of the first bands of the early punk rock scenes. Although the band never achieved much commercial success and their original line-up fell apart quickly, the band's first two albums—'' New York Dolls'' (1973) and '' Too Much Too Soon'' (1974)—became among the most popular cult records in rock. The line-up at this time consisted of, vocalist David Johansen, guitarist Johnny Thunders, bassist Arthur Kane, guitarist and pianist Sylvain Sylvain, and drummer Jerry Nolan; the latter two had replaced Rick Rivets and Billy Murcia, respectively, in 1972. On stage, they donned an androgynous wardrobe, wearing high heels, eccentric hats, satin, makeup, spandex, and dresses. Nolan described the group in 1974 as "the Dead End Kids of today". According to the ''Encyclopedia of Popular Music'' (1995), the New York Dolls predated the punk and glam m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drag (clothing)
The term "drag" refers to the performance of exaggerated masculinity, femininity, or other forms of gender expression, usually for entertainment purposes. A drag queen is someone (usually male) who performs femininity and a drag king is someone (usually female) who performs masculinity. Performances often involve comedy, social satire, and at times political commentary. The term may be used as a noun as in the expression ''in drag'' or as an adjective as in '' drag show''. __TOC__ Etymology The use of "drag" in this sense appeared in print as early as 1870Oxford English Dictionary 2012 (Online version of 1989 2nd. Edition) Accessed 11 April 2012 but its origin is uncertain. One suggested etymological root is 19th-century theatre slang, from the sensation of long skirts trailing on the floor. It may have been based on the term "grand rag" which was historically used for a masquerade ball. In folk custom Men dressed as women have been featured in certain traditional customs f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lexington Avenue
Lexington Avenue, often colloquially abbreviated as "Lex", is an avenue on the East Side of the borough of Manhattan in New York City that carries southbound one-way traffic from East 131st Street to Gramercy Park at East 21st Street. Along its , 110-block route, Lexington Avenue runs through Harlem, Carnegie Hill, the Upper East Side, Midtown, and Murray Hill to a point of origin that is centered on Gramercy Park. South of Gramercy Park, the axis continues as Irving Place from 20th Street to East 14th Street. Lexington Avenue was not one of the streets included in the Commissioners' Plan of 1811 street grid, so the addresses for cross streets do not start at an even hundred number, as they do with avenues that were originally part of the plan. History Both Lexington Avenue and Irving Place began in 1832 when Samuel Ruggles, a lawyer and real-estate developer, petitioned the New York State Legislature to approve the creation of a new north–south avenue between the exist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Murcia
Billy Murcia (October 9, 1951 – November 6, 1972) was the original drummer for the New York Dolls.Jacobson, Mark"The Icon: Doll Face" ''New York (magazine)'', September 23, 2002. Accessed May 28, 2009. "Then came the sad pictures: Johnny and Jerry, RIP, and Billy Murcia too, their first drummer, a Colombian from Jackson Heights, dead in a London bathtub." Biography Murcia was born in Bogotá, Colombia, and raised in Jackson Heights, New York, United States. He and Sylvain Sylvain both attended Quintano's School for Young Professionals, in the late sixties. It was at Quintano's that they met Johnny Thunders, also a student there. They made their musical debut in 1967, in a band called "The Pox". They owned and co-managed a clothing business called "Truth and Soul". Murcia was a fundamental ingredient of the original New York Dolls sound and played during their now-legendary series of weekly shows at the Mercer Arts Center. While on a brief tour of England in 1972, Murcia w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Kane
Arthur Harold Kane Jr. (February 3, 1949 – July 13, 2004) was a musician best known as the bass guitarist for the pioneering glam rock band the New York Dolls. Kane was a founding member of the Dolls in 1971 and remained an integral part of the band until he was forced out in 1975, shortly after the departure of Johnny Thunders and Jerry Nolan. In 2004, after decades of estrangement from Dolls singer David Johansen, Kane rejoined the surviving Dolls (Johansen and Sylvain Sylvain) to rehearse and play a reunion concert in London, which was the subject of the 2005 documentary ''New York Doll''. In addition to his bass playing, Kane was known for his subculture fashion sense and for uttering original aphorisms in his uniquely toned voice. Kane's nickname, "Killer", was inspired by the first article written about the Dolls in which the journalist described Kane's "killer bass playing". Kane also said that it was inspired by the adversary of the 1930s science fiction hero ''Buck Roger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rick Rivets
Rick Rivets (born George Fedorcic) was an American guitarist. In 1971, he and childhood friend Arthur Kane formed a band which, after Rivets was replaced by Sylvain Sylvain, became the New York Dolls, the name provided by the new guitarist. In 1973 Rivets formed The Brats. The newly-formed Kiss A kiss is the touch or pressing of one's lips against another person or an object. Cultural connotations of kissing vary widely. Depending on the culture and context, a kiss can express sentiments of love, passion, romance, sexual attraction, ... opened for the Brats several times. In 1977, Rivets quit the Brats. He formed the Corpse Grinders with Arthur Kane on bass and their former highschool friend Stuboy Wylder on vocals. Kane left shortly afterwards. In 2006, Rick Rivets released an album called ''City Rockers'', with the Rick Rivets Band. He appears briefly in the movie '' New York Doll'' about Arthur Kane. Rivets died on February 19, 2019. References External links *Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Thunders
John Anthony Genzale (July 15, 1952 – April 23, 1991), known professionally as Johnny Thunders, was an American guitarist, singer and songwriter. He came to prominence in the early 1970s as a member of the New York Dolls. He later played with the Heartbreakers and as a solo artist. Early life and career Thunders was born John Anthony Genzale in Queens, New York, the second child of Josephine Genzale (née Nicoletti, 1923–1999), who was of Italian descent, and Emil Genzale (1923–1982), who was of Italian, Russian-Jewish, and German-Jewish ancestry. Thunders had an older sister, Mariann (1946–2009). He first lived in East Elmhurst, Queens, East Elmhurst and then Jackson Heights, Queens, Jackson Heights. His first musical performance was in the winter of 1967 with The Reign. Shortly thereafter, he played with Johnny and the Jaywalkers, under the name Johnny Volume, at Quintano's School for Young Professionals, around the corner from Carnegie Hall, on 56th Street near 7th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camp (style)
Camp is an aesthetic style and sensibility that regards something as appealing because of its bad taste and ironic value. Camp aesthetics disrupt many of modernism's notions of what art is and what can be classified as high art by inverting aesthetic attributes such as beauty, value, and taste through an invitation of a different kind of apprehension and consumption. Camp can also be a social practice and function as a style and performance identity for several types of entertainment including film, cabaret, and pantomime. Where high art necessarily incorporates beauty and value, camp necessarily needs to be lively, audacious and dynamic. The visual style is closely associated with gay culture. Camp art is related to and often confused with kitsch and things with camp appeal may be described as cheesy. In 1909, ''Oxford English Dictionary'' defined camp as "ostentatious, exaggerated, affected, theatrical; effeminate or homosexual" behavior, and by the middle of the 1970s, cam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brill Building Pop
Brill Building (also known as Brill Building pop or the Brill Building sound) is a subgenre of pop music that took its name from the Brill Building in New York City, where numerous teams of professional songwriters penned material for girl groups and teen idols during the early 1960s. The term has also become a metonym for the period in which those songwriting teams flourished. In actuality, most hits of the mid-1950s and early 1960s were written elsewhere. Overview The music conceived at the Brill Building was more sophisticated than other pop styles of the time, combining contemporary sounds with classic Tin Pan Alley songwriting. Productions often featured orchestras and bands with large rhythm and guitar sections, while its lyrics focused on idealized romance and adolescent anxieties, only rarely exploring more mature themes. The genre dominated the American charts in the period between Elvis Presley's army enlistment in 1958 and the onset of the British Invasion in 1964. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock And Roll
Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a Genre (music), genre of popular music that evolved in the United States during the late 1940s and early 1950s. It Origins of rock and roll, originated from African-American music such as jazz, rhythm and blues, boogie woogie, gospel music, gospel, as well as country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s,Peterson, Richard A. ''Creating Country Music: Fabricating Authenticity'' (1999), p. 9, . the genre did not acquire its name until 1954. According to journalist Greg Kot, "rock and roll" refers to a style of popular music originating in the United States in the 1950s. By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music, though the latter also continued to be known in many circles as rock and roll."Kot, Greg"Rock and roll", in the ''Encyclopædia Bri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> New York Dolls (album)")
